Symphonic Movement- Pacific 231 (Symphonic Movement) by Arthur Honegger. Eulenburg Miniature Score

This study score is a photographically reduced reproduction of the work as it appears in the Carl Nielsen Edition. This study score is a photographically reduced reproduction of the work as it appears in the Carl Nielsen Edition.

Halløj i Firmaet - En Kontoropera for six singers and ensemble. Full score. This Chamber Opera was composed by Peter Bruun in 2012 and features libretto by Jesper Bræstrup Karlsen. Halløj i Firmaet - En Kontoropera for six singers and ensemble. Full score. This Chamber Opera was composed by Peter Bruun in 2012 and features libretto by Jesper Bræstrup Karlsen.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

For Violin Cello and Piano.

Now seen as part of the 19th century aesthetic primacy of 'Bel Canto' great works for voice were frequently arranged for solo instruments a practice that became increasingly popular as the tone and capabilities of the instruments could draw performers ever closer to the characteristics of the human voice. Performer and composer Leopold Jansa originally arranged Schubert's celebrated Winterreise for Violin and Piano with alternative parts for Flute and Cello. This edition presents Jansa's complete Flute version in ten movements with the full original Piano accompaniment.

Guitar. Sor F Guitar. Sor F

Book 1 of Recital Music's ongoing Heritage Series featuring long-forgotten music primarily by bassist-composers of the late 19th and early 20th-century. Lyrical and accessible music mainly in the orchestral register providing useful and interesting recital repertoire in the salon style. Ideal as early recital repertoire. Evocative music with effective musical and technical challenges for the intermediate bassist. Contents include Laska - A la Hongroise / Noskowski - Elegy-Polonaise / Manoly - Albumblatt / Madenski - Marzenie/Souvenir / Simandl - Etude / Laska - Arietta. [Laska - A la Hongroise - Grade 6 Trinity-Guildhall 2010 onwards/ Noskowski - Elegy-Polonaise Grade 7 Trinity-Guildhall 2010 onwards] . 'This is a collection of five short pieces for recital programmes drawing on the repertoire of central European bassist-composers mainly at the turn of the 20th-century. So we have Gustav Laska's Arietta and A La Hongroise Ludwig Manoly's Albumblatt Eduard Madenski's Marzenie and Simandl's Etude as well as Zygmunt Noskowski's Elegy-Poloniase. The Simandl work which though brief deserves a better title appeared in that pedagogue's Method volume 2 but will hopefully reach a wider audience in this edition. It's a pleasure to see a proliferation of this kind of chamber recital repertoire for the bass; we can't have too much of it.' (ESTA - News & Views)

Parts for Divertimento For Brass Quintet by Anders Koppel (2004). Commissioned by the Brass Ensemble of the Royal Danish Life Parts for Divertimento For Brass Quintet by Anders Koppel (2004). Commissioned by the Brass Ensemble of the Royal Danish Life

Carl Nielsen's A Dream About 'Silent Night ' (Drømmen om 'Glade Jul') for Piano solo dating from 1905. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12 Carl Nielsen's A Dream About 'Silent Night ' (Drommen om 'Glade Jul') for Piano solo dating from 1905. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12

Imaginatively presented with fresh delightful Piano accompaniments by Mark Tanner these highly familiar folk songs take on an entirely original guise. Lying within a comfortable tessitura they will suit male and female voices alike Imaginatively presented with fresh delightful Piano accompaniments by Mark Tanner these highly familiar folk songs take on an entirely original guise. Lying within a comfortable tessitura they will suit male and female voices alike

12 Pieces For Solo Piano- Zodiac Pieces For Piano includes 12 compositions for the solo Piano by Irish Pianist and composer Philip Martin .

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Reginald The Rock 'N' Roll Rhino & 9 Other Squeezy Songs features 10 fun pieces. The songbook contains lead sheets and chords and a downloadable/photocopiable word sheet and backing/demo CD is also included as well as an instructional Video in Quicktime for use on Computer/Whiteboard. Songs include: Cool Shades Junk Band Boogie King of the Jungle Merlin Mosquitoes Reginald The Rock 'n' Roll Rhino The Flip Flop Song Things That Go Bump In The Night We Are Pirates and We Love to Sing!

Guitar. Barrios Ma Guitar. Barrios Ma

Beginner Book-Philip Cunningham's fantastic set of warm-ups for early grades and beginners will stimiulate fingers and minds whilst keeping fingers in tip-top readiness! It helps promote regular practice routine and is ideal for reinforcing a 'sense of key' and music fundamentals.

Brass Pack-First movement of Beethoven's 5th carefully and imaginatively arranged for Brass Instruments. Parts are also availaible for Woodwind Instruments (SP540) and String Instruments (SP542). All three versions can be played together or individually. Grade: 3 - 5

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678–1741) there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably. More than two dozens of his concertos are dedicated to the violoncello including the probably most famous double concerto: the 'Concerto for Two Violoncellos String Orchestra and Basso continuo in G minor (RV 531)' written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of the sources. The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741) there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably. More than two dozen of his concertos are dedicated to the violoncello including the probably most famous double concerto: the 'Concerto for Two Violoncellos String Orchestra and Basso continuo in G minor (RV 531)' written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of thesources.

Unfinished-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Alapa-Tarana Op.41 for Mezzo-Soprano and Percussion was composed by Poul Rovsing Olsen in 1959. Programme note: I was encouraged by the singer Jolanda Rodio to write a piece for mezzo-soprano and percus­sion. In my mind the idea immediately awoke associations of Indian or Arab music in which the combination of drums together with either an instrument or voice is very common. In a solo performance (as opposed to choral and ensemble performances) the piece is called a raga or a macam. A raga or macam is a scale and at the same time a number of melodic formulas. Further­ more it is a spiritual concept a specific raga or macam expressing a specific emotion. My piece isnot based on any traditional Indian raga or Arab macam. The raga in my piece is entirely my own invention. The title is derived from Indian music an Alapa being the first unaccompanied part of a raga. Traditionally in the Alapa the characteristics of the raga are first presented improvisationally without strict metre followed by a section in which the drums set in. The latter can have various forms. I have chosen a variation form called Tarana. (Poul Rovsing Olsen 1960) Alapa-Tarana Op.41 for Mezzo-Soprano and Percussion was composed by Poul Rovsing Olsen in 1959. Programme note: I was encouraged by the singer Jolanda Rodio to write a piece for mezzo-soprano and percus­sion. In my mind the idea immediately awoke associations of Indian or Arab music in which the combination of drums together with either an instrument or voice is very common. In a solo performance (as opposed to choral and ensemble performances) the piece is called a 'raga' or a 'macam'. A 'raga' or 'macam' is a scale and at the same time a number of melodic formulas. Further­ more it is a spiritual concept a specific'raga' or 'macam' expressing a specific emotion. My piece is not based on any traditional Indian 'raga' or Arab 'macam'. The 'raga' in my piece is entirely my own invention. The title is derived from Indian music an Alapa' being the first unaccompanied part of a 'raga'. Traditionally in the 'Alapa' the characteristics of the 'raga' are first presented improvisationally without strict metre followed by a section in which the drums set in. The latter can have various forms. I have chosen a variation form called 'Tarana'. (Poul Rovsing Olsen 1960)