The Shepherds' Farewell from The Childhood of Christ by Hector Berlioz has here been arranged by Basil Ramsey for SSA chorus with Piano or Organ accompaniment. With French and English sung text. Originally published in Merrily on High (NOV032121). The Shepherds' Farewell from The Childhood of Christ by Hector Berlioz has here been arranged by Basil Ramsey for SSA chorus with Piano or Organ accompaniment. With French and English sung text. Originally published in Merrily on High (NOV032121).

The Christmas from Handel's Messiah arranged for Female or Boy's voices SSA by Ernest Read.

Orchestra (Study Score). Yun I

Two Sentences from An Order for Holy Communion Series 3 for SATB (divisi) and Organ.

Hit classic by Rosemary Clooney arranged for the piano. Hit classic by Rosemary Clooney arranged for the piano.

Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton's Samson Agonistes . Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete modern edition of the composer's longest oratorio prepared after examination of all known contemporary sources both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743 as well as identifying the later shorter versions and additions performed regularly by Handel and an Appendix of allfurther variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists with an abundance of choral writing and some of Handel's most sublime writing for voices. Includes an historical preface extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel.

William Lloyd Webber's The Gardens At Eastwell - A Late-Summer Impression for Flute and Piano.

This is a rowdy and lusty setting of a favourite song from the Coventry Pageant of the Shearmen and Tailors. The music has tremendous swing to its stride and a folksong quality to which by the use of judicious pauses the composer adds the feel of impromptu singing. A certain exaggeration might even be called for in performance for example in the robustly canonic second verse with no loss of humour or atmosphere. The music draws too on the cumulative energy of unison and octave unaccompanied singing and apart from a brief episode suggestive of the shepherds' pipes that is how it proceeds to its rousing conclusion.

Toccata in C (or E) (566) Prelude and 'Wedge' Fugue in E minor (548) 'Great' Prelude and Fugue in G major (541) Prelude and Fugue in G minor (535) Fantasia and Fugue in G minor (the 'Great' G minor) (542) Edited by Sir Frederick Bridge and James Higg.

For SATB chorus Clarinet in Bb Percussion Harp and String Orchestra. Commissioned by the Barlow Endowment for Music Composition at Brigham Young University the Dale Warland Singers Commission Award presented by Chorus America and funded by the American Composers Forum and Utah Chamber Artists. First performed 30 April 2012 at the Libby Gardner Concert Hall University of Utah Salt Lake City by Utah Chamber Artists conducted by Barlow Bradford. Instrumentation SATB chorus with divisions solo soprano (optional soprano alto tenor & bass soli) Clarinet in Bb offstage Percussion (1player): Tubular Bells Glockenspiel large Bass Drum large Suspended Cymbal Harp String orchestra (minimum 6.6.4.4.2 players) For SATB chorus Clarinet in Bb Percussion Harp and String Orchestra. Commissioned by the Barlow Endowment for Music Composition at Brigham Young University the Dale Warland Singers Commission Award presented by Chorus America and funded by the American Composers Forum and Utah Chamber Artists. First performed 30 April 2012 at the Libby Gardner Concert Hall University of Utah Salt Lake City by Utah Chamber Artists conducted by Barlow Bradford. Instrumentation SATB chorus with divisions solo soprano (optional soprano alto tenor & bass soli) Clarinet in Bb offstage Percussion (1player): Tubular Bells Glockenspiel large Bass Drum large Suspended Cymbal Harp String orchestra (minimum 6.6.4.4.2 players)

Christus Victor A Cantata-Mime For Contralto And Baritone Soli Mixed Chorus Narrators Speaking Chorus Dancers And Instruments. Libretto By John Catterick Music By Betty Roe. Christus Victor a cantata-mime for Contralto and Baritone soli Mixed Chorus narrators speaking chorus dancers and instruments. Libretto by John Catterick music by Betty Roe.

This berceuse – or cradle song – certainly manifests musically ‘rocking’ elements but in a style both Romantic and modern that is Bowen’s own creation. York Bowen was a British composer whose fifty-year career musical careerspanned much of the 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered many important works and his own music was featured many times at theProms among other concert series. Sir Henry J Wood believed Bowen had never received proper recognition and Camille Saint-Saens regarded him as the ‘finest of English composers’ early in his career.

And I Love Her is a beautiful lilting ballad from the McCartney/Lennon partnership. Its use of major and minor keys as well as a complete key change in the final verse gives it a sense of drama that can create the perfect climax in a choral program. This arrangement has been specially crafted for SATB choir with piano accompaniment. And I Love Her is a beautiful lilting ballad from the McCartney/Lennon partnership. Its use of major and minor keys as well as a complete key change in the final verse gives it a sense of drama that can create the perfect climax in a choral program. This arrangement has been specially crafted for SATB choir with piano accompaniment.

J.S. Bach's French Suite No. 2 (BWV 813) arranged for 2 Guitars.

Work for Clarinet Viola and Piano. Work for Clarinet Viola and Piano.

Even for Ralph Vaughan Williams the prospect of two world premieres within 24 hours must have been something of a rarity. Such was the case however on the first two days of June 1953 when his now classic arrangement of The Old Hundredth Psalm was sung at the Coronation of Elizabeth II in Westminster Abbey being preceded the evening before by the premiere of 'Silence and Music' fourth of ten partsongs of A Garland for the Queen commissioned from leading British composers by the Arts Council of Great Britain to honour the new monarch. Long unavailable except as separate items from individual publishers this historic collectionis now reissued complete by Stainer & Bell in its original single-volume format allowing conductors and singers to choose from a rich collection of choral music with which to mark the Queen's Diamond Jubilee and in 2013 the 60th anniversary of the Coronation itself. In addition to VW's contribution A Garland for the Queen includes important settings by Bax Berkeley Bliss Finzi Howells Ireland Rawsthorne Rubbra and Tippett. The collection moreover draws on the work of poets whose names likewise feature prominently in the annals of mid-century British literary talent: Clifford Bax Edmund Blunden Paul Dehn Christopher Fry Christopher Hassall James Kirkup Louis MacNeice Walter de la Mare Henry Reed and Ursula Wood. Intended as a counterpart to The Triumphs of Oriana of 1601 the celebrated madrigal volume published in praise of Elizabeth I by Thomas Morley A Garland for the Queen emulates its distinguished predecessor in its variety of moods and vocal combinations. There is material here to fit every aspect of celebration from the airy five-part ensemble of Bax's 'What is it like to be young and fair?' and the soprano solo with SATB of Rawsthorne's Canzonet to the lustrous contrasting of male and female timbres in Bliss's Aubade and the rapturous eight-part setting of

Richard H. Lloyd's View Me Lord is a beautiful setting of the text by Thomas Campion and scored for SATB Choir a cappella. A piano accompaniment part is scored for rehearsal use.

Dedicated to Arthur Rubenstein.

For SATB Choir and Organ. For SATB Choir and Organ.

All of Abba's greatest hits in one folio! Full piano voice and guitar arrangements of every track from the album.