This new edition contains the facsimile of the entire Mozart autograph plus the musical text newly edited by Ulrich Leisinger who drew upon the autograph and the first edition as found in the first volume of the new Wiener Urtext edition of Mozart's piano sonatas (UT 50226). The editor's decisions can be followed in the critical annotations as well as perhaps even more importantly in the direct comparison with the original manuscript. The edited musical text with fingerings tried and tested page turns and a clear engraving offers a very convenient basis for practical use. The preface gives information about the work's origins and the autograph's eventfulhistory. This new edition contains the facsimile of the entire Mozart autograph plus the musical text newly edited by Ulrich Leisinger who drew upon the autograph and the first edition as found in the first volume of the new Wiener Urtext edition of Mozart 's Piano sonatas (UT 50226). The editor's decisions can be followed in the critical annotations as well as perhaps even more importantly in the direct comparison with the original manuscript. The edited musical text with fingerings tried and tested page turns and a clear engraving offers a very convenient basis for practical use. The preface gives information about the work's origins and the autograph'seventful history.

Spiral Mass is a work by Nico Muhly composed in 2014 commissioned by Holland Festival and BBC Radio 3. The work is arranged for SATB Chorus and Organ Accompaniment and lasts around 15 minutes. Spiral Mass received its world premiere on 2nd June 2014 during the Holland Festival by the Nederlands Kamerkoor conducted by Risto Joost featuring James McVinnie on Organ. According to Muhly this compositions is an attempt to set the text of the Latin Mass using a completely different harmonic structure from his previous works. The rhythms and melodies can be seen as circular rather than linear becoming evident from both the Organ parts and the choirs initial phrases.As the piece progresses the dynamic tempo enhances the interplay of all parts all the while hinting at Stravinskian inspirations. Spiral Mass is a work by Nico Muhly composed in 2014 commissioned by Holland Festival and BBC Radio 3. The work is arranged for SATB Chorus and Organ Accompaniment and lasts around 15 minutes. Spiral Mass received its world premiere on 2nd June 2014 during the Holland Festival by the Nederlands Kamerkoor conducted by Risto Joost featuring James McVinnie on Organ. According to Muhly this compositions is an attempt to set the text of the Latin Mass using a completely different harmonic structure from his previous works. The rhythms and melodiescan be seen as circular rather than linear becoming evident from both the Organ parts and the choirs initial phrases. As the piece progresses the dynamic tempo enhances the interplay of all parts all the while hinting at Stravinskian inspirations.

In this well-known hymn Herbert Howells sets a text by Robert Bridges to a hymn tune of his own composition creating a hymn which has become a firm favourite all over the world. The first three verses do not stray from Howells' original setting but John Rutter reharmonizes Verses 4 and 5 and adds a descant to the final verse which was approved by Howells himself.

Rev. Gary Davis is the real thing. The authentic blind-seer. He was a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith a raunchy and gracious sense of humor. A mystic. He is an icon of the style of guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day. Rev. Davis (1896-1972) was born black in deep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was an unshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him. Ernie Hawkins has transcribed 13 of Rev. Davis's best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtime instrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag). The playing of Rev. Davis has influenced generations of guitar players from Blind Boy Fuller to Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan Jackson Browne and others. Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day. Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking

This comprehensive method based on the solfege system gives you a step-by-step plan for teaching the fundamentals of sightsinging. Highly practical for the choral rehearsal Vol. II provides 244 graded exercises in unison 2-part 3-part and 4-part covering chromatics syncopations minor modes and much more. Also included is a comprehensive glossary of musical terms. Recommended for Grades 6-12. Available: Teacher's Edition Vol. I & II StudentEdition Vol. I & II and Sightsinging Part Exercises. For Grades 6-12.This comprehensive method based on the solfege system gives you a step-by-step plan for teaching the fundamentals of sightsinging. Highly practical for the choral rehearsal Vol. II provides 244 graded exercises in unison 2-part 3-part and 4-part covering chromatics syncopations minor modes and much more. Also included is a comprehensive glossary of musical terms. Recommended for Grades 6-12. Available: Teacher's Edition Vol. I & II Student Edition Vol. I & II and Sightsinging Part Exercises. For Grades 6-12.

17 Celebrated Wedding Songs-17 celebrated wedding songs including: Ave Maria œ Bist du bei mir (You Are with Me) œ Devotion œ I Love You Truly œ One Hand One Heart œ Panis Angelicus (O Lord Most Holy) œ Set Me As a Seal œ Wedding Prayer œ and more. Seventeen celebrated Wedding songs for High Voice with Piano accompaniment collected and edited by Bernard Taylor. Intended for those who intend to play an active part in deciding the music played on their special day. Includes 'One Hand One Heart' and 'Schubert's 'Ave Maria'. This collection is also available for Low Voice (search for Catalogue Number GS32929).

