A fascinating and profound work for all accomplished and aspiring oboists. Contemporary in idiom this highly effective work will intrigue and indeed delight audiences. A fascinating and profound work for all accomplished and aspiring oboists. Contemporary in idiom this highly effective work will intrigue and indeed delight audiences.

Handel's Sonata in B Flat arranged for Viola with Piano accompaniment by Watson Forbes. Handel's Sonata in B Flat arranged for Viola with Piano accompaniment by Watson Forbes.

The Menuett the Deutscher Tanz the Kontretanz and the Ecossaise were extraordinarily popular social dances during Beethoven’s lifetime. Thus along with sonatas and variations Beethoven on numerous occasions composed easy-to-play dances and dance collections for solo piano which are brought together in their entirety for the first time in our volume. Beethoven did not give these occasional pieces an opus number so today they are numbered only as WoO (Werke ohne Opus or works without opus). A few dances are piano arrangements of orchestral dances since piano reductions for home music-making were indispensable at that time. As is to be expected from a substantial Urtextedition the preface and Critical Notes for this important collection deal with the complex source situation of the individual pieces along with the question of the authenticity of these piano arrangements. This accurate and authoritative Henle Urtext edition contains the complete Dances for Piano by Ludwig van Beethoven.

For Soprano and Piano. Also available as part of the UYMP volume 'Finding Ursula Vaughan Williams'. For Soprano and Piano. Also available as part of the UYMP volume 'Finding Ursula Vaughan Williams'.

A piano piece in E flat major with the simple title ‘Lied’ (song) was Felix Mendelssohn’s surprise present to his sister Fanny on her birthday on 14 November 1828. Shortly afterwards she referred to the work as ‘Song without Words’ and probably coined the phrase under which her brother’s lyrical piano pieces numbering nearly 50 are known today. The present edition contains in addition to the 48 well-known ‘Songs without Words’ a number of individual compositions which because of their title or character seem to fit the classification ‘Song without Words’. These and the above mentioned first example of 1828 are united in this essential compilation of works in a genre favouredby the composer. An enriching addition to the piano repertoire of interest for teaching as well as for recital purposes. A Piano piece in E flat major with the simple title Lied' (song) was Felix Mendelssohn 's surprise present to his sister Fanny on her birthday on 14 November 1828. Shortly afterwards she referred to the work as Song without Words ' and probably coined the phrase under which her brother's lyrical Piano pieces numbering nearly 50 are known today. The present edition contains in addition to the 48 well-known Songs without Words ' a number of individual compositions which because of their title or character seem to fit the classification Song withoutWords '. These and the above mentioned first example of 1828 are united in this essential compilation of works in a genre favoured by the composer. An enriching addition to the Piano repertoire of interest for teaching as well as for recital purposes.

for SATB and piano or organ Old Swedish carol. An old Swedish carol. This is a version for SATB and Piano or Organ.

Aulis Sallinen's uplifting work Hold Fast To Your Dreams for mixed or boys' choir with text by Louise Driscoll. Piano part included for rehearsal.

Arranged for flute ensemble by Trevor Wye.

Work for Medium Voice and Ensemble.

Zamacois was the director of the Barcelona Municipal Conservatory and wrote many symphonic and chamber works as well as a large catalogue of theory titles and papers. This piece originally for Violin and Piano has been transcribed by J. Amaz. Zamacois was the director of the Barcelona Municipal Conservatory and wrote many symphonic and chamber works as well as a large catalogue of theory titles and papers. This piece originally for Violin and Piano has been transcribed by J. Amaz.

From 1651 to 1728 John Playford his son Henry and John Young published multiple editions of the Dancing Master-collections of dance instructions and musical accompaniment. Over 500 distinct tunes were printed in these volumes and they give us one of the best pictures of English popular dance music in the 17th and early 18th centuries. This book presents 121 of these tunes adapted for the mandolin-all are written in standard notation and tablature with chord symbols. Several pieces have been transposed into more mandolin-friendly keys. Suitable for use in teaching and performance many of these tunes are still played by musicians today both for pleasure and dance accompaniment. From 1651 to 1728 John Playford his son Henry and John Young published multiple editions of the Dancing Master-collections of dance instructions and musical accompaniment. Over 500 distinct tunes were printed in these volumesand they give us one of the best pictures of English popular dance music in the 17th and early 18th centuries. This book presents 121 of these tunes adapted for the Mandolin-all are written in standard notation and tablature withchord symbols. Several pieces have been transposed into more mandolin-friendly keys. Suitable for use in teaching and performance many of these tunes are still played by musicians today both for pleasure and danceaccompaniment. This book presents 121 of these tunes adapted for the Mandolin. All are written in standard notation and tablature with chord symbols. Several pieces have been transposed into more Mandolin-friendly keys.Suitable for use in teaching and performance many of these tunes are still played by musicians today both for pleasure and dance accompaniment.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

