On Gratitude Love And Madness- The six poems set here are all to be found in '100 Poems on the Underground'. For SATB (divisi) A Cappella.

for SATB unaccompanied This gutsy folk-inspired Advent carol is original and contemporary without losing the raw fervour of its medieval model. With its rhythm punchy and driven and its harmony strong and bare the piece demands great energy from the performers. Another classic from the legendery Bob Chilcott. Written for David Hill and The Bach Choir in celebration of the 80th birthday of Sir David Willcocks this hard and folksy song is arranged for SATB choir a cappella.

This book is for beginning and early intermediate mandolin players and no prior playing experience or note reading ability is required. The solos are written in both standard notation and tablature and whilst writing the arrangements the author considered the small hands of children. Each tune is in the first position and there are no stretches that present inordinate technical difficulties. Every song in the book is included on the companion CD. The tunes are recorded at a moderate speed and include count-off notes and rhythm guitar accompaniment.This book is for beginning and early intermediate mandolin players and no prior playing experience or note reading ability is required. The solos are written in both standard notation and tablature and whilst writing thearrangements the author considered the small hands of children. Each tune is in the first position and there are no stretches that present inordinate technical difficulties. Every song in the book is included on thecompanion CD. The tunes are recorded at a moderate speed and include count-off notes and rhythm guitar accompaniment.

The “Little Organ Book” perhaps the most celebrated collection ever of chorale preludes owes its title to J.S. Bach’s application for the post of Cantor at St Thomas’ Church in Leipzig. Lacking an academic degree Bach wanted to demonstrate his qualifications as a teacher through his compositions – including his Inventions Sinfonias and the “Well Tempered Klavier”. This also led him to append a misleading title to the most ambitious project of his time at Weimar: he called this collection of chorale preludes - originally meant to number 164 pieces - pieces for an “aspiring organist”. In fact the 44 completed compositions of the “Little Organ Book” are demanding masterpieceswhich give an impressive display of the full range of the so-called short chorale prelude. This new critical edition returns for the first time to the format of the principal sources dating from Bach’s time in that most of the pieces are reproduced on two systems rather than three. The Little Organ Book perhaps the most celebrated collection ever of chorale preludes owes its title to J.S. Bach 's application for the post of Cantor at St Thomas' Church in Leipzig. Lacking an academic degree Bach wanted to demonstrate his qualifications as a teacher through his compositions - including his Inventions Sinfonias and the Well Tempered Klavier. This also led him to append a misleading title to the most ambitious project of his time at Weimar: he called this collection of chorale preludes - originally meant to number 164 pieces - pieces for an aspiring organist. In fact the44 completed compositions of the Little Organ Book are demanding masterpieces which give an impressive display of the full range of the so-called short chorale prelude. This new critical edition returns for the first time to the format of the principal sources dating from Bach's time in that most of the pieces are reproduced on two systems rather than three.

Karol Szymanowski's Masken Op.34 is an exciting three movement work for solo Piano. Karol Szymanowski's Masken Op.34 is an exciting three movement work for solo Piano.

Paperback-for SATB and organ or orchestra Wilberg's arrangement of 'Old Hundredth' paired with William Kethe's hymn of exaltation builds from a simple opening to a rich-textured rousing conclusion. An alternative ending is included providing the option of finishing the piece more softly. An orchestral accompaniment is available on rental. Wilberg's arrangement of 'Old Hundredth' paired with William Kethe's hymn of exaltation builds from a simple opening to a rich-textured rousing conclusion. An alternative ending is included providing the option of finishing the piece more softly. An orchestral accompaniment is available on rental.

I Don't Know How To Love Him one of the showstoppers from 'Jesus Christ Superstar' is arranged here by Jeremy Birchall for SSA Choir with Piano Accompaniment. Composed by Andrew Lloyd Webber with lyrics by Tim Rice the song is often rated as the high point of the musical. I Don't Know How To Love Him one of the showstoppers from 'Jesus Christ Superstar' is arranged here by Jeremy Birchall for SSA Choir with Piano Accompaniment. Composed by Andrew Lloyd Webber with lyrics by Tim Rice the song is often rated as the high point of the musical.

Betty Roe's The Venite with written for Eagle House School Sandhurst and incorporates an unusual 'echo' effect between chorus and congregation.