Viola da Gamba Part for Nico Muhly's Malmesbury Motets. Commissioned for the choir of Malmesbury Abbey Wiltshire by Revd Canon Neill Archer (vicar) and Dr Annie Davis (Lay Precentor). First performed on 26 & 27 November 2016 at the Advent Carol Services at Malmesbury Abbey by the Abbey Choir directed by John Hughes and Rebecca Saunders. Duration approximately: 8 minutes. Viola da Gamba Part for Nico Muhly's Malmesbury Motets. Commissioned for the choir of Malmesbury Abbey Wiltshire by Revd Canon Neill Archer (vicar) and Dr Annie Davis (Lay Precentor). First performed on 26 & 27 November 2016 at the Advent Carol Services at Malmesbury Abbey by the Abbey Choir directed by John Hughes and Rebecca Saunders. Duration approximately: 8 minutes. '...one hopes there are enough good (Gamba) players available to take on the challenge so that Muhly's imaginative collection can be widely appreciated'. Choir & Organ December 2017

This book is designed for mandolinists seeking to develop their left and right-hand technique. The exercises included help reinforce fundamental actions of playing and challenge the player to master the various permutations and combinations of these fundamentals. Each hand is given primary focus working across all four strings or up and down the fretboard before both hands are challenged simultaneously. Through these exercises a player can improve their functioning abilities and facilitate better control over the instrument. Practicing these workouts can help with the mechanics of playing as well helping a player improve accuracy speed and agility in both hands. This book is designed for mandolinists seeking to develop their left and right-hand technique. The exercises included help reinforce fundamental actions of playing and challenge the player to master the various permutationsand combinations of these fundamentals. Each hand is given primary focus working across all four strings or up and down the fretboard before both hands are challenged simultaneously. Through these exercises a player canimprove their functioning abilities and facilitate better control over the instrument. Practicing these workouts can help with the mechanics of playing as well helping a player improve accuracy speed and agility in bothhands.

Arranged for Viola and Piano by Alan Arnold. Arranged for Viola and Piano by Alan Arnold.

Full score. Music from Hobson's Choice Film Suite composed 1992. Duration 17 minutes. Full score. Music from Hobson's Choice Film Suite composed 1992. Duration 17 minutes.

Wilhelm Friedemann Bach was Johann Sebastian Bach’s eldest son and more closely linked to the spirit of baroque music than were his younger brothers. In our anthology of three keyboard sonatas two fantasias and a suite the keyboard composer stands on the threshold of freer forms and harmonies. The Suite in G minor is still informed by the baroque. The two Sonatas in D major with their galant capricious idiosyncrasies demand great attentiveness from the player while the E flat major Sonata published in 1748 already anticipates Haydn in the elaboration of its themes. In the Fantasias in a minor and c minor the liberating powers of the time seem to take hold. Thefingerings in the present Urtext edition are by pianist and veteran pedagogue Klaus Schilde whose name has appeared on numerous G. Henle editions.

Libretto for German Version of The Soldier's Tale . Libretto for German Version of The Soldier's Tale .

The core of this valuable resource is a set of 12 sequenced songs for grades 2-6 to help students learn solfege syllables in an enjoyable way. Includes folk songs rounds canons and masterworks in addition to a very helpfulTeacher's Guide with lesson plans supplemental music suggestions and performance options. Available: Teacher's Manual Unis/2pt. Singer's Edition Performance/Accompaniment CD and Reproducible Pak (warm-ups workouts andactivities). For gr. 2-6.The core of this valuable resource is a set of 12 sequenced songs for grades 2-6 to help students learn solfege syllables in an enjoyable way. Includes folk songs rounds canons and masterworks in addition to a very helpfulTeacher's Guide with lesson plans supplemental music suggestions and performance options. Available: Teacher's Manual Unis/2pt. Singer's Edition Performance/Accompaniment CD and Reproducible Pak (warm-ups workouts andactivities). For gr. 2-6.

Work for 2 Clarinets and Bass Clarinet composed in 1980.

A rich and vibrant piece for mature tastes this version of Georgia On My Mind is based on the original 1930 standard by Hoagy Carmichael and Stuart Gorrell. Arranged by Barrie Carson Turner for SAB choir with piano accompaniment choruses can indulge themselves in the barbershop tinged harmonies of this timeless all-American classic.

The edition is part of the Trinity syllabus 2007 (grade 8) Johannes Brahms ' Sonata Op.100 A .

Work for Piano Trio composed in 1980.

Work scored for 2 Oboes 2 Cor Anglais 2 Bassoons and Contra Bassoon.

Twelve Fantasias for Flute Solo TWV 40:2-13- Georg Philipp Telemann 's 12 Fantasias for solo Flute. Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555) it wasalso mainly Telemann ’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century. Telemann ’s cycle evidently had a great influence on the flautist’s world.The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This Henle Urtext edition is based on Telemann ’s print which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

This evocative song is full of imagery in its descriptions of the four elements; Earth Air Fire and Water and is Ideal for children and Schools with interesting and charming Unison lines. A Quire Of Elements is a terrific setting of Marian Lines magical words by Betty Roe for Unison Children's Voices with optional Solos for each element.