
24.95 £
Novello and Co
The full score for Highgrove Suite by Patrick Hawes . Commissioned by HRH The Prince of Wales in 2009 this 31 minute piece is arranged for Solo Harp and Strings. Commissioned to commemorate his 30 years of living at Highgrove House Prince Charles saw Highgrove Suite premiered at Covent Garden on his sixtieth birthday by the royal harpist Claire Jones and the Philharmonia Orchestra. The full score for Highgrove Suite by Patrick Hawes . Commissioned by HRH The Prince of Wales in 2009 this 31 minute piece is arranged for Solo Harp and Strings. Commissioned to commemorate his 30 years of living at Highgrove House Prince Charles saw Highgrove Suite premiered at Covent Garden on his sixtieth birthday by the royal harpist Claire Jones and the Philharmonia Orchestra.

14.99 £
Ernst Eulenburg u. Co.
Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

21.00 £
University Of York Music Press
For Flute Trio. For Flute Trio.

16.95 £
Oxford University Press
Full score for the secular carol which celebrates all that we love about the festive season. Full score for the secular carol which celebrates all that we love about the festive season.

4.90 £
Max Eschig
Two popular Cuban pieces for Guitar by Leo Brouwer .

8.99 £
Mel Bay Publications
A chord book written for the young beginner (or even beginners of any age) showing a creative and simple way to learn and play banjo chords. Chords are taught beginning with the most essential to more advanced. Chords are presented with exercises that build upon each other and eventually lead the student to playing logical and common chord progressions. Chords are shown in chord diagram form with photographs showing finger positions in relationship to the fretboard. Examples and exercises are presented in strum bar notation.- Extra large chord diagrams and photos for easy learning- Chords are taught beginning with the most essential to more advanced- Chords arepresented with exercises that build upon each other- Great for banjo beginners of all ages Finally! A chord book written for the young beginner (or even beginners of any age) showing a creative and simple way to learn and play banjo chords. Chords are taught beginning with the most essential to more advanced. Chords arepresented with exercises that build upon each other and eventually lead the student to playing logical and common chord progressions. Chords are shown in chord diagram form with photographs showing finger positions in relationshipto the fretboard. Examples and exercises are presented in strum bar notation. •

27.50 £
G. Henle Verlag
The Urtext instrumental part of this edition is laid out as a combined flute and bass part (featuring the original basso continuo figures without realisation). This manner of reproduction is oriented on the historical sources. Thus it is possible for an experienced continuo player to improvise a free accompaniment of his own to the sonata. Two copies of this dual part are included in this Henle edition so that both players flautist and accompanist can perform from this combined musical text. In addition to the basso continuo figures the score offers a historically appropriate basso continuo realisation that can be played at sight. In order to avoid page turns within themovements the instrumental part is provided with a fold-out panel and a blank page.

6.99 £
Novello and Co
Iain Farrington 's Bluesday for solo Organ. Composed in 2010. Dedicated to Robert Houssart. ' Judging by this bunch of new publications the year 2010 was a busy one for British composers of organ music though quite why it has taken six or seven years for almost all of this music to appear remains unexplained. And if one were asked to guess the most recent work in terms of 'modem language' it would be this study from Iain Farrington. Dedicated to Robert Houssart this short piece combines - as one might infer from the title - certain phraseology from musical worlds not often encountered on a concert organ whether in a church or civicbuilding but it is not merely the thematic line (such as it is) that snakes in an uncertain manner but also the impacted sense of occasional harmony that speaks in a more modem musical language. None the less this intriguing composition would work best on a small instrument and is a fascinating piece to study at home. ' - James Palmer

3.99 £
Bote und Bock
A cantata for young voices-(Choral Score) (English German). Pogson S (Choral Score) (English German). Pogson S

5.50 £
Queen's Temple Publications
This important work was originally written as part of Arnold's film score for the 1953 film You Know What Sailors Are. It was first performed on the occasion of the composer's 80th birthday October 2001 and published for the first time in this edition. ...will surely find its way into the repertoire of most players...exhibits the typical Arnold good humour is great fun to play and to listen to. CASS magazine. Grade 8

34.95 £
Novello and Co
Work for Alto Saxophone and Orchestra first performed by John-Edward Kelly under the baton of Gunther Schuller in Amsterdam 1989.

