for SATB congregation and organ In this version of the popular English hymn Rutter adorns the well-known melody with an opening fanfare and soaring descant line over the final verse. Full scores and sets of parts for the brass ensemble accompaniment are available on hire from Oxford University Press. Lo! He Comes With Clouds Descending arranged by John Rutter for SATB choir congregation and Organ. In this version of the popular English hymn Rutter adorns the well-known melody with an opening fanfare and soaring descant line over the final verse. Full scores and sets of parts for the Brass Ensemble accompaniment are available on sale from Oxford University Press.

Sardana per coro d'omes a veus solas. For TTBB Choir A Cappella.

The very cream of England's restoration-period composers are featured in this collection of devout songs and hymns all written for Voice and Piano. Featured composers include John Blow John Playford and Henry Purcell complete with foreword and performance suggections by editor Maurice Bevan.

Albeniz 'Barcarola' transcribed for Viola by J.Amaz. Albeniz 'Barcarola' transcribed for Viola by J.Amaz.

Sadie Harrison's Mimih's First Song for Chamber Orchestra. Composed 2018. Duration: 14 minutes

Four pieces by the great composer carefully jarranged by Robert Threlfall for the solo Piano. The pieces are suitable for the accompalished concert Pianist and include movements from the Florida Suite . Four pieces by the great composer carefully jarranged by Robert Threlfall for the solo Piano. The pieces are suitable for the accompalished concert Pianist and include movements from the Florida Suite .

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Trinquons is taken from Saint-Saëns's 2 Choruses Op. 141. This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Trinquons is taken from Saint-Saëns's 2 Choruses Op. 141.

for CCBar and piano This is an imaginative and modern-sounding setting of John Masefield's popular poem (2017 marks the 50th anniversary of Masefield's death). This expressive piece ebbs and flows and provides imitative textures and well-crafted narrative. Oliver Tarney' s Sea Fever for CCBar and Piano. This is an imaginative and modern-sounding setting of John Masefield 's popular poem (2017 marks the 50th anniversary of Masefield' s death). This expressive piece ebbs and flows and provides imitative textures and well-crafted narrative.

Holiday Musical-That special day at the North Pole Christmas Tree lot has arrived when Santa will be stopping by to pick out his very own tree. Who will be Santa's tree this year? This Christmas musical of seven original songs and script issimple but memorable teaching a positive lesson about love and acceptance. The Teacher's Manual comes complete with piano accompaniment dialog and a handy production guide with suggestions for costumes staging props/sceneryand choreography. The Singer's Edition provides vocals lines only and dialog. Available: Teacher's Manual Singer's Edition (10-Pak) Performance/Accompaniment CD. Performance Time: 15 minutes. Grades K-3.

Miniature was composed in 1985 and is a rhapsodic work of great character and ingenuity. A supportive and effective piano accompaniment contrasts a lyrical and cantabile solo double bass albeit in a mildly modern idiom and there are opportunities to demonstrate both musical and technical skills within a short timespan. This should appeal to anyone who enjoys the music of Teppo Hauta-aho and his personal soundworld and effective techniques. It utilses a wide range of the double bass offering a range of musical and technical challenges for the adventurous and enquiring bassist. The edition includes piano accompaniments for both solo and orchestraltunings.

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010. The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James’s Church Piccadilly on Thursday 19 May 2011. 1. Ritual/Pastorale 2. Fertility Dance 3. Ghost Dance/Song 4. Sacrificial Dance Composer's Note The idea for the genesis of this work and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma –Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Hermán Cortés – an event that was to eventually lead to the demise of the Aztec civilisation. Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life. I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work. Edward Gregson

The music in this book has been compiled to correspond to each Sunday of the liturgical year and may be used as a supplementary source for church musicians. Gregorian Chant Lutheran cantatas hymns and motets are used as the basis for original compositions and arrangements for solo classical guitar. In attempts to be as ecumenical as possible the selections have been chosen based on multiple lectionaries. In many cases scripture references have been provided for more flexibility. Written in standard notation. The music in this book has been compiled to correspond to each Sunday of the liturgical year and may be used as a supplementary source for church musicians. Gregorian Chant Lutheran cantatas hymns and motets are usedas the basis for original compositions and arrangements for solo classical Guitar. In attempts to be as ecumenical as possible the selections have been chosen based on multiple lectionaries. In many cases scripturereferences have been provided for more flexibility. Written in standard notation.

