Quarter Military Band QMB 503-Symphonic Band (full score). Grundman C

Christmas Fanfare is based on the traditional English Christmas tune 'The Sussex Carol' also known as 'On Christmas Night All Christians Sing'. A short piece of about 2 minutes in the style of a fanfare the tune moves betwen the various sections of the band sometimes appearing in canon. Christmas Fanfare was first performed in Naas Co. Kildare Ireland on December 20th 2007 by the Army Number One Band with the composer conducting.

A sparkling infectious piece with a propelling and compelling momentum and great rhythmic drive! Woodwind Ensemble (Full score). Amis K

This rousing new crowd-pleaser echoes with excitement as it freely explores tonalities and rhythms. The fanfare-like setting is in the lasting tradition of British band music. A modulatory character energizes the middle section of the piece and propels it relentlessly forward to an uplifting conclusion.If you are looking for a grand way to open or reinvigorate your concert you’ve found it!A sparkler!

Cheryl Frances-Hoad's In The Crypt Of The Wood for 5 Male Voices. In the crypt of the wood was commissioned by Opus Anglicanum and premiered at St. James's Church Chipping Campden on the 14th March 2015 followed by a performance at Wells Cathedral on the 17th April. Duration: 6 minutes Cheryl Frances-Hoad's In The Crypt Of The Wood for 5 Male Voices. In the crypt of the wood was commissioned by Opus Anglicanum and premiered at St. James's Church Chipping Campden on the 14th March 2015 followed by a performance at Wells Cathedral on the 17th April. Duration: 6 minutes

Microjazz is the world-famous series of pieces based on classical technique yet using popular contemporary styles such as jazz blues rock 'n' roll and funk. Microjazz helps you develop musicianship and technique through the familiar sounds and styles of popular music. It is this unique combination of modern genres with traditional technique that has made Microjazz an international success with teachers and players and one of the most widely used educational series ever published. New technology brings Microjazz alive and adds an exciting interactive dimension to practice and performance. Based on classical technique Microjazz is a great way to introduce rhythm and developco-ordination skills whilst being fun for all ages and standards. A great motivator for the reluctant student the pieces are equally effective on acoustic or electronic instruments. The edition is part of the ABRSM syllabus (grade 3 4) Microjazz For Recorder contains fourteen stimulating original pieces in popular styles for Soprano or Descant Recorder and Piano accompaniment. Graded in order of difficulty these compositions are designed to improve solo technique and character whilst developing articulation and rythmic nuances. Part of the successful Microjazz series this book by Christopher Norton is not only fun but also a valuable resource for any developing Recorder player. Set as part of the ABRSM Descant Recorder examinations grades 3 and 4.

Sally Beamish's Penguin Café for Piano Trio. Based on the idea of film music Penguin Café conjures up the era of silent film and live musicians in cinemas. - Sally Beamish Commissioned with admiration by Andrew Keener

The Japanese arranger Toshio Mashima has made a swinging arrangement for concert band of At the Mambo Inn. With the accompaniment of a large percussion section the right note has been struck and the Latin American mambo is expressed well. Swing it out!

A collection of American music fun to play while advancing your musicality and technique. Piano accompaniment by Kathy McMillen.

Allegro deciso; Andante con Moto; Allegro frenetico (2 copies required for performance)

Even for small choirs Schubert’s Mass in G major poses no scoring or performance problems and is thus ideal for use in church services. The work is full of surprises and musical ideas. Apart from the Benedictus the solo parts are limited to short interpolations. Relatively easy choral and solo writing Straight-forward organ arrangement Ideal for church services The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements hasbeen taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.

A major- Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773. Urtext of the New Mozart Edition Full score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale. The new Urtext performing editions to Mozart ’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst. A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.

Cycle Apres Pentecote-In Assumptione B.M.V.-Orgue- 1.Introït; 2.Offertoire; 3.Elévation; 4.Communion; 5.Paraphras-Carillon

Chsons Pop Prov Franc Serie 1 Vol 5 Vx Unisson S-A- Région du Nord et du Nord-Ouest (from 'Anthologie du Chant scolaire et post-scolaire - 1ère Série')

Quartets No.14 and No.15 may be performed separately or as an Octet

(TTBB Piano Part)-The Piano part for Max Raabe 's Ich Bin Schuld a wonderful work arranged for TTBB chorus and Piano Accompaniment. The vocal score is available to purchase separately. The Piano part for Max Raabe 's Ich Bin Schuld a wonderful work arranged for TTBB chorus and Piano Accompaniment. The vocal score is available to purchase separately.

Klavierauszug fur Gesangssoli Gemischtchor und Klavier. Soli: SATB - Chor: SATB.

Opera in three acts- Handel ’s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in Göttingen (Germany) using the new Bärenreiter edition including the performance material and this vocal score. Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightly constructed the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband the Roman emperor Claudius. After he is presumed dead she attempts with deception andintrigue to place her son Nero on the throne. The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted or replaced by other numbers versions and variants. Urtext edition based on the Halle Handel Edition Performance material available for hire Hardback full score (BA4092-01) and paperback vocal score (BA4092-90) available for sale Vocal scores includes: - A singing translation in German - Extensive bilingual Foreword (Ger/Eng) - Idiomatic uncluttered Piano reduction

SATB and organ A short Latin service without Creed. Dedicated to the Children and Gentlemen of Her Majesty's Chapel Royal at St James's Palace London.

An American Song is a collage that portrays the motto e pluribus unum by combining several dozen American tunes into a single whole. Fragments of hymns spirituals show tunes jazz standards country and western ballads folk songs and classical compositions are set into the collage like thin translucent glazes producing a musical surface that evokes the greatness and the struggle inherent in the American identity at times clearly and at times dimly through a haze of memory and association.Symphonic Band (full score). Fletcher A