7.95 £
Unión Musical Ediciones
Composer pianist writer and educator Joaquin Turina was born in Seville in 1882 and was active mainly in Spain until his death in 1949. His work is influenced by traditional Andalusian idioms. The Serenata is no exception. In it Turina employs all his French classical training filtered through Spanish sonorities to make a sophisticated an appealing work of chamber music. Originally Turina had included a part for bass which was lost. Composer pianist writer and educator Joaquin Turina was born in Seville in 1882 and was active mainly in Spain until his death in 1949. His work is influenced by traditional Andalusian idioms. The Serenata is no exception. In it Turina employs all his French classical training filtered through Spanish sonorities to make a sophisticated an appealing work of chamber music. Originally Turina had included a part for bass which was lost.

2.75 £
Novello and Co
Tomorrow Shall Be My Dancing Day is an English carol usually attributed as 'traditional' its first written appearance is in William B. Sandys' Christmas Carols Ancient and Modern of 1833. It is most well known in John Gardner's adaptation but numerous other composers have made original settings of it or arranged the traditional tune including Gustav Holst Igor Stravinsky. The verses of the hymn progress through the story of Jesus told in his own voice. Tomorrow Shall Be My Dancing Day is an English carol usually attributed as 'traditional'; its first written appearance is in William B. Sandys' Christmas Carols Ancient and Modern of 1833. It is most well known in John Gardner's adaptation but numerous other composers have made original settings of it or arranged the traditional tune including Gustav Holst Igor Stravinsky. The verses of the hymn progress through the story of Jesus told in his own voice.

19.95 £
Novello and Co
Written for Mezzo-Soprano Clarinet Viola and Piano.

7.95 £
Thames Publishing
The songs in this book come from an extensive collection of musicals musical plays and 'entertainments' mostly written with lyricist Marian Lines. The aim is to provide solo songs that are comfortably within the range of young voices (and possibly the not-so-young!) that can offer the singer colourful characters to develop boldly and imaginatively.

6.50 £
Viola World
Arranged for Viola & Piano by Alan Arnold ascap.

3.99 £
Thames Publishing
The Part-songs of John Ireland that lay scattered throughout and across various sources and publishers have been fondly and faithfully brought together into this superb edition. This volume features five settings of poems and classic English lyric verse in wonderful arrangements for SATB choir with a Piano accompaniment for practice purposes only.

10.95 £
University Of York Music Press
For Flute Clarinet Bass Clarinet Horn Piano Violin Cello Live Delay and Spacialising Effects. For Flute Clarinet Bass Clarinet Horn Piano Violin Cello Live Delay and Spacialising Effects.

22.50 £
G. Henle Verlag
Works for Piano Four-hands-With the exception of the version of the “Grand Fugue” for piano four hands (HN 954) this volume contains all of Beethoven’s works for this scoring to which he only rarely turned. It comprises the Sonata in D major op. 6 the “Three Marches” op. 45 the “Eight Variations on a theme of Count von Waldstein” WoO 67 and the “Six Variations on the Song Ich denke dein” WoO 74 – all of these works are very well-suited to piano teaching. The musical text was revised to follow the recently published Critical Report of the Beethoven Complete Edition and is now accompanied by new explanatory texts. The piano duo specialist Andreas Groethuysen has also provided fingerings for this work.Works by this publisher are not included in the main catalogue.

12.99 £
G. Henle Verlag
Piano Sonata in b minor-Following the revision of our facsimile of the Piano Sonata in b minor (HN 3227) in 2015 we are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction we were able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt’s in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: “It is only blind noise – not a single healthy thought everything confused.” Today we view this differently. Our new edition of this key piano workis further enhanced by the sophisticated fingerings supplied by the piano titan Marc-André Hamelin. Following the revision of Henle's facsimile of the Piano Sonata In B Minor (HN 3227) in 2015 they are now proud to present the corresponding new Henle Urtext edition. With the helpof the splendid facsimile reproduction Henle were able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a studentof Liszt's in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: It is only blind noise -not a single healthy thought everything confused. Today we view this differently. Henle's new edition of this key Piano work is further enhanced by the sophisticated fingerings supplied by the Piano titan Marc-André Hamelin .