Written for ATTBB choir. Words from Psalm 145 verse 15.

for SATB and piano. In this appealing arrangement Helvey has created the perfect marriage of text and melody. The popular hymn tune ASH GROVE is paired with a beautiful Sarah Doudney text that is rich in imagery. The sparkling piano part is a perfect backdrop to the sensitively arranged vocal parts and reflects the joyful character of the text. This appealing arrangement is the perfect marriage of text and melody. The popular hymn tune 'Ash Grove' is paired with a beautiful Sarah Doudney text that is rich in imagery. The sparkling piano part is a perfect backdrop to the sensitively arranged vocal parts and reflects the joyful character of the text.

A unique guide to teaching unaccompanied singing! Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of group singing bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be! Gitika Partington is a singer/songwriter vocal arranger teacher and choral director. She has an MA in choral education and holds many other musical qualifications. Sheruns regular 'popular and world style' singing workshops as well as national training sessions for adults and children. In addition she runs three adult community choirs where all the music is learned by ear and is mostly self arranged. One of Gitika's major loves is a cappella vocal arranging which she does for her three choirs and her vocal workshops. Her arrangements are used by youth and community choirs across the UK and internationally. This book contains the first of many of her arrangements she would like to share even more widely. She is a member of the Natural Voice Practitioner Network an organisation that believes in singing as a spontaneous way of expressing joy celebration and grief and as a medium for binding communities together. Gitika shares the network's belief that singing together should be available to all and is not about having 'a good voice'. All of her groups are non-audition and open to anyone who wants to sing.

G. F. Handel 'S The King Shall Rejoice For Ssaatbb (Satb) Chorus And Orchestra. Orchestral Set Of Parts For 2 Oboes 2 Bassoons 3 Trumpets Timpani Strings And Continuo (Organ And/Or Harpsichord). G. F. Handel 's The King Shall Rejoice for SSAATBB (SATB) Chorus and Orchestra. Orchestral set of parts for 2 Oboes 1 Bassoon 3 Trumpets Timpani Strings and Continuo (Organ and/or Harpsichord).

Opera in one act. Lyrics by Luis Pascual Frutos.

Tug of War is the title track from Paul McCartney ’s 1982 album of the same name. Rolling Stone described the song as McCartney 's equivalent to John Lennon's 'Imagine'. The song has a clear division between the verses featuring sad lyrics about the struggle to survive the necessity of conflict (pushing and pulling) and the hopeful refrain in which McCartney looks for a future where these struggles are no longer necessary. The lyrics are seen as describing his complex relationship with Lennon who was killed two years prior. This edition for Piano Voice and Guitar presents a perfect addition to the popular repertoire whichwill be welcome by audiences everywhere!

The purpose of this violinist songbook is to provide the beginning violinist with a repertoire of 24 of the most familiar and beloved tunes ever written. There are several great folk songs of America and other lands. They continue to bring pleasure and knowledge as a link to the past. All the songs are written specifically for violin utilizing dynamics expression markings and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning violinist. Guitar chord symbols appear above each melody: however the chords may be played by banjo ukulele autoharp and chord organ. Included are: Irish Songs Folk Songs American Hymns Spirituals andClassics. This song book is an ideal supplement to Violin Method published by Mel Bay Publications Inc. All the songs are appropriate for performance at concerts recitals and contests. The purpose of this violinist songbook is to provide the beginning violinist with a repertoire of 24 of the most familiar and beloved tunes ever written. There are several great folk songs of America and other lands. Theycontinue to bring pleasure and knowledge as a link to the past. All the songs are written specifically for violin utilizing dynamics expression markings and articulations. Key signatures for the songs are in a comfortablerange suitable for the beginning violinist. Guitar chord symbols appear above each melody; however the chords may be played by banjo ukulele autoharp and chord organ. Included are: Irish Songs Folk Songs AmericanHymns Spirituals and Classics. This song book is an ideal supplement to 'Violin Method' (MB93474) published by Mel Bay Publications Inc. All the songs are appropriate for performance at concerts recitals and contests.

Great Performer's Edition. Great Performer's Edition.

A huge hit for Adele in 2011 Someone Like You has here been expertly arranged by Chris Hussey for choirs seeking a powerful centrepiece to their repertoire. Full of gripping emotion and resolve this dignified tale of romantic reflection won Adele the 2012 Grammy for Best Pop Solo Performance and now choirs too can reap the rewards of this show stopping signature tune. Arranged here for SATB with piano accompaniment.

