British rock band The Police enjoyed their greatest successes during the early 1980’s. The group’s members were Stewart Copeland Andy Summer and Gordon Sumner who went on to enjoy a massive solo career as Sting. Stefan Schwalgin’s medley The Police on Stage brings together some of the trio’s biggest hits: Roxanne De Doo Doo Doo De Da Da Da Every Breath You Take and Every Little Thing She Does Is Magic.

For Flute Clarinet in B Flat Piano Violin and Cello.

Novello New Choral Series- Why O Lord do you stand far off? was written in memory of the victims of the London bombings on 7 July 2005 questions the presence of God in times of human disaster particularly when committed by man upon his fellow man. The piece's focus lies in the two rhetorical questions first sung by the female voices at the beginning. This opening three note motif returns frequently throughout the work forever challenging the whereabouts of God's watchful eye. This commemorative setting of Psalm 10 was recorded by the Exeter College Chapel Choir in 2006. The Novello New Choral Series is an inspiring selection of new works from a range of contemporarycomposers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around. Jonathan bridcut (b.1984) has written a broad range of works for choir and orchestra that have been performed throughout the UK and europe. Jonathan was a treble at Winchester College where he was head Quirister in 1998 before Moving on to Radley College as top music scholar. He developed his interest in composition at Oxford University while studying at Exeter College as both an academic and choral Scholar. His first set of Evening Canticles was premiered in 2004 and a year later a second was performed in St Paul’s Cathedral. Recent highlights include performances at Oxford’s Sheldonian Theatre Tewkesbury Abbey St James’s Piccadilly and at the Lausanne Summer Festival by choirs and orchestras including Schola Cantorum of Oxford Commotio and The Oxford Spezzati. Future engagements include performances by the Oxford Spezzati and Laudate in London Lyon and Chester (where his latest choral commission will be premiered in September 2011). Jonathan graduated from Oxford in 2006 with a BA in Modern

For solo female voice (Mezzo-Soprano) and ensemble: Violin Viola Cello Contrabass and Piano. Commissioned by Karina McIntosh in memory of her husband Angus McIntosh. I - Triple Burden II - Praise of a Man III - From His House Door IV - Defeat V - In Memoriam VI - Highland Funeral For solo female voice (Mezzo-Soprano) and ensemble: Violin Viola Cello Contrabass and Piano. Commissioned by Karina McIntosh in memory of her husband Angus McIntosh. I - Triple Burden II - Praise of a Man III - From His House Door IV - Defeat V - In Memoriam VI - Highland Funeral

A double-CD bumper compilation of chart hits ballads and film themes for Flute in melody line arrangements with specially recorded backing tracks. Hear full performance versions of the songs on Disc 1 Tracks 1-17. The flute partis then omitted from tracks 1-17 of disc 2 to enable you to play along with the recorded accompaniment as the solo. The Guest Spot series provides excellent teaching material in conjunction with examination work and as concert orperformance works.

Patrick Hawes' Blue in Blue for SATB and Harp (or Piano). Duration: 4 minutes Patrick Hawes' Blue in Blue for SATB and Harp (or Piano). Duration: 4 minutes

Learn to play every song from Ella Henderson 's No. 1 debut album Chapter One arranged for Piano Voice and Guitar . After her shocking early exit from the X Factor despite being the favourite Ella Henderson has come back in full force with Chapter One a fantastic pop album that has ticked all the right boxes with the public and critics alike. The songs vary in style from upbeat danceable party tracks to pure pop balladry. The one constant is Henderson 's unmistakeable voice with its wide range and ability to convey a great sense of emotion. This Chapter One sheet music songbook contains singles like the catchy Ghost and Glow with its powerful and uplifting chorus. The 11 other tracks from the album are also included here all arranged for Piano Voice and Guitar with full lyrics. The album as a whole has been critically acclaimed and you'll love singing and playing each and every one of these melodic gems. Critics have particularly commended Henderson 's vocal abilities and her songwriting talent and these are evident on this album her stellar range shining through as she sings such personal lyrics. Ella Henderson 's debut is a powerhouse of a pop album where sombre Piano and heartfelt lyrics intermix with catchy choruses and verses full of vitality. If you want to learn to sing and play these wonderful songs this Ella Henderson sheet music songbook can't be beaten for its accuracy so that you can be performing the entire album straight away. We're hoping for Chapters Two and Three. Learn to play every song from Ella Henderson 's No. 1 debut album Chapter One arranged for Piano Voice and Guitar . After her shocking early exit from the X Factor despite being the favourite Ella Henderson has come back in full force with Chapter One a fantastic pop album that has ticked all the right boxes with the public and critics alike. The songs vary instyle from upbeat danceable party tracks to pure pop balladry. The one constant is Henderson 's unmistakeable voice with its wide range and ability to convey a great sense of emotion. This Chapter One sheet music songbook contains singles like the catchy Ghost and Glow with its powerful and uplifting chorus. The 11 other tracks from the album are also included here all arrangedfor Piano Voice and Guitar with full lyrics. The album as a whole has been critically acclaimed and you'll love singing and playing each and every one of these melodic gems. Critics have particularly commended Henderson 's vocal abilities and her songwriting talent and these are evident on this album her stellar range shining through as she sings such personal lyrics. Ella Henderson 'sdebut is a powerhouse of a pop album where sombre Piano and heartfelt lyrics intermix with catchy choruses and verses full of vitality. If you want to le

