A collection of 40 studies for the intermedite Trupmet player exploring a host of scale arpeggio and more unusual melodic structures by Wilhelm Wurn.

Uses: General call to worship Scripture: Gen. 24:52 Eph. 1:12 Rev 19:10 A contemporary sensibility governs this satisfying new original. We are admonished to place our trust in Christ and during ourlife acknowledge the gift of grace He died to bring us. Fresh music and inspired words make this a must for worship gatherings.

Hilda Paredes ' Jitanjáfora for eight-piece Ensemble. A4 study score. Jitanjáfora was commissioned by Instituto Nacional de Bellas Artes y Literatura through Centro de Experimentación y Producción de Música Contemporáneaof México in 2014. Hilda Paredes ' Jitanjáfora for eight-piece Ensemble. A4 study score. Jitanjáfora was commissioned by Instituto Nacional de Bellas Artes y Literatura through Centro de Experimentación y Producción de Música Contemporáneaof México in 2014.

Johann Sebastian Bach 's Toccatas BWV 910-916 contains early versions of BWV 912 and 913 and an ornamented version Of BWV 916.

For Unaccompanied Clarin- Paul Harris's Sonata da Camera has recently been selected for the LTCL & ABRSM syllabus. Also useful for festivals and auditions. Duration: 6 mins.'It would make a fascinating addition to a more traditional programme without scaring a timid audience.' Music Teacher Grade: 7 - 8

This chart contains the 26 original drum rudiments written out in an easy read format. Accompanying CD includes all rudiments recorded so students can hear exactly how they are to be played. This rudiment chart is great for daily warm-ups and also an excellent reference for intermediate and advanced players; it can be used as a supplement to every drum method book. Use the material presented to review for solo and ensemble contests. Also helps develop stick control speed and coordination.This chart contains the 26 original drum rudiments written out in an easy read format. Accompanying CD includes all rudiments recorded so students can hear exactly how they are to be played. This rudiment chart is great for dailywarm-ups and also an excellent reference for intermediate and advanced players; it can be used as a supplement to every drum method book. Use the material presented to review for solo and ensemble contests. Also helps developstick control speed and coordination.

Born in the Italian city of Naples Giuseppe Domenico Scarlatti (1685-1757) was one of the few Baroque composers to transition into the Classical period. Scarlatti composed operas cantatas symphonias and liturgical pieces but his 555 keyboard sonatas are most well-known: a vast collection of single movements in binary form. Lily Afshar's arrangement of Sonata K. 11 (a favorite of Segovia) utilizes staccato articulation reminiscent of the harpsichord and othertechniques including cross-string trills and minimal slurs. The pair of sonatas work well together written in E minor and E major.Sylvius Leopold Weiss (1687-1750) was the most accomplished lutenist of the Baroque periodand the most prolific composer of lute music writing over one thousand pieces for the instrument. The four pieces arranged in this book show the beautiful polyphony and fantastical writing of Weiss. Afshar utilizes campanella (cross-string) fingerings throughout to emphasize the musical line and produce a fuller sound on the instrument. Born in the Italian city of Naples Giuseppe Domenico Scarlatti (1685-1757) was one of the few Baroque composers to transition into the Classical period. Scarlatti composed operas cantatas symphonias andliturgical pieces but his 555 keyboard sonatas are most well-known; a vast collection of single movements in binary form. Lily Afshar's arrangement of Sonata K. 11 (a favorite of Segovia) utilizes staccato articulationreminiscent of the harpsichord and othertechniques including cross-string trills and minimal slurs. The pair of sonatas work well together written in E minor and E major. Sylvius Leopold Weiss (1687-1750) wasthe most accomplished Lutenist of the Baroque period and the most prolific composer of Lute music writing over one thousand pieces for the instrument. The four pieces arranged in this book show the beautiful polyphony andfantastical writing of Weiss . Afshar utilizes campanella (cross-string) fingerings throughout to emphasize the musical line and produce a fuller sound on the instrument.

Sacred Music Part 5 (Anthems) (Original Engraving)-Original Engraving.

A setting of three lunar-inspired poems of Jean Kenward by Betty Roe for unison voices with piano. Ideal for young singers and youth choral groups.

