Paul Mealor's Beneath Thy Compassion for SATB. Duration: 3 minutes Paul Mealor's Beneath Thy Compassion for SATB. Duration: 3 minutes

Samson An Oratorio For Soloists Mixed Chorus And Orchestra By George Frideric Handel Libretto By Newburgh Hamilton After Milton’S Samson Agonistes . Edited By Donald Burrows. This Item Is The Full Set Of Parts. Bassoon Cello/Bass Flute 1 Flute 2 Horn 1 Horn 2 Oboe 1 Oboe 2 Organ Harpsichord Timpani Trombone 1 Trombone 2 Trumpet 1 Trumpet 2 Viola Violin 1 Violin 2 Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes . Edited by Donald Burrows. This item is the full set of parts. Bassoon Cello/Bass Flute 1 Flute 2 Horn 1 Horn 2 Oboe 1 Oboe 2 Organ Harpsichord Timpani Trombone 1 Trombone 2 Trumpet 1 Trumpet 2 Viola Violin 1 Violin 2

Simplified arrangements of all twelve tracks from Katie Melua's debut album including Blame It On The Moon My Aphrodisiac Is You and The Closest Thing To Crazy .

This fine collection contains the most famous masterpieces by George Gershwin containing both sheet music and full audio on CD.

James Rae and Mike Cornick's 'Cinderella Jones' a children's musical with for 12 soloists choir and piano accompaniment. Includes a CD with orchestral baking track.

In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part. The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song . And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part. The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement

J.C. Bach 's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unaccompanied SATB chorus and expertly edited by Jonathan Wikeley . The lyrics were written by Magnus Daniel Omeis and are in Latin. J.C. Bach 's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unaccompanied SATB chorus and expertly edited by Jonathan Wikeley . The lyrics were written by Magnus Daniel Omeis and are in Latin. A review in the June 2016 edition of Organist's Review states that this is 'a chorale-like piece with an attractive melody well-crafted harmonies and only moderate technical challenges.'

The ultimate rock and pop collection specially arranged for flute. 100 Number One hits in melody line arrangements with chord symbols.

The traditional Hampshire folksong arranged for male voices by Gustav Holst. A Piano part is provided for rehearsal purposes only.

With words by Thomas Broughton. Performing edition by Peter Jones.

James Davy 's O Salutaris Hostia is a work for SATB Choir and Organ Accompaniment. A setting of Edward Caswall's Latin poem a performance lasts around 4 minutes. James Davy 's O Salutaris Hostia is a work for SATB Choir and Organ Accompaniment setting the text written by Thomas Aquinas for the Feast of Corpus Christi. A performance lasts around 4 minutes.

This is the 1954 version for equal voices with accompaniment of four horns and with Russian text in both Cyrillic and transliteration.

For SATB Choir and Organ For SATB Choir and Organ

Cello (German). Nelson S

The Long And Winding Road is one of the most popular ballads of The Beatles' late-period. A melancholic song written by Paul McCartney and inspired by the growing tensions within the group it’s a dramatic track that creates a sense of emotional drama by modulating between minor and major keys. This new choral arrangement for SSA choir with piano accompaniment by Simon Foxley is an intriguing proposition for ensembles with its non-standard song structure that plays around with the emphasis of its main melodic theme. The Long And Winding Road is one of the most popular ballads of The Beatles' late-period. A melancholic song written by Paul McCartney and inspired by the growing tensions within the group it’s a dramatic track that creates a sense of emotional drama by modulating between minor and major keys. This new choral arrangement for SSA choir with piano accompaniment by Simon Foxley is an intriguing proposition for ensembles with its non-standard song structure that plays around with the emphasis of its main melodic theme.

A suite composed in 1920 in three movements: 1) Presto 2) Andante 3) Vif. In January 1920 the critic Henri Collet named Poulenc and five composing friends Le Groupe des Six' by analogy with the RussianFive. It was a convenient label for publicity purposes and Jean Cocteau as their self-appointed spokesman was quick to capitalise on the possibilities. But each of the Six always insisted that the group was just a collection offriends with no communal musical aims. As it happened Poulenc's Suite For Pianio and Impromptus for piano fit Cocteau's prescription quite well - they are clear light-hearted and entertaining. But thePromenades written in 1921 for Artur Rubinstein belong to the more serious side of Poulenc which was already struggling to make itself heard. This ten-movement celebration of different modes of transport explores a number of thenew musical techniques which were intriguing composers of the 1920s and the resulting language must have seemed difficult to pianists of the time although now it merely appears of its period.

Thirteen hit tracks from great movies in melody line arrangement for Alto Sax with accompanying CD. Thirteen hit tracks from great movies in melody line arrangement for Alto Sax with accompanying audio tracks.

Sonatine No. 1 was expertly composed by Walter Roehr for Descant Recorder and Keyboard.

Lead Us O Father by Michael Doswell an anthem for unaccompanied SATB choir with words by W.H Burleigh.

Paul Mealor's Praise was commissioned by Ralph Allwood for the Rodolfus Choir and was first performed by them on 31 December 2012 at Douai Abbey. Vocal Score for for SATB divisi chorus organ and optional percussion. Percussion part available separately: NOV293590-01.