We Have All The Time In The World Is The Classic James Bond Theme Featuring The Warm Graceful Vocals Of Louis Armstrong. Beloved For Its Sophisticated Smooth Sound The Track - Written By John Barry And Hal David - Has Transcended Its Tie To Cinema Becoming One Of The Most Requested Songs At Weddings Anniversaries And Other Celebrations. This Brand New Arrangement By Thomas Lydon For Satb Choir Brings This Standard To The Novello Choral Pops Series - The Perfect Number For Choirs Seeking A Stylish Soulful Number To Add To Their Repertoire. We Have All the Time in the World is the classic James Bond theme featuring the warm graceful vocals of Louis Armstrong. Beloved for its sophisticated smooth sound the track - written by John Barry and Hal David - has transcended its tie to cinema becoming one of the most requested songs at weddings anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for SATB choir brings this standard to the Novello Choral Pops series - the perfect number for choirs seeking a stylish soulful number to add to their repertoire.

A Kids-Eye View of the Solar System-The stars the planets the moon the sun--let's learn all about them through music! This collection for Grades 2-4 will travel through space in song teaching your students all about the solar system. Interplanetary Jammin' comescomplete with movement suggestions an introduction to the solar system key words worksheets and great classroom projects and activities. The easy-to-learn dialogue links the songs together so you can present a 15-minutemini-musical that you can perform with piano alone or the professionally recorded CD. The Teacher's Manual even comes with reproducible student pages to stretch your budget dollar! Your students can enjoy music across thecurriculum with this unique all-school project. So be creative be clever and go out of this world with Interplanetary Jammin'. Available: Teacher's Manual Performance/Accompaniment CD. Grades K-3.The stars the planets the moon the sun--let's learn all about them through music! This collection for Grades 2-4 will travel through space in song teaching your students all about the solar system. Interplanetary Jammin' comescomplete with movement suggestions an introduction to the solar system key words worksheets and great classroom projects and activities. The easy-to-learn dialogue links the songs together so you can present a 15-minutemini-musical that you can perform with piano alone or the professionally recorded CD. The Teacher's Manual even comes with reproducible student pages to stretch your budget dollar! Your students can enjoy music acrossthecurriculum with this unique all-school project. So be creative be clever and go out of this world with Interplanetary Jammin'. Available: Teacher's Manual Performance/Accompaniment CD. Grades K-3.

Many of the occasional pieces Bridge wrote in the early part of his career were published in versions for Violin and Piano and Cello and Piano. Bridge was himself a fine Viola player and it is therefore appropriate that these pieces (in addition to those he wrote specifically for Viola and Piano) should be published in transcription for Viola. This volume contains numbers 6 to 10 of a set of ten pieces which have been skilfully transcribed for Viola with Piano accompaniment by Veronica Leigh Jacobs. Many of the occasional pieces Bridge wrote in the early part of his career were published in versions for Violin and Piano and Cello and Piano. Bridge was himself a fine Viola player and it is therefore appropriate that these pieces (in addition to those he wrote specifically for Viola and Piano) should be published in transcription for Viola. This volume contains numbers 6 to 10 of a set of ten pieces which have been skilfully transcribed for Viola with Piano accompaniment by Veronica Leigh Jacobs.

Franz Schubert 's Complete Sonatas Vol. 1 .

A Sonata for Double Bass with Piano accompaniment by Georg Philipp Telemann selected as part of the ABRSM Double Bass Grade 8 examination.

Novello New Choral Series- Craig McLeish writes of The Negro Speaks of Rivers ; Langston Hughes (1902-1967) was the first black American to earn his living from writing. He was an innovator of jazz poetry becoming part of the Harlem Renaissance in the 1920s and 1930s. He wrote plays short stories novels and his poetry was widely read. He was also a journalist columnist and lecturer. The Negro Speaks of Rivers was perhaps his earliest published work written when only 17 and while travelling by train to Mexico to visit his father. As the train crossed the Mississippi he suddenly began thinking about how rivers had impacted on Negro history particularly in the fight against slavery. The four rivers mentioned in the poem lent themselves to using musical influences from those particular regions. However I have tried to keep these links fairly tenuous to avoid overt pastiche. A few years ago I was fortunate enough to work with Congolese musicians. These sessions led to the intricate rhythms in The Congo . The Mississippi mentions New Orleans so a jazz fugue seemed the most appropriate compositional device to weave into the texture. The spirit of The Nile was gauged from many hours listening avidly to Egyptian music. Craig McLeish began his musical life as a chorister at St Paul's Cathedral. As a bass guitarist conductor musical arranger and composer he has worked with a wide variety of groups in several genres and scored a hit with the cult pop band Fat & Frantic'. He is musical director of Young Voices UK and conducts several youth and community choirs in and around Milton Keynes. Listen to an excerpt from Craig McLeish 's The Negro Speaks Of Rivers :

The Northumbrian folksong Bonny At Morn arranged by Jeremy Summerly for SATB choir. Piano accompaniment is included for rehearsal purposes only. The Northumbrian folksong Bonny At Morn arranged by Jeremy Summerly for SATB choir. Piano accompaniment is included for rehearsal purposes only.

The setting of a text by E. Guanyabens for Voice and Piano by Enrique Morera.