For Upper Voices and Piano (or Organ)- Cradle Lullaby is a work composed by young star composer Owain Park . Commissioned by the Wells Cathedral Chorister Parents' Association the work is arranged for Upper Voices and Piano (or Organ) accompaniment. Cradle Lullaby has been recorded by the Wells Cathedral Choristers for their CD 'Jingle Wells' of which this composition was selected by BBC Radio 3's CD Review Show as the highlight. In the March 2016 edition of Organists' Review Rebecca Tavener wrote that Cradle Lullaby is a 'deliciously dreamy piece with its silken melody' and 'the word-setting andshapeliness of line is exemplary...Here's a composer who knows very precisely just how many notes are enough.'

from Annie Get Your Gun-(from Annie Get Your Gun). Only Irving Berlin could write a showstopper like this one! Arranged in a contemporary show style with easy-to-learn parts and fast-moving lyrics you will set the mood for a dynamic show. Great opener! Available: SATB SAB 2-Part ShowTrax CD. Performance Time: Approx. 2:45. There's No Business Like Show Business from Annie Get Your Gun. Only Irving Berlin could write a showstopper like this one! Arranged in a contemporary show style with easy-to-learn parts and fast-moving lyrics you will set the mood for a dynamic show. Great opener! Available: SATB SAB 2-Part ShowTrax CD. Performance Time: Approx. 2:45.

This book is for beginning and early intermediate country guitarists. No prior playing experience or note reading ability is required. The solos are written in both standard notation and tablature. While writing the arrangements the author considered the small hands of children. Most of the arrangements are in the first position; most of the notes are on the first three strings and there are no hand stretches that present inordinate technical difficulties. Every song in the book is included on the companion CD. The tunes are recorded at a moderate speed and include count-off notes and rhythm guitar accompaniment.This book is for beginning and early intermediate country guitarists. No prior playing experience or note reading ability is required. The solos are written in both standard notation and tablature. While writing thearrangements the author considered the small hands of children. Most of the arrangements are in the first position; most of the notes are on the first three strings and there are no hand stretches that present inordinatetechnical difficulties. Every song in the book is included on the companion CD. The tunes are recorded at a moderate speed and include count-off notes and rhythm guitar accompaniment.

for SATB unaccompanied This joyful setting of an old Irish air arranged by Sir Charles Villiers Stanford and edited by John Rutter features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on the Collegium CD There is sweet music (CSCD 505) by the Cambridge Singers conducted by John Rutter. Charles Villiers Stanford 's Quick! We Have But A Second for SATB choir unaccompanied. This joyful setting of an old Irish air arranged by Charles Villiers Stanford and edited by John Rutter features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on the Collegium CD There Is Sweet Music (CSCD 505) by the Cambridge Singers conducted by John Rutter .

The sonatas in C Major (KV 545) and A Major (KV 331) are among the most popular of all Mozart’s piano sonatas. KV 545 is a firm favourite with piano teachers and their pupils (for many pianists this represents their first introduction to the sonata repertoire) and KV 331 with its famous variation movement and the renowned Rondo alla turca is one of the most popular works of the whole Viennese classical period. Both sonatas are now also available individually as part of the new Wiener Urtext edition of all Mozart’s piano sonatas. These editions are based upon the latest research into original documents and are notable for music that is clear and well laid out with pageturns in convenient places making the music more readily accessible to beginners and amateur pianists too. The sonatas in C Major (KV 545) and A Major (KV 331) are among the most popular of all Mozart ’s Piano sonatas. KV 545 is a firm favourite with Piano teachers and their pupils (for many pianists this represents their first introduction to the sonata repertoire) and KV 331 with its famous variation movement and the renowned Rondo alla turca is one of the most popular works of the whole Viennese classical period. Both sonatas are now also available individually as part of the new Wiener Urtext edition of all Mozart ’s Piano sonatas. These editions are based upon the latest research into original documents and are notable for music that is clear and welllaid out with page turns in convenient places making the music more readily accessible to beginners and amateur pianists too.

For SATB and Organ accompaniment with words from Psalm 121. For SATB and Organ accompaniment with words from Psalm 121.

Rock chords including power chords barre chords as well as open chords are taught in standard notation tab with accompanying photos. Anyone can learn the chords that have been heard in rock 'n roll for decades with this foolproof method. Presented in a logical order with brief dialogue on how to play each chord shape in 12 keys (for moveable shapes) this is a must have for the beginning guitarist who wants to get going fast. Rock chords including power chords barre chords as well as open chords are taught in standard notation tab with accompanying photos. Anyone can learn the chords that have been heard in rock 'n roll for decades with thisfoolproof method. Presented in a logical order with brief dialogue on how to play each chord shape in 12 keys (for moveable shapes) this is a must have for the beginning guitarist who wants to get going fast.

Choral cantata No. 4-Choralkantate Nr. 4 - Streicherstimmensatz