O Salutaris Hostia is a work by David Terry for Unison Voices and Organ Accompaniment (with optional Descant). A setting of a poem in Latin by Edward Caswall a performance lasts around 2 minutes. O Salutaris Hostia is a work by David Terry for Unison Voices and Organ Accompaniment (with optional Descant). A setting of a poem in Latin by Edward Caswall a performance lasts around 2 minutes.

The works include An Air composed for Holsworthy Church Bells by S S Wesley Allegretto by C H Lloyd The Chimes of Cloucester Cathedral by C Lee Williams Cloister-Garth by Herbert Brewer Procession from Air Berceuse and Procession by Herbert Sumsion and John Sanders’s own Toccata representing a procession of Organists at Gloucester Cathedral from 1865 to 1994.Organist composer educator Choral director and administrator John Sanders who died in 2003 was a tireless musician whose influence extends into the future through his engagement with generations of aspiring musicians. The tone of his life is evident from this volume whose works are topped and tailed by hiscomments on the composers and on the history and development of the cathedral Organ itself.

This freshly engraved edition features three staves to the Organ part and a paragraph explaining the historical background and context of the work.

What Sweeter Music Can We Bring? Was Composed By Basil Harwood With Words From 17Th Century Poet Robert Herrick'S 'Noble Numbers'. The Work Is Arranged For Satb Choir. The English Organist And Composer Basil Harwood Was A Prolific Writer Of Cantatas Church Music And Works For The Organ. What Sweeter Music Can We Bring? was composed by Basil Harwood with words from 17th century poet Robert Herrick's 'Noble Numbers'. The work is arranged for SATB choir. The English organist and composer Basil Harwood was a prolific writer of cantatas church music and works for the Organ.

A collection of arias compiled for Soprano and Piano. CD of authentic orchestral accompaniments available separately. A collection of arias compiled for Soprano and Piano. CD of authentic orchestral accompaniments available separately.

Piano Vocal Score and CD with instrumental and vocal versions-Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the worlds most famous arias. The CDs feature two versions of each aria:one with a 130-piece orchestra providing accompaniments to allow the professional student or opera fan to practice and another sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short plot summary andbackground information on the orchestra and the performers.This unique and exciting series gives you the chance to learn some of the greatest arias of Giacomo Puccini with full orchestral backing tracks. A selection of operatic showstoppers have been presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full. An excellent rehearsal tool or the ideal way to introduce your voice to the wonders and rigors of the Opera.

O For A Lay! is a work by Charles Wood for Unaccompanied SATB Choir. A setting of a poem by George Ratcliffe Woodward a full performance lasts around 1 and a half minutes. O For A Lay! is a work by Charles Wood for Unaccompanied SATB Choir. A setting of a poem by George Ratcliffe Woodward a full performance lasts around 1 and a half minutes.

This edition is newly published in a fresh engraving. It also includes a paragraph explaining the historical background and context of the work.

Cordoba from Opus number 232 arranged for Piano solo.

Nimrod Summertime Theme from Spartacus and The Swan.

Coleridge-Taylor 'Now Late On The Sabbath Day' arranged for mixed voice choir SATB with organ accompaniment.

Study Score for Kenneth Leighton's Concerto For Organ Op.58. A separate organ part is also available on sale.

A collection of lively and entertaining well-known pieces including Joplin's 'The Entertainer' and 'The Floral Dance'. Tenor saxophone and piano. A collection of lively and entertaining well-known pieces including Joplin's 'The Entertainer' and 'The Floral Dance'. Tenor saxophone and piano.