The Voice for Life White Level Workbook is the first book in the series of workbooks for singers. It introduces the concepts of singing well musical knowledge understanding the music we sing and belonging to the choir. It provides beginners with a step by step approach which will provide a solid base for the following Voice for Life levels.

for SATB and organ This beautiful setting of the Evening Canticles is for SATB Choir with Organ accompaniment.

Alto Baritone Choir 2 Narrators Orchestra (Vocal Score). Juedisch

for SATB unaccompanied This is a straightforward and effective anthem set to a well-known text from the Song of Solomon. The choral texture is interspersed with several soli or semi-chorus passages which alternate between the upper and lower voices reinforcing the message of love's power to bind people together. Suitable for both sacred and secular use. This is a beautiful setting of text from the Song of Solomon 8:6-7 and John 15:9-12 by Eleanor Daley. It is arranged for SATB chorus a cappella.

Prelude To Act 3 Lohengrin arranged for Organ.

Includes Tab. Includes Tab.

Spring Fancies was written in 1915. It is a collection of two Preludes scored for solo Harp. Sir Hamilton Harty (1879-1941) was an Irish-born composer conductor and pianist who spent most of his life working in Britain. He is best remembered for reviving the fortunes of the Halle Orchestra in Manchester during the 1920s. However he also wrote many works of music including a symphony several arrangements of Handel dozens of songs and chamber works. Most of these have been overlooked since his early death at the age of 61.

As recently sung by Scot's sensation Susan Boyle on Britian's Got Talent.

Nacht Und Träume for Clarinet Violin Cello and Piano was composed by Per Nørgård in 2005. Based on Franz Schubert's lied 'Nacht und Träume'. Nacht Und Träume for Clarinet Violin Cello and Piano was composed by Per Norgard in 2005. Based on Franz Schubert's lied 'Nacht und Träume'. Based on Franz Schubert's lied 'Nacht und Träume'

Urtext- The Urtext edition of Johann Joachim Quantz's Trio Sonata In C Minor for Flute Oboe and Continuo. Score and Parts.

The Old Chevalier (2005) - A Gothic Tale for Tenor Trombone and Ensemble . Piano reduction/Solo Trombone part: WH30940 Version for Bass Trombone: WH30942 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen 's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrativecomplexity: Themes and motivs from one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. After discovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains oblivious to his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens Vind.

Fantasy on an Old English Melody is based on a fragment of melody called The Leaves be Green which was popular in Elizabethan times. Queen's Temple Publications is delighted to publish this wonderful work which was recorded in 2009 by the Eden Guitar Ensemble on their CD 'Music for an Island' (BGS117).

For String Instruments Percussion and Celesta- The Music for Strings Percussion and Celesta is a central work not only in Bartok's œuvre it is also recognized as a key work in the music of the 20th century. ln spite of the work's monothematic conception all four movements have their own individual character. The constant return of the fugal theme from the first movement gives an organic unity to a series of complementary moods. The theme appears either in its original form or in inversions sometimes slow in a chromatic trepidation and elsewhere as an expression of pure diatonic dignity and joy. All in all the work is a masterpiece both of construction and of musicalpoetry. (Ferenc Bonis taken from the preface)

pour violon clarinette & piano-Score and parts for Milhaud's Suite In D for Violin Cello and Clarinet.

16 grade 2 pieces including 'Bear Dance' from 'Album for the Young' Allegro in G by Mozart's dad and various Sonatina movements.

The mazurka was Chopin's companion throughout his entire artistic life: He wrote the Mazurka in A minor Op. 68 at the age of seventeen and even his very last composition was dedicated to this Polish dance form. 'Chopin unleashed the unknown poetry which was only suggested in the original themes of the true national mazurkas. Maintaining their rhythm he refined the melody expanded the proportions and introduced a harmonic contrast that was as new as the objects to which he adjusted it…' (F. Liszt). Of the total of 58 mazurkas by Chopin this edition provides a selection of the better known and easier pieces for lessons and music lovers.

Harp. Vogt H Harp. Vogt H

School String Ensemble-Prelude Etude and Waltz. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

In memoriam Igor Strawinsky- Set of parts for Elena Firsova's Misterioso Op. 24 In Memoriam Stravinsky composed for String quartet.

A man a great artist who left his mark on a whole epoch has died' wrote Verdi in 1868 referring to Rossini whom he had greatly admired. To honour the deceased Verdi wanted to compose a mass together with the most renowned Italian composers of his time. But the composition initiated by him was never presented to the audience not least because of wounded vanities. Only the death of the Italian national poet Alessandro Manzoni prompted Verdi to make the mass torso into a complete requiem which was to conquer the whole of Europe with its marvellous temperament and lyrical verve after the resounding success of the world premiere. Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.