for SATB soloists SATB choir and orchestra A truly versatile and user-friendly edition - a practical approach for performers informed by the very highest standard of scholarship. The vocal score presents with great clarity the standard version that we all know and love complete with a new practical piano reduction. The appendix contains Handel's alternative movements and transpositions. The full score includes all the alternative movements and transpositions in their correct sequence and all material is signposted clearly and cross-referenced with the vocal score. Vocal scores and orchestral material are available on hire. Orchestral material is also available for salefrom Goodmusic. A truly versatile and user-friendly edition - a practical approach for performers informed by the very highest standard of scholarship. The vocal score presents with great clarity the standard version that we all know and love complete with a new practical piano reduction. The appendix contains Handel's alternative movements and transpositions. The full score includes all the alternative movements and transpositions in their correct sequence and all material is signposted clearly and cross-referenced with the vocal score. Vocal scores and orchestral material are available on hire. Orchestral material is also available for sale from Goodmusic.

for SATB (with divisions) unaccompanied Part of the John Rutter Anniversary Edition this a cappella anthem suitable as an introit or call to worship was inspired by Celtic folksong. John Rutter 's Open Thou Mine Eyes for SATB (with divisions) unaccompanied. Part of the John Rutter Anniversary Edition this a cappella anthem suitable as an introit or call to worship was inspired by Celtic folksong.

This work for mixed choir and hand bells set in English Greek and Slavonic by John Tavener was commissioned by Francis Grier. Large (A3) score. This work for mixed choir and hand bells set in English Greek and Slavonic by John Tavener was commissioned by Francis Grier. Large (A3) score.

Baby Jesus was written as a follow-up to Gold Frankincense and Myrrh. The songs are simple yet colourful and the piano part has been kept easy enough for most school pianists to cope with. Percussion parts will add interest tothe music and give a great sense of achievement to the players. The lyrics are uncluttered and are hence manageable for very young children and those with learning difficulties. Baby Jesus provides a versatile work into whichteachers can input their own ideas. Duration: 25 mins. Script available in student book. You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form. Professionally recorded demonstration and backing tracks are available to purchase and download here .

From the Musical A Little Night Music-This wonderful ballad from Sondheim's A Little Night Music has been recorded by countless artists and enjoys an enduring popularity with all audiences. Available once again here is the classic arrangement for band by Frank Cofield.

Rudolf Ringgenberg's Die Besenbinder Von Leissigen (The Broom-Makers Of Leissigen). Arranged by Jörg Ringgenberg for Brass Band. Score and parts.

Pop - Rock - Jazz - Bossa Nova-Trumpet. Lonardoni

20 fairly easy duets. 20 fairly easy duets.

The Lemonade Kid is a rootin'-tootin' Wild West musical telling of a town being tamed against all odds by a plucky bar-girl and the only man brave enough not to carry a gun. Eight great new songs including a hoe-down dance. Anexcellent fun way of getting across a very serious message. Suitable for Key Stage 2 (7-11 years). 12 solo parts + choir Duration 45 minutes. The accompanying CD includes demonstration and backing tracks of all the songs. Thescript is available in the separate (Pupil's Book). Edited by Alison Hedger You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form.

Thirty-eight dance pieces for Piano solo selected and edited by Cecily Lambert with biographical and historical notes.

soli mixed chorus and orchestra

for SATB (with divisions) clarinet (or C instrument) and piano or harp This arrangement of an American Revivalist hymn sees a flowing piano/harp part and instrumental obbligato combine with voices in one to eight parts. This arrangement of an American Revivalist hymn sees a flowing piano/harp part and instrumental obbligato combine with voices in one to eight parts. A 'Hosanna' motif is recurrent throughout the piece and used to great effect during a short coda bringing everything to a gentle close. A part for clarinet in B flat is included at the back of the vocal score with parts in A and C and a separate harp part available to download as PDFs from the publisher's website.

Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano . There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing but admittedly there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focus on four typical techniques: Part 1 - Playing Arpeggio in left hand Part 2 - 4-stacked chords in a piano movement Part 3 - Left-hand chords Part 4 -Overlying triads when accompanying To illustrate the various techniques I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master's Degree in Musicology from University of Copenhagen. Since 1988 Tormod has been a jazz piano lecturer at The Rhythmic Music Conservatory Copenhagen The Institute of Musicology at University of Copenhagen and the Royal Danish Academy of Music Copenhagen. The material you fi nd in this book has been used at the above three educational institutions and is primarily targeted to music students that do not have the piano as their primary instrument at these schools. But others may also benefi t from this book provided you have an elementary theoretical background in music. Since 2013 Tormod has also been Music School Manager at the Rødovre School of Music. Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano . There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing but admittedly there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focus on four typical techniques: Part 1 - Playing Arpeggioin left hand Part 2 - 4-stacked chords in a piano movement Part 3 - Left-hand chords Part 4 - Overlying triads when accompanying To illustrate the various techniques I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master's Degree in Musicology from University of Copenhagen. Since 1988 Tormod has been a jazz piano lecturer at The Rhythmic Music Conservatory Copenhagen The Institute of Musicology at University of Copenhagen and the Royal Danish Academy of Music Copenhagen. The material you

for SSA unaccompanied Songbird sets an evocative text describing songbirds that spin tunes of gold. The catchy colourful melody is first presented by tutti voices and is then woven through the vocal parts often to scat accompaniment. The setting ends with an effective passage of close imitation. Songbird sets an evocative text describing songbirds that spin tunes of gold. The catchy colourful melody is first presented by tutti voices and is then woven through the vocal parts often to scat accompaniment. The setting ends with an effective passage of close imitation. The Songbird series presents new and exciting original material for upper voices. Showcasing the work of today's most innovative names in choral writing the series includes songs in a variety of scorings from SA voices with piano to SSAA and percussion. With well-crafted and characterful pieces in a range of distinctive styles Songbird represents upper-voicechoral music at its best.

The Shipping Forecast is in 3 movements: 'Donegal' 'They that go down to the sea in ships' and 'Naming'. The first and last movement are settings of poems by the poet broadcaster and academic Sean Street.

Bassoon Piano. Spohr L

Liriche del XIX e XX secolo per voce acuta. A cura di Ilaria Narici-Designed for students teachers and professional singers. Ideal for competition use by soloists university students and professional singers it includes songs both in the original key or transposed. In addition the edition includes an historical introduction for each composers and all the lyrics both in Italian and in English. Art songs by Alfano Arditi Castelnuovo-Tedesco Donaudy Donizetti Mascagni Puccini Respighi Rossini Tosti Verdi & many more.Designed for students teachers and professional singers. Ideal for competition use by soloists university students and professional singers it includes songs both in the original key or transposed. In addition the edition includes an historical introdu

for SATB (with divisions) unaccompanied This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter. I would be true has been recorded by the Cambridge Singers on the CD This is the Day. This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana Princess of Wales in 1997. Opening with the melody sung by tutti sopranos the texture gradually builds to a climatic double choir section as the text celebrates the journey to God's heavenly kingdom. I would be true has been recorded by the Cambridge Singers on the CD This is the Day .

Elgar bridged the nineteenth and twentieth century with his fine compositions. 'Sailing Westward' is arranged for soprano alto tenor and bass vocal parts.

for SATB and organ This moving and prayerful arrangement of the well-known traditional song was written in memory of Nelson Mandela. Rutter treats the melody in simple yet varied ways with a mixture of unison and four-part choral textures into which the organ is gently interwoven. John Rutter 's moving and prayerful arrangement of the well-known traditional song Kum Ba Yah was written in memory of Nelson Mandela. Rutter treats the melody in simple yet varied ways with a mixture of unison and four-part Choral textures into which the Organ is gently interwoven. The piece reaches a dynamic and emotional peak in the fourth and final verse before a quiet and reflective ending.