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith a raunchy and gracious sense of humor. A mystic. He is an icon of the style of guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day. Rev. Davis (1896-1972) was born black in deep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was an unshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him. In this book and accompanying audio Ernie Hawkins has transcribed 18 of Rev. Davis' best known gospel arrangements. The playing of Rev. Davis has influenced generations of guitar players from Blind Boy Fuller to Dave Van Ronk David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan Jackson Browne and others. Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz MoseRanger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day. Rev. Davis (1896-1972) was bornblack in deep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all hiscreativity was an unshakable faith that pulled him through the obscurity the bitter hard times and crushing p

Unison song from The Fairy Queen .

Hungarian folk song for unaccompanied SSAA voices Hungarian folk song for unaccompanied SSAA voices

Words Chiefly by Edward Lear

Score and parts for Descant recorder 1 and two treble recorder 1 and 2

Sadie Harrison was born in Adelaide Australia moving to England in 1970 where she undertook composition studies with Nicola Lefanu gaining her Phd at Kings College London. Sadie's music has been played internationally in venues such as the Sydney Opera House Carnegie Hall Royal Festival hall Barbican and Lithuanian National Philharmonic by some of the world's leading performers. Her music has been released to critical acclaim on Sargasso BML Metier NMC and Clarinet Classics and has been broadcast on BBC Radio 3 and in Eastern Europe Canada Japan Australia America Lithuania the Netherlands and elsewehere.

Pyotr Ilyich Tchaikovsky's Valse Sentimentale for Viola and Piano transcribed by Alan Arnold. Pyotr Ilyich Tchaikovsky's Valse Sentimentale for Viola and Piano transcribed by Alan Arnold.

Birthday Odes For Queen Mary Part II (Paperback)-Paperback Edition. Hardback edition available NOV151024-01. Edited under the supervision of the Purcell Society by Bruce Wood.

When Christa Landon presented her printed edition of Joseph Haydn's piano sonatas for the first time Haydn's sonata works were still overshadowed by the works of Mozart and Beethoven. But Haydn's sonatas left the niche of piano lessons long since and have become established in the concert repertoire; Landon's edition certainly played a major role in that. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition because new sources have been discovered and questions concerning authenticity have been clarified over more than forty years; the editorial principles for 18th-century music in particular have markedly changed in the mean time.The new edition comprises all the works from the previous Wiener Urtext edition plus the Sonata Hob. XVI:16 arranged by Landon as well as a Sonata in F major which was discovered in Bolzano a few years ago and attributed to Joseph Haydn. The new edition too is divided into four volumes the content of which is compatible with that of each of the volumes of the preceding edition. In the notes on interpretation Robert D. Levin explains essential aspects of Haydn's performance practice. When Christa Landon presented the first printed version of her edition of Joseph Haydn 's Piano sonatas Haydn 's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn 's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-centurymusic have changed considerably. The new edition comprises all works of the previous Wiener Urtext edition plus the sonata Hob. XVI:16 edited by Landon along with the Sonata in F major which was rediscovered in Bozen a few years ago and attributed to Joseph Haydn . The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volumes 1 and 2 contain the early sonatas. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn 's performance practice.

Soothing and Uplifting Hymns and Songs in a Celtic Style-Experience the soothing and uplifting sounds of the pennywhistle Irish fiddle piano harp and more with Celtic Sunday Morning . Irish-based hymns and other beloved hymns and songs have been given a Celtic flavor makingthis a unique and special songbook. The enclosed listening CD will enrich your experience as you are transported into a relaxing and worshipful celebration of ancient traditions.

Aside from the five great piano concertos it is easy to forget that Beethoven had already turned to this genre in Bonn during his youth. The Concerto in Eb written in 1784 still shows stylistic signs of the influence of Johann Christian Bach’s works. A score of this concerto has not survived- all that remains is a copy of a piano part that was revised by Beethoven. It contains the solo part without any orchestral accompaniment- however when the piano is silent and orchestral tutti passages are interposed it incorporates a piano reduction of the orchestral part. Following the musical text of the Beethoven Complete Edition the piano concerto can now be performed in itssurviving form – by a pianist without an orchestra. Aside from the five great piano concertos it is easy to forget that Beethoven had already turned to this genre in Bonn during his youth. The Concerto in Eb written in 1784 still shows stylistic signs of theinfluence of Johann Christian Bach’s works. A score of this concerto has not survived; all that remains is a copy of a piano part that was revised by Beethoven. It contains the solo part without any orchestral accompaniment;however when the piano is silent and orchestral tutti passages are interposed it incorporates a piano reduction of the orchestral part. Following the musical text of the Beethoven Complete Edition the piano concerto can now beperformed in its surviving form – by a pianist without an orchestra.