Fox-Intermezzo-Piano. Wehle

Near Still Distant Still - Original Version for Violin French Horn and Piano was composed by Pelle Gudmundsen-Holmgreen in 2005. The present Horn Trio is an adaption of material used earlier in Near and far / Nær og Fjern(decet 1987) which is an adaption of material used earlier in the original trio ENCOUNTERS AND DREAMS (vl/cor/perc 1979) Near Still Distant Still - Original Version for Violin French Horn and Piano was composed by Pelle Gudmundsen-Holmgreen in 2005. The present Horn Trio is an adaption of material used earlier in Near and far / Naer og Fjern(decet 1987) which is an adaption of material used earlier in the original trio ENCOUNTERS AND DREAMS (vl/cor/perc 1979)

Version for Piano Solo.

Serenidad - Clarinet Concerto was composed by Bent Sørensen in 2012. Parts are for hire: hire@ewh.dk First performed by Martin Fröst and Netherlands Radio Chamber Philharmonic in the Concertgebouw Amsterdam November 3 2012. Serenidad - Clarinet Concerto was composed by Bent Sorensen in 2012. First performed by Martin Frost and Netherlands Radio Chamber Philharmonic in the Concertgebouw Amsterdam November 3 2012. Parts are available on hire: hire@ewh.dk

Six jazz pieces for two young pianists on one piano: Keyed up Floating Breeze Blues Ivory Bird and Power Drive. Great fun to play with melodic interest shared between the players. Grade: 5 - 6

An exciting and spirited Turkish March set for piano as a sumptuous concert solo by Beethoven. This piece offers a contrasting option to the better known Beethoven repertoire for piano.

Violin Guitar. Paganini N

Includes eight tips on sightreading along with twenty-four folk songs from Britain Europe Africa and Russia. Grade: 4 Includes eight tips on sightreading along with twenty-four folk songs from Britain Europe Africa and Russia. Grade: 4

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Ten cellists two bassists and a timpanist – what a sound! And what a great piece to play when ten cellists and a couple of bassists are in one place (and a timpanist if possible!) – perhaps in the break of an orchestra rehearsal or on a music course? This relatively short piece is not hard and is very rewarding to play.

With 'Get A Grip' you can pay attention to an important part of the left hand technique: playing chords where the fingers have to press the strings longer than the note value. Using chord diagrams above the bar you can see which string (or strings) you have to keep pressing at that particuar moment. The dotted lines next to the diagrams show exactly how long you have to keep your fingers on the strings. 19 pieces for guitar - book 2.

This classic by Handel has been carefully simplified so that players with some playing experience can enjoy this work. Easy Piano arranged by Henry Duke.

Territorial Songs by the Faroese composer Sunleif Rasmussen . Part for solo Recorder. Territorial Songs (2009) for Recorder solo and Orchestra by the Faroese composer Sunleif Rasmussen . Part for solo Recorder. Full score: WH32043

Saxophone teaching material-Part of the Trinity Performer's Series Musical Moments Alto Saxophone Book 5 offers twelve newly-composed or arranged pieces with piano accompaniment.

Guitar. Schleiermacher Guitar. Schleiermacher

Ten Jack Pieces for Piano Solo is a fun set of easy pieces by Philip Martin as used by the ABRSM for grade 3 in the 2015-16 syllabus. Includes: Dreamy Jack Irish Jack Jack In The Box Jack In The Country Jack Is Sad Jazzy Jack Jolly Jack Little Jacks Lullaby Naughty Jack and Sailor Jack.

Two Royal Fanfares for Brass Quintet was originally written by Wing Commander Stubbs for The Royal Wedding (Prince William and Catherine Middleton - 2011) and The Queen's Diamond Jubilee (Thanksgiving Service - 2012). Optional snare drum part.

Programme Note WHIRLS´ WORLD (1970) for wind quintet. “Whirl´s World” was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves first note number 1 of thethree-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård Programme Note WHIRLS´ WORLD (1970) for wind quintet. “Whirl´s World” was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård

Beatus Parvo Op. 117 (1973) by Vagn Holmboe - scored for chorus SATB and Orchestra. Text: Bible - Psalm 32. Chorus score: WH29292 Vocal score: KP01850

A varied and interesting collection of musical arrangements for over thirty popular and well-loved folk songs ballads and traditional songs gathered from the United Kingdom Spain and France. In easy to play format for any instrument in C.