A mysterious introduction using keyboard optional bells and organ gives way to a slow lyrical setting of the text in 6/8 meter. Almost like a courtly dance the tempo follows the spirit of the text now a little faster now relaxing. Material from the intro returns then the musical material is almost through-composed reflecting the emotional arch of the words. Duration: 3:30

Dedicated to and premiered by the Baylor University Men's Choir this piece is a sure-fire winner for your TTBB ensemble or chorus. Whether it's the beautifully flowing piano accompaniment the sensitive choral writing or the beautiful shifting harmonies you'll find a lot to like here and so will your singers and listeners. Duration: 4:15 Part of the Baylor University Collegiate Choral Series.

Anthem for the Mandatum-Scored for unaccompanied SATB choir with tenor soloist the text is appointed in the Book of Common Prayer to take place during the footwashing. The piece is useful at any Holy Thursday/Maundy Thursday service. Brief sections of chordal chanting on text give this a liturgical and formal feel. The choral writing surrounding the chant is sonorous and beautiful. Duration: 2:30

The composer conceived this as a suite and it works very nicely as such but the individual movements are so sufficient and charming we didn't want to discourage you from exploring them on their own. Lots of creativity is brought to these five hymntunes! Contents: Fanfare on Monk’s Gate Meditation on Greensleeves Scherzettino on Jacob’s Ladder Prelude on Stowey Toccata on Kingsfold

Composer Terre Johnson sets an adaptation of Isaiah 40:21 in the first person so it appears as if God is speaking through the choir in this anthem of reassurance. The violin and clarinet sometimes support and sometimes soar above the choir. Easy unison writing makes this a useful and satisfying offering especially appropriate for the Fifth Sunday after Epiphany Year B. Duration: 3:00

10 Hymn Preludes for Treble Instrument and Piano-Ten creative and interesting hymn preludes. To acknowledge how many people are asking for worship materials for those who must lead from the piano these preludes use piano and a treble instrument.

Love Me

The original composition by Randall Thompson (1899-1984) published in 1928 is for SSAA/SSAA Chorus. A version for SATB/SATB Chorus was published in 1986. The present TTBB arrangement remains true to the treble version lowering all voice parts one octave. This version for double TTBB chorus is useful under a wide variety of circumstances. It could be used as a Palm Sunday introit or procession. It is a great teaching piece for a school group or TTBB choir festival. It could be doubled on a double quartet of instruments. Duration: 2:30

This piece is a fast joyous outburst. The initial lines “I am wild I will sing to the trees” set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by staccato chords and eventually high arpeggio figures in the accompaniment. The song reaches a rousing climax on the optimistic line “Now at last I can live!” One of a set of six of Teasdale's love songs. Duration: 1:30

Sara Teasdale’s poem Oh day of fire and sun suggests a loud fast musical setting. The syncopated homo-phonic choral texture with high tessituras exudes drama and excitement: it balances the expansive gestures of the piano accompaniment. Vivid images like “Lifting into the sky” and “Diving into the sea” inspire soaring energetic vocal lines. One of a set of six of Teasdale's love songs. Duration: 1:30

The Day Is Done

From Songs for the Journey-This movement from Songs for the Journey has a text adapted from the poem Epitaph by Merrit Malloy When all that's left of me is love give me away. Duration: 3:00

Festive Music For Altona

How would you finish the sentence “Today I will_______.”? That was the question Dr. Joe Miller and Anne Sears of Westminster Choir College asked of singers and audience members at the Westminster Choir’s 2017 Tour concerts whose program focused on the opportunities and challenges each day presents to us. This piece is a web of several of those responses gathered in four parts: the first about our immediate surroundings the second describing our need for beauty and hope the third a potpourri of actions linked with values and the final a broad statement about our notes “in the great choir of humankind.” Duration: 3:45

Spring Carol

Poem for Solo Horn and Concert Band-The thematic background of this concert work is found in Norse mythology. The Gjallarhorn—the ‘resounding horn’—is the horn of Heimdall the radiant guardian of Bifröst. This is the rainbow bridge that leads from Midgard the world inhabited by people to Asgard realm of the gods.

Spread a little Christmas cheer with this doo-wop-style a cappella arrangement of the classic '50s pop song. Works great in all the voicings. Available: SATB a cappella SSAA a cappella TTBB a cappella. Performance Time: Approx. 2:00. Spread a little Christmas cheer with this doo-wop-style a cappella arrangement of the classic '50s pop song. Works great in all the voicings. Available: SATB a cappella SSAA a cappella TTBB a cappella. Performance Time: Approx. 2:00.

Concerto For Violin And Orchestra Op.33 by Carl Nielsen. Composed in 1911.

A setting of the Missa Brevis written in 2009 for upper voices and optional organ accompaniment by the Chief Conductor of the Danish National Girls’ Choir.A setting of the Missa Brevis written in 2009 for upper voices and optional organ accompaniment by the Chief Conductor of the Danish National Girls’ Choir.

Postcards Book 1