The arrangements in this book are for advanced and professional drummers. They are replete with dynamic marks tempo changes etc.

This breakthrough book represents a sea change in the way jazz time is played between the cymbal and snare drum. If you’re interest is in jazz drumming and you want to keep time in a creative and dynamic new way then this book is a must! For intermediate advanced and professional drummers.

This practical book develops technical skill for use in breaks and solos. For beginning to advanced players.

Develop practical facility in the area of snare-bass coordination against a jazz ride beat. A unique design demonstrates hundreds of bass drum variations weaved around an extensive array of snare drum patterns. For intermediate to advanced players.

FOR ROCK DRUMMING AT A SNAIL'S PACE: One of the most difficult things to do is play at a slow tempo. Complete this book and you will be a master at it. For intermediate advanced and professional players.

As One Listens To The Rain

Reflecting Landscapes

Rondo Burlesque

In this unique collection multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland Ireland and England transcribed for the modern guitar in open-D tuning (DADF AD). Although conceived for fingerstyle playing most of these traditional Classical and Baroque pieces are also playable with a pick.During the mid to late 18th century a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 – 89) most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes onthis music the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 – 69) MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire Scotland.Written in standard notation and tablature this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio.

Wassail! Carols of Comfort and Joy (this edition for unison and simple two-part voices and piano) is a sequence of 12 uplifting folk-inspired Christmas songs exploring both sacred and secular aspects of the festive season. Includes such favourites as The Sussex carol Gaudete! and The holly and the ivy.

Alongside the Urtext edition of Beethoven’s 35 piano sonatas which sets new standards for the 21st century world-renowned Beethoven expert Jonathan Del Mar presents a Critical Commentary to this body of works. With diligence and factual accuracy he documents readings and editorial decisions discusses problematic sections and provides answers for questions that have occupied and divided scholars for decades including Beethoven’s notational idiosyncrasies and particular issues relating to performance practice. The Critical Commentary is more than a mere list of findings: It is a fascinating read offering valuable glimpses into Beethoven’s compositional process. Thisscholarly contribution is unparalleled in its precision and indispensable for in-depth studies of Beethoven’s piano sonatas.

Commissioned for the 40th birthday of the organist Paul Walton Walton's Paean is a work of great verve with compelling rhythms exciting harmonies and catchy melodies propelling the celebratory music forward. Through the boisterous excitement legato passages emerge as the piece hurtles towards the resounding finale.

Fantasy on the notes Acade

Soland Man Träume Noch Leben Kann

School's Out

Sinfonische Dichtungen

Sonata No. 4

A Touch of Blue

Part of our Presbyterian Association of Musicians Series this hymn-anthem is based on a new tune of the composer's own devising. The 1806 text is given a lyrical treatment rather than the usual rollicking one and the result is expressive and effective. The first stanza is in unison the second split between TB and SA alternating. The third stanza is set for SATB voices. The fourth and final stanza has lower voices in unison and sopranos descanting. Duration: 4:10Part of our Presbyterian Association of Musicians Series this hymn-anthem is based on a new tune of the composer's own devising. The 1806 text is given a lyrical treatment rather than the usual rollicking one and the result is expressive and effective. The first stanza is in unison the second split between TB and SA alternating. The third stanza is set for SATB voices. The fourth and final stanza has lower voices in unison and sopranos descanting. Duration: 4:10

Kathy Gladen Johnson's composition for unaccompanied SATB divisi voices sets the incarnation stanzas of this classic text adding Lully lulla lullay as a tag to each stanza to create a unique Christmas piece. Unexpected harmonies accent the short work drawing out the richness of the imagery. Ample places to breathe and dynamic variations facilitate a meditative expressive performance. Kathy Gladen Johnson's composition for unaccompanied SATB divisi voices sets the incarnation stanzas of this classic text adding Lully lulla lullay as a tag to each stanza to create a unique Christmas piece. Unexpected harmonies accent the short work drawing out the richness of the imagery. Ample places to breathe and dynamic variations facilitate a meditative expressive performance.