Reduction for Harp and Piano written in 1952 for the distinguished harpist Nicanor Zabaleta. This is the fifth of Rodrigo's eleven concertos. This is a cornerstone of the modern harp repertoire and one of the composer's most attractive works. Reduction for Harp and Piano written in 1952 for the distinguished harpist Nicanor Zabaleta. This is the fifth of Rodrigo's eleven concertos. This is a cornerstone of the modern harp repertoire and one of the composer's most attractive works.

Praeludium On The Name George Frideric Handel was commissioned by the Royal Society of Musicians of Great Britain (of which Handel was a founder member in 1738) and first performed by the Navarra String Quartet as part of the RSM’s Jacqueline du Pré Charity Concert at London’s Wigmore Hall on 3rd March 2015. Praeludium On The Name George Frideric Handel was commissioned by the Royal Society of Musicians of Great Britain (of which Handel was a founder member in 1738) and first performed by the Navarra String Quartet as part of the RSM’s Jacqueline du Pré Charity Concert at London’s Wigmore Hall on 3rd March 2015.

Credo De La Misa 'Papae Marcelli' by Giovanni Palestrina for six voices.

A concise incredibly useful scale regimen that enhances left and right hand technique helps master the fingerboard and paves the way for improvisation. Also a helpful aid to sight reading. Comprehensive 96-page pocket/case-size edition that can go anywhere. A concise incredibly useful scale regimen that enhances left and right hand technique helps master the fingerboard and paves the way for improvisation. Also a helpful aid to sight reading. Comprehensive 96-page pocket/case-sizeedition that can go anywhere.

Choral cantata No. 3 for Good Friday-A/T[S] SOLO/SATB/VLN/OB/ORG B. Reger M

20 cafe-style tunes from the repertoire of Dan Daddy Squeeze Newton. Musette waltzes swing tangoes polkas and cumbias great for intermediate or advanced players. Includes access to online audio with fully-orchestrated arrangements. Suitable for intermediate-advanced level Accordion players this collection contains 20 'cafe-style' tunes from the pen of Dan 'Daddy Squeeze' Newton . Musette waltzes swing tangoes polkas and cumbias are allfeatured. More Cafe Accordion includes access to online audio tracks with fully-orchestrated arrangements.

The Beach Boys ' 1964 hit I Get Around arranged for SATB Choir with Piano accompaniment by Thomas Lydon . The Beach Boys ' 1964 hit I Get Around arranged for SATB Choir with Piano accompaniment by Thomas Lydon .

Philip Herbert is a British composer based in Leicester. This delightful and wistful piece started life as a dance project with choreographer Henry Oguike and was first performed in its entirety in 2013 in Leicester as part of Black History Month. This slightly abridged version gives the Oboe a singing line of great beauty. Herbert himself notes that he combines 'hypnotic and expressive melismas in the melodic line supported by the accompaniment supplied by the Piano which draws on the influence of minimalism and chordal figuration that is to be found in some of the keyboard preludes of J.S. Bach'. The E flat section in the middle provides some contrast and thedelicately ornamented ending brings the piece to a calm conclusion. The metronome mark should be carefully noted so that the piece floats and flows nicely without getting stuck and indulgent. Philip Herbert is a British composer based in Leicester. This delightful and wistful piece started life as a dance project with choreographer Henry Oguike and was first performed in its entirety in 2013 in Leicester as part of Black History Month. This slightly abridged version gives the Oboe a singing line of great beauty. Herbert himself notes that he combines 'hypnotic and expressive melismas in the melodic line supported by the accompaniment supplied by the Piano which draws on the influence of minimalism and chordal figuration that is to be found in some of the keyboard preludes of J.S. Bach'. The E flat section in the middle providessome contrast and the delicately ornamented ending brings the piece to a calm conclusion. The metronome mark should be carefully noted so that the piece floats and flows nicely without getting stuck and indulgent.

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010. The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James's Church Piccadilly on Thursday 19 May 2011. 1. Ritual/Pastorale 2. Fertility Dance 3. Ghost Dance/Song 4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma -Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Herman Cortés - an event that was to eventually lead to the demise of the Aztec civilisation. Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life. I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work. Edward Gregson

Published in response to many requests for a book containing imaginative and singable descants this indispensable collection contains 34 set to the most popular of all hymn tunes. Many of the arrangements are by Christopher Robinson who has assembled the collection together with settings by Barry Rose Ralph Allwood Sidney Campbell George Guest and Herbert Howells; most are published for the first time. The descants cover all the main seasons of the church year as well as plenty of general hymns. The full music edition is essential as it includes music parts with varied harmonies melody and descant lines. The smaller book contains thedescant lines only. Suitable for use by church cathedral or school choirs.

for soprano solo SATB and organ. This short collection presents the complete set of meditations from Chilcott's stunning St John Passion. Setting English poems from the 13th to the early 17th centuries the meditations provide a very personal reflection on the dramatic story of the passion - at times anguished adoring and humbling. This short collection presents the complete set of meditations from Chilcott's stunning St John Passion. Setting English poems from the 13th to the early 17th centuries the meditations provide a very personal reflection on the dramatic story of the passion - at times anguished adoring and humbling. The beautiful soprano solo soars over the SATB voices and organ accompaniment in 'Christ my Beloved' and 'Jesus my Leman' while the unaccompanied choir take centre stage for 'Miserere my Maker' and 'Away vain world'.

The Cambridge Singers Hymn Series-for SATB and piano or harp In his setting of this German hymn Rutter keeps the voices largely in rhythmic unison skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arrangements recorded by the Cambridge Singers directed by John Rutter on the Collegium CD Sing ye heavens (COLCD 126). We Plough The Fields And Scatter arranged by John Rutter for SATB choir and Piano or Harp. In his setting of this German hymn Rutter keeps the voices largely in rhythmic unison skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arrangements recorded by the Cambridge Singers directed by John Rutter on the Collegium CD Sing Ye Heavens (COLCD 126).

The study score for Reflexionem by Patrick Hawes.

Ærc Quartets by James Weeks for any four bowed String Instruments. Score. aerc Quartets by James Weeks for any four bowed String Instruments. Score.

Christmas hits for SATB choir with piano accompaniment arranged by Berty Rice. Includes Happy Xmas (War Is Over) and Keeping The Dream Alive .

The Chanson de Nuit was originally entitled Evensong though it is difficult to discern any religiosity in the work. And although published in 1897 scholars suggest that these works may have been written in the 1880’s. The contrast of the two melodies which Elgar then intertwines yield a satisfying short work especially with the composer’s fine Orchestration.Elgar published the Chanson de Nuit – and its partner Chanson de Matin – at the time of his life when he was also creating the Enigma Variations and The Dream of Gerontius. This work was originally created as a Violin and Piano duet but Elgar then Orchestrated the work and it was presented at the Proms. Sincethen other arrangements have been created.

Mistral Music for flute and string quartet Op. 90a by Aulis Sallinen was first performed on 27 June 2008 at Pekkala Manor Stables Jäminkipohja Ruovesi as part of the Musiikkia! Rovesi festival by Anna Aminoff (flute) with Okko Kamu and friends.

Canta Canta! is a slow and expressive piece for Clarinet Cello and Piano by Thea Musgrave. This short song is taken from Cantata for a Summer's Day written in 1954 while the composer was a student in Paris. This is the score and parts.

Arranged for Viola and Piano by Alan Arnold.

for unaccompanied SATB Suitable for most Anglican morning and evening prayers services this is an effective unaccompanied SATB setting of the modern language Preces and Responses by John Reading. This version has been edited by Michael Walsh.