With Online Audio-As one can easily imagine it would be very hard for a guitar student to start reading the scores of the traditional choro repertoire most of them with large number of technical difficulties. It would be much better if they could start with some easier pieces - of intermediate level - in order to be presented to the choro language in a more gradual and appropriate manner. That is the main goal of this book. It has 13 studies (in the 13 more commonly used keys for the choro guitar) written in a reduced form and in the principal stylistic choro variants: besides real choros there are polkas maxixes Brazilian tangos and xotis. The more used and characteristic rhythmicalfigurations are present in each of the studies as the principal. Also aiming at the simplification of execution all studies were composed with only two voices (melody and bass) and with no chords (although harmonies are quite evident due to the choro melodic particularities). Includes access to online audio containing all 13 studies. As one can easily imagine it would be very hard for a Guitar student to start reading the scores of the traditional choro repertoire most of them with large number of technical difficulties. It would be much better if theycould start with some easier pieces - of intermediate level - in order to be presented to the choro language in a more gradual and appropriate manner. That is the main goal of this book. It has 13 studies (in the 13 morecommonly used keys for the choro Guitar) written in a reduced form and in the principal stylistic choro variants: besides real choros there are polkas maxixes Brazilian tangos and xotis. The more used and characteristicrhythmical figurations are present in each of the studies as the principal. Also aiming at the simplification of execution all studies were composed with only two voices (melody and bass) and with no chords (although harmoniesare quite evident due to the choro melodic particularities). An audio download available online contains all 13 studies.

For Flute and Piano Accompaniment (reduced from Concerto in F for Flute and Orchestra) with a Cadenza by Gian-Luca Petrucci.

Contents: The Daisies (Barber) Meadow-Larks (Beach) A Moonlight Song (Cadman) The Crying of Water (Campbell-Tipton) Looking-Glass River (Carpenter) And So Goodbye (Charles) Knock on theDoor (Crist) A Lover's Lament (Deis) On a Faded Violet (Farwell) The Lament of Ian the Proud (Griffes) Mary Alone (Guion) The rose-leaves are falling like rain (Hadley) Down Bye Street(Homer) The Bird of the Wilderness (Horseman) Wall-Paper (Kingsford) I Have seen Dawn (Kramer) Retreat (la Forge) The Homing Heart (Malotte) Shoes (Manning) Heartsease (Powell) The Rock of Rubies (Spalding) The Breath of a Rose (Still) Eldorado (Stillman-Kelley) Wings of Night (Watts) I am thy harp (Woodman).Twenty-five Songs by American composers of the early 20th Century for High Voice and Piano. Includes selections by Samuel Barber Charles Kingford and Charles T. Griffes.

What's the sign of a great song? Your students will plead Can we please Sing It Again? Enjoy a little razza-ma-tazz with this easily-learned vaudeville-style partner song. Optional choreography suggestions included. Available: 2-Part. Performance Time: Approx. 2:20.

Serenata for string quartet-parts Serenata for string quartet-parts

Arranged for SATB unaccompanied. Words from poems of Edward Thomas. Commissioned by Norman Morris and The Reading Phoenix Choir.

1911 version-for SATB double choir and organ or orchestra or brass ensemble. This edition of Parry's renowned anthem presents the 1911 version prepared by the composer for George V's coronation. Rutter's fascinating editorial preface provides contextual notes and informative performance considerations. This edition of Parry's renowned anthem presents the 1911 version prepared by the composer for George V's coronation. Rutter's fascinating editorial preface provides contextual notes and informative performance considerations.

Montsalvatge's Concertino 1 and 13 written in 1975 is a sometimes gritty fleetingly Minimalist piece in which the solo violin line played with a rounded singing tone is set against a changing and consistently interesting string ensemble texture. Montsalvatge's Concertino 1 and 13 written in 1975 is a sometimes gritty fleetingly Minimalist piece in which the solo violin line played with a rounded singing tone is set against a changing and consistently interesting string ensemble texture.

The third collection in the series of performance folios for Countertenor voices with full Piano accompaniment. Ten pieces by a variety of composers from Dowland to Vaughan Williams for the accomplished high male voice. Selected by Frederic Hodgson with foreword by James Bowman.

One of the roles of a jazz guitarist is providing accompaniment. Economy of rhythm and harmony while comping and grooving with a band will get jazz guitarists further with their fellow bandmates than playing lots of bulky cluttered rhythms and chords. 'Playing in the Groove' will demonstrate to jazz guitar students how not to overplay in a small jazz group settings but rather play tasty lines and chords that will impress any soloist. In this DVD emphasis is placed on locking in with a bass player and drummer and using chord voicings that won't clutter up the harmony. The accompanying chart provides abbreviated but clear and easy to understand musical material that iscovered in the 48-minute DVD.

1975 work for Organ manuals and Pedals by German composer Tilo Medek. 1975 work for Organ manuals and Pedals by German composer Tilo Medek.