Here is a marvelous arrangement of a classic hymn. Written for organ and piano with an option for congregational participation this noble statement of the majesty of Christ is useful any time. This impressive work is wellcrafted which enables any choir to succeed in its presentation. Regal!

William Schuman's setting of a poem by Genevieve Taggard takes as its theme the necessity of simple pleasures and the importance of each person. This version is for upper voices. The song is in a loose rondo form and the music alternates between the main jerky almost angry music and the smooth but still precise middle section with its growing self-belief.

A folk-rock masterpiece of the first order this acoustic gem recorded by Judy Collins is a gentle meditation on the nature of life. Available separately: SATB SSA ShowTrax CD. Duration: ca. 3:20. Who Knows Where The Time Goes was written by folk-rock singer/songwriter Sandy Denny who recorded it for the first time as a demo in 1967. The song since been covered by many artists including Judy Collins who released an album with it as the title track in 1968. Who Knows Where The Time Goes is arranged here for SSA choir with Piano accompaniment by Audrey Snyder .

Volume 1-Mel Bay's Master Anthology of Mandolin Solos Volume One is designed to enhance the repertoire of the intermediate to advanced mandolinist with a generous collection of challenging pieces. Contributors include Alan Bibey Bud Orr Simon Mayor John McGann Jody Stecher Joe Carr Dan Gelo Matt Flinner Seth Austern Ray Valla Jethro Burns Rob Haines Ely Karasik Terry Pender Carlo Aonzo Eugene Hayth Butch Baldassari Robert Bancalari and many others. Standard notation and tablature are offered for most of the pieces (a few are notation only) along with a biographical sketch of the performer. Includes access to online audio making this an ideal sourcebook for seriousstudents and professionals alike. The audio contains performances of most of the pieces in the book. Mel Bay's Master Anthology Of Mandolin Solos: Volume 1 is designed to enhance the repertoire of the intermediate to advanced mandolinist with a generous collection of challenging pieces. Contributorsinclude Alan Bibey Bud Orr Simon Mayor John McGann Jody Stecher Joe Carr Dan Gelo Matt Flinner Seth Austern Ray Valla Jethro Burns Rob Haines Ely Karasik Terry Pender Carlo Aonzo Eugene Hayth Butch Baldassari Robert Bancalari and many others. Standard notation and tablature are offered for most of the pieces (a few are notation only) along with a biographical sketch of the performer. Includes online audio making this an idealsourcebook for serious students and professionals alike. The audio contains performances of most of the pieces in the book.

Easy popular pieces for young Alto Saxophone players selected and arranged by Jerry Lanning. Revised edition with CD backing tracks and demo CD.

Based on the parable from the Gospel of Luke this song for SATB choir has added drama in the shape of two soloists - one baritone and one tenor - who assume the roles of the Pharisee and the Publican. There is much interplay between parts illustrating the difference between the characters of the men.

For Classic Guitar-This collection of etudes for classic guitar includes six in open position nine in Position II and five in Position IV. Standard notation only. This collection of etudes for classic guitar includes six in open position nine in Position II and five in Position IV. Standard notation only.

Version for Countertenor and Piano composed in 1999. Commissioned by James Bowman.

Rosenhaus - Grade 3

A five-movement suite for solo guitar dedicated to Alice Artzt Carlos Barbosa-Lima and Alirio Diaz. The movements are Quisqueya: Homenaje a la Catedral de Santo Domingo: Pavana Guajira (al estilo del Son Cubano): Boriken (Cancion-Mazurka): and Seis Milonga. Written in standard notation only and recommended for the intermediate to advanced guitarist. The companion recording by Carlos Barbosa-Lima is highly recommended. A five-movement suite for solo Guitar dedicated to Alice Artzt Carlos Barbosa-Lima and Alirio Diaz. The movements are Quisqueya Homenaje a la Catedral de Santo Domingo Pavana Guajira (al estilo del Son Cubano) Boriken (Cancion-Mazurka) and Seis Milonga . Written in standard notation only and recommended for the intermediate to advanced guitarist. The companion recording by Carlos Barbosa-Lima is highly recommended.

Instrumental Play-Along-Who needs a singer? With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca and Turandot .Who needs a singer? With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca and Turandot .

Tavener's 1994 work for voice and cello. This is a special item which is made to order.

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . The orchestral accompaniment to Johann Sebastian Bach's Concerto In D Minor has been arranged for a second piano by Edwin Hughes. Please note: two scores needed to perform.

Based on the well-known hymn this stately and majestic arrangement is an excellent choice for your local choir or for a festival gathering. The interspersing of voices and brass adds excitement and anticipation.Available separately: SATB and TTBB.

Einstein On The Beach the opera from which Knee Play 2 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long. Knee Play 2 is one of the number songs composed for scene changes simply set to Organ and using numbers and solfege syllables as text. American composer Philip Glass is widely known as one of themost celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.' Glass ' operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble. This four minute piece is the second Knee Play from Einstein On The Beach and is scored for Violin.

One of Emily Dickenson's lesser-known poems has been arranged for SATB and piano a good choice for college or community chorus.

From our Accent On Youth Series this inspirational piece would work well to begin or end a project or a year. It could even be a theme song for a group: now the world is yours go out and make it better.

To the Distant Beloved Op. 98-Contains 6 songs. An Die Ferne Geliebte (To the Distant Beloved) arranged for High Voice and Piano. English translation by Theodore Baker.

For this centenary publication Professor Peter Dickinson who knew Berkeley and his work for many years has brought together for the first time the complete solo piano output including hitherto unpublished pieces. He hasexmained sources and corrected previously published versions as well as completing the set of 'Three Dances' which the composer left only partly arranged for piano from his unknown ballet score of 1932. Pianists at last have theopportunity for an overview of truly outstanding contribution to piano literature. Includes detailed editorial notes.

This is an easy and fun piece for all singers and audiences from the youngest beginners to the overworked adults. For beginners it can be treated as three separate songs that introduce counterpoint as the three songs are then sung together.