Diamonds Are Forever Is The Theme Song Of The Seventh Film In The James Bond Series. The Sensual Lyrics Of The Song Are Voiced By Shirley Bassey Written By Don Black And Set To Music By John Barry. This Ttbb Arrangement By Thomas Lydon Captures The Longing Of The Song With Its Luxurious Harmonies And Mimicry Of The James Bond Signature Brass Stabs In The Piano Accompaniment. Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry. This TTBB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.

The edition is part of the ABRSM syllabus (grade 6)

This terrific English rhapsody for Orchestra from 1907 has been beautifully arranged for Two Pianos Four Hands by Philip Heseltine. Note that you will need two copies of this book if you want to perform this work.

This new Wiener Urtext Edition presents Bach's Chromatic Fantasy not just in the traditional form but contains two additional versions one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the harpsichord as well as on the piano. This new Wiener Urtext Edition presents Bach 's Chromatic Fantasy not just in the traditional form but contains two additional versions one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the Harpsichord as well as on the Piano.

Mezzo-soprano and Piano.

For Bassoon and Piano- Three witty and characteristic pieces for the developing Bassoon player. Bound to go down well at all occasions!

The edition is part of the Trinity syllabus 2007 (grade 6)

for SATB and piano or organ A combination of tender flowing melody understated harmonies and a simple piano accompaniment this moving cradle-song describes Mary's love for her child from the perspective of another young mother and her newborn baby. A moving combination of tender flowing melody understated harmonies and a simple Piano accompaniment. For SATB and Piano or Organ.

Includes madrigals by Palestrina Thomas Morley Victoria and Monteverdi. Original language and English translation both provided.

Text by Jose Hierro music by Cristobal Halffter.

for SATB unaccompanied Arrangements of traditional American tunes. 'Sourwood Mountain' is also available in Encores for Choirs 1 and Folk-Songs for Choirs 1. 'Black Sheep' is also available in Folk-songs for Choirs 1. Two contrasting traditional American tunes one a rousing Fiddle song from the Tennessee mountains and the other a soothing and gentle lullaby are arranged here for SATB unaccompanied by John Rutter.

L'Infantament Meravellos De Schahrazada - 12 melodies for Voice and Piano by Robert Gerhard setting poetry by J.M. Lopez-Pico.

Written by John and Michelle Phillips two years before they formed The Mamas And The Papas the evocative California Dreamin' reflects a longing from chilly New York for the warmth of the West Coast. California Dreamin' was released by The Mamas And The Papas in 1965 and has since become almost an informal signature tune for the hippie phenomenon that had hardly started when it was written. It has been arranged for female choir with piano accompaniment.

Score and Parts-Contents: Andante Cantabile (Tchaikovsky) * Bourr?e (Bach) * Excerpt from Flute Quartet (Kuhlau) * Minuet (Mozart) * Minuet (Boccherini) * Theme (Beethoven) * Theme (Schumann) * Theme (Rimsky-Korsakov) * Theme (Haydn) * Yet Doth the Lord (Mendelssohn). Ten pieces for Saxophone Quartet (Two Alto Saxes a Tenor and a Baritone) by composers from Bach to Rimsky-Korsakov as compiled and arranged by Larry Teal. Includes score and parts.

A seasonal motet for SATB unaccompanied This choral work is among some of the finest of the late Tudor and Elizabethan periods and is here available in scholarly edition with a practical piano reduction. A seasonal motet for SATB unaccompanied This choral work is among some of the finest of the late Tudor and Elizabethan periods and is here available in scholarly edition with a practical piano reduction.

Ragtime music and DADGAD tuning seem to be made for each other or so you will believe after playing these wonderful arrangements by Rob MacKillop. With performance levels running from intermediate to advanced there is plenty here to challenge and delight the player and audience too. With titles by Scott Joplin (The Entertainer Weeping Willow etc.) James Scott (Grace and Beauty) Charles L. Johnson (Dill Pickles Rag) Fred Van Eps (Rag Pickings) to popular jazzier pieces by A. J. Weidt and the rag-influenced Piedmont blues of Blind Boy Fuller there is quite a variety of styles to explore. Additionally recordings by Rob MacKillop will guide and entertain you in the art ofDADGAD ragtime guitar! Includes access to online audio. Written in tablature and standard notation. Ragtime music and DADGAD tuning seem to be made for each other or so you will believe after playing these wonderful arrangements by Rob MacKillop . With performance levels running from intermediate to advanced there is plenty here to challenge and delight the player and audience too. With titles by Scott Joplin (The Entertainer Weeping Willow etc.) James Scott (Grace and Beauty) Charles L. Johnson (Dill Pickles Rag) Fred VanEps (Rag Pickings) to popular jazzier pieces by A. J. Weidt and the rag-influenced Piedmont blues of Blind Boy Fuller there is quite a variety of styles to explore. Additionally recordingsby Rob MacKillop will guide and entertain you in the art of DADGAD ragtime guitar! Access to online audio is included. Written in tablature and standard notation.

There is a flow'r is a beautifully simple setting of a 15th-century text by the poet and priest John Audelay .

This collection is a treasury of melodies originating in Russia Latvia Poland Bulgaria Yugoslavia and Hungary including several from Yiddish and Klezmer sources. The solos are especially well suited to performance on the flute and they provide excellent material for developing skills in rapid tonguing extended breath-control and phrasing. Arrangements of charming Russian folk tunes include Against the Red Sun and Jump Little Rabbit. Among old favorites are March Slav and In the Field Stood a Birch. Jewish melodies include Hava Nagilah Hevenu Shalom Alechem and Varnitschkes. A separate recorder edition is available.This collection is a treasury of melodies originating in Russia Latvia Poland Bulgaria Yugoslavia and Hungary including several from Yiddish and Klezmer sources. The solos are especially well suited to performance on theflute and they provide excellent material for developing skills in rapid tonguing extended breath-control and phrasing. Arrangements of charming Russian folk tunes include 'Against the Red Sun' and 'Jump Little Rabbit.' Amongold favorites are 'March Slav' and 'In the Field Stood a Birch.' Jewish melodies include 'Hava Nagilah ' 'Hevenu Shalom Alechem' and 'Varnitschkes.' A separate recorder edition is available.

Antonio Vivaldi's Concerto in A Minor RV498 for Bassoon. This reduction for Bassoon and Piano edited by Leonard Skarrow.

Work for Organ (Op.12) dating from 1885.