Contents: O strength and stay œ Sun of my soul œ And now another day is gone œ Through the day thy love has spared us œ Round me falls the night œ Hark! Hark my soul.

Killer Turnarounds presents a wealth of concise information about playing over the last two measures of jazz tunes. Commonly called the turnaround these two measures can be difficult to accurately play over for beginning jazzimprovisers. This method systematically breaks down the harmonic structures frequently found at the end of tunes and provides melodic ideas as well as harmonic ideas that will help improvisers sound like seasoned professionals.Presented in standard notation and tab.

James Weeks' Inscription was published in 2017 and is arranged for SATB quartet and String quartet. in memoriam Aldo Clementi Inscription was first performed by EXAUDI and Endymion at the Purcell Room London on 21 September 2011 conducted by the composer. The score was subsequently revised in 2012.

Three songs for soprano and orchestra to poems by George Herbert and Henry King.

The text adapted by composer Allan Naplan is a lullaby written by the Belorussian Yiddish poet David Einhorn. On the eve of World War II more than half of the sixteen million Jews of the world spoke Yiddish. With the onset ofthe Holocaust however the expansion of the language and culture came to an abrupt end. In recent years the language is once again being studied spoken and sung. Beautiful work for SSA Voices Piano and optional Cello.Duration: ca. 5:00.SS/A . Naplan Ae

Whythorne's Shadow-Arranged for Piano Duet by John Mitchell.

Peter Jenkyns' Bessie The Black Cat is a song for Unison Voices with Piano accompaniment and is ideal for School choirs and assembly use.

Unison with optional descant and piano or orchestra Orchestral material is available on hire. The orchestral accompaniment for this version is not compatible with that for the SATB and SSAA versions. Unison with optional descant and piano or orchestra Orchestral material is available on hire. The orchestral accompaniment for this version is not compatible with that for the SATB and SSAA versions.

A selection of 52 of the finest modern worship songs. These arrangements have been commissioned with an eye to full participation by both choirs and congregations with instrumentalists and soloists too where available.

Peter Dickinsons Lullaby from The Unicorns for solo Piano. For Mark Bebbington. Peter Dickinson 's Lullaby from 'The Unicorns' for solo Piano. For Mark Bebbington.

for SA unaccompanied A short and easy canonic setting. An unaccompanied choral work by the popular and successful composer Andrew Carter. For SA upper voices and based on an Old Gaelic blessing this is an uncomplicated and wonderful original piece suitable for any aspiring or established choir.

Luis Tinoco's Short Cuts . Composed and published in 2004 this work has been arranged for Saxophone quartet and Percussion with a duration of approximately 8 minutes. Luis Tinoco's Short Cuts . Composed and published in 2004 this work has been arranged for Saxophone quartet and Percussion with a duration of approximately 8 minutes.

This book serves as a follow-up to Ben Monder Compositions with an emphasis on the compositions found on the 2013 recording Hydra as well as some older pieces that didn't make it into the first book. They are scored for solo guitar guitar trio guitar and voice duo and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic technical and textural elements of the guitar. These pieces will present an array of challenges to the performer including unusual techniques and alternate tunings. This book serves as a follow-up to Ben Monder Compositions with an emphasis on the compositions found on the 2013 recording Hydra as well as some older pieces that didn't make it into the firstbook. They are scored for solo Guitar Guitar trio Guitar and Voice duo and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic technical and textural elements of the Guitar. These pieces will present an array of challenges to the performer including unusual techniques and alternate tunings.

Complete Edition. Paperbound with critical report.

Vocal Score-Nico Muhly 's Let All The World In Every Corner Sing for SATB chorus Cello and Organ. Vocal Score. Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College Cambridge and first performed on 27 May 2014 by them with Peter Harrison Organ and Benjamin Michaels Cello. Rebecca Tavener in the March 2015 issue of Organist's Review states that Muhly has done more than merely set the text...it is an intriguing fresh response. Nico Muhly 's Let All The World In Every Corner Sing for SATB chorus Cello and Organ. Vocal Score. Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College Cambridge and first performed on 27 May 2014 by them with Peter Harrison Organ and Benjamin Michaels Cello. Rebecca Tavener in the March 2015 issue of Organist's Review states that Muhly 'has done more than merely set the text...it is an intriguing fresh response.'

Thea Musgrave's Postcards From Spain is a fascinating travelogue of Spain without being overly Spanish from the tranquility of sunlight reflecting off still pools to the dramatic song of the Cantaor and his Flamenco guitarist. This little collection of five serenades for solo guitar has been editred by Michael Lorimer is a real treat for guitarists and listeners.

On The Underground (or 'A Medieval Summer') is based upon texts from Poems On The Underground and was commissioned by the Ionian Singers with funds from The Holst Foundation. Written by Thea Musgrave for unaccompanied SATB chorus.

The great D major sonata for two pianos K. 448 is – of course – the absolute showpiece of this Urtext edition. The first movement opens like an operatic overture with timpani and trumpets the Andante is a single grand melody shared between the two pianos and the sublime rondo finale comes across like a piano concerto without orchestra. But another important work can be found in this Henle edition too: the earnest C minor fugue for two pianos K. 426 reminiscent of Handel’s or Bach’s great art here in its original form from 1783. Mozart published it soon after in a four-part version for string quartet adding a beautiful freshly composed Adagio introduction. This in turn has been rescored in our edition for two pianos by the brilliant musician Franz Beyer who also has completed a performable version of Mozart’s two-piano “Larghetto and Allegro” in E-flat major (a work not included in Köchel’s catalogue) from the surviving fragments. Two copies are required for performance of all the works in this volume.

Baritone Voice-Four Traditional Songs is a setting of four heartbreaking and poignant folk songs by virtuoso contemporary composer Nico Muhly . Composed in 2011 the songs deal with themes of death murder and unimaginable events that are emotively arranged for Baritone Voice and Piano. Commissioned by Carnegie Hall in New York City and Wigmore Hall in London this work was first performed at those renowned venues in 2011 and 2012 respectively. Muhly states that he drew inspiration from old English folksongs and would spend time imagining stylised yet subtle musical settings with accompaniments. The result of this intensive period of listening is Four Traditional Songs whichlasts around 15 minutes and carries that incredible sense of sad balladry that counters the occasionally jaunty melodies. This edition is for Baritone Voice. Please click here to purchase the Countertenor version . Four Traditional Songs is a setting of four heartbreaking and poignant folk songs by virtuoso contemporary composer Nico Muhly . Composed in 2011 the songs deal with themes of death murder and unimaginable events that are emotively arranged for Baritone Voice and Piano. Commissioned by Carnegie Hall in New York City and Wigmore Hall in London this work was first performed at those renowned venues in 2011 and 2012 respectively. Muhly states that he drew inspiration from old English folksongs and would spend time imagining stylised yet subtle musical settings with accompaniments. The result of this intensive periodof listening is Four Traditional Songs which lasts around 15 minutes and carries that incredible sense of sad balladry that counters the occasionally jaunty melodies. This edition is for Baritone Voice. Please click here to purchase the Countertenor version .

Transcribed for guitar by Jose De Azpiazu. No. 1 from Sonatas De El Escorial . Transcribed for guitar by Jose De Azpiazu. No. 1 from Sonatas De El Escorial .