POD-Nico Muhlys Stabat Mater Dolorosa for Soprano Baritone and Ensemble. Parts.My Stabat Mater is a very simply-constructed piece of music. I knew I wanted to write a duet a piece of religious music and something to go along with a bit of Birtwistle. My initial instinct was to base the piece on drones as Birtwistles musichas so very many notes but then I decided that an austere but ecstatic approach was the best to fill a coherent evening. I asked my friend Craig Lucas to paraphrase the Stabat Mater text - which describes the Virgin Mary weeping at the foot of thecross on which her son is crucified. The piece is organised by separating each phrase of the text with a moment of silence with the exception of the last three which are joined with a frenzied chorale with improvised dynamics from the Harp Windand Strings. - Nico MuhlyInstrumentation: Soprano and Baritone voice Flute Clarinet in Bb Harp Violin Viola and Violoncello. Nico Muhly 's Stabat Mater Dolorosa for Soprano Baritone and Ensemble. Parts. My Stabat Mater is a very simply-constructed piece of music. I knew I wanted to write a duet a piece of religious music and something to go along with a bit of Birtwistle. My initial instinct was to base the piece on drones as Birtwistle's music has so very many notes but then I decided that an austere but ecstatic approach was the best to fill a coherent evening. I asked my friend Craig Lucas to paraphrase the Stabat Mater text - which describes the Virgin Mary weeping at the foot of the cross on which her son is crucified. The piece is organised byseparating each phrase of the text with a moment of silence with the exception of the last three which are joined with a frenzied chorale with improvised dynamics from the Harp Wind and Strings . - Nico Muhly Instrumentation: Soprano and Baritone voice Flute Clarinet in Bb Harp Violin Viola and Violoncello.

King Arthur (Arr. Laurie)- King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera; the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers or servants shepherds and similar characters the main action mostly occurs in the spoken sections and even the two singing characters Philidel and Grimbald speak more than they sing.

Catches (Cloth Bound)-A beautifully-presented cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Paperback edition available: NOV151103. A beautifully-presented cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Paperback edition available: NOV151103.

A Christmas carol for Soprano (Treble) and Baritone with SATB Choir. A Christmas carol for Soprano (Treble) and Baritone with SATB Choir.

For SATB Choir and Organ. For SATB Choir and Organ.

incl. Christian Petzold: Suite de Clavecin-The 1725 Notebook of Anna Magdalena Bach is chiefly famous for pieces such as the two minuets in G major and G minor (Nos. 4 and 5 in the present collection) and the Aria di Giovannini. These three indeed the majority of the pieces were not composed by J. S. Bach but by other often fairly unknown musicians. Though begun by her husband Anna Magdalena Bach compiled the Notebook for her own domestic use. A definite asset to the collection is the Suite de Clavecin by Christian Petzold organist at the Dresden court which contains the two minuets mentioned above. The 1725 Notebook of Anna Magdalena Bach is chiefly famous for pieces such as the two minuets in G major and G minor (Nos. 4 and 5 in the present collection) and the Aria di Giovannini . These three indeed the majority of the pieces were not composed by J. S. Bach but by other often fairly unknown musicians. Though begun by her husband Anna Magdalena Bach compiled the Notebook for her own domestic use. A definite asset to the collection is the Suite de Clavecin by Christian Petzold organist at the Dresden court which contains the two minuets mentioned above.

A two-part song (SA) with piano accompaniment. Words by William Wordsworth.

James Weeks ' Matsushima for 1-4 Pianos. Performing score. Matsushima is dedicated to Claudia Molitor. This work is based on a hokku by Bash . Matsushima is a an archipelago of some 800 islands in an area 12 miles wide densely forested with pine trees whose branches blown by sea winds are twisted into millions of different shapes. Matsushima was commissioned by Andrew Melvin and first performed by him in Steyning Sussex on 20 November 2005. James Weeks ' Matsushima for 1-4 Pianos. Performing score. Matsushima is dedicated to Claudia Molitor. This work is based on a hokku by Bash . Matsushima is a an archipelago of some 800 islands in an area 12 miles wide densely forested with pine trees whose branches blown by sea winds are twisted into millions of different shapes. Matsushima was commissioned by Andrew Melvin and first performed by him in Steyning Sussex on 20 November 2005.

This new Wiener Urtext Edition of J.S. Bach's English Suites addresses particularly the problematic question of extinct secondary sources. With Bach's autograph no longer surviving the edition attempts to extract the original text from a plethora of manuscript copies by means of detailed comparisons and deduction. The edition attempts to amend passages that appear to be corrupted in all available sources and by careful reasoning bring them closer to Bach's probable intentions. All editorial decisions are documented in an extensive critical commentary with the aim of enabling the readers to conduct their own critical evaluation of the musical text. Indispensable notes onauthentic performance practice contain valuable information for the performer. This new Wiener Urtext Edition of J.S. Bach 's English Suites addresses particularly the problematic question of extinct secondary sources. With Bach 's autograph no longer surviving the edition attempts to extract the original text from a plethora of manuscript copies by means of detailed comparisons and deduction. The edition attempts to amend passages that appear to be corrupted in all available sources and by careful reasoning bring them closer to Bach 's probable intentions. All editorial decisions are documented in an extensive critical commentary with the aim of enabling the readers to conduct their own critical evaluationof the musical text. Indispensable notes on authentic performance practice contain valuable information for the performer.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Set of parts for the carol O holy night which is available both as an individual leaflet and as part of the collection O holy night. Set of parts for the carol O holy night which is available both as an individual leaflet and as part of the collection O holy night.

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS