Two volumes containing well-crafted arrangements and original compositions presented in chronological order from the 16th century right up to the present day. Includes contrasting styles from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements and original compositions presented in chronological order from the sixteenth century right up to the present day. Pieces feature on the ABRSM Double Bass syllabus at Grades 1-6 (Volume 1: Grades 1-3 Volume 2: Grades 4-6) and are an invaluable source of repertoire for study in contrasting styles from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. The arrangements have been designed to cover the note ranges and keys of the early grades.

Voice Piano. Perera R

from 'Die Meistersinger' (Solo and SATB chorus)

A critical edition of the 35 Piano Sonatas by specialist Professor Barry Cooper. Includes a general introduction covering performance practice including tempo articulation pedalling and dynamics and commentary to each sonata including history full assessment of the sources and detailed notes on interpretation. Introductory CD included. A critical edition of the 35 piano sonatas by Professor Barry Cooper renowned Beethoven specialist. Created for today’s performers teachers and scholars this is the most comprehensive study of these extraordinary works yet undertaken.

These four dances are written in a kind of neo renaissance style. Because of the fact that little technical demands are required from its performing artists these dances are mainly meant for beginning groups youth ensembles and also for orchestras in all kinds of small strengths. Jan Van der Roost originally had pedagogical intentions with this piece. Myriam Mees arranged Four Old Dances with the same intention for accordion orchestra with electronium and percussion ad libitum.

No. 4 At The River- Old American Songs II No. 4 At The River For women's choir (SSA) and piano.

These pieces have for the most part been taken from collections compiled and arranged by Alfred Moffat for Violin and Piano. Originally composed during the periond when the Recorder was a favourite instrument in England it can be assumed that many of these pieces were actually composed for the instrument.

Comme elle a les Yeux bandés elle a d'abord demandé...

A Cycle of Six Songs on Texts of Chana Bloch-Mezzo-Soprano Piano. Del Tredici D

Includes Super-Tab notation for the non-music reader. Songs include Sweet Baby James How Sweet It Is (To Be Loved By You) Fire and Rain and That's Why I'm Here.

For snare drum and piano.

More Than 25 Pieces For Violin And Piano-Tired of the same old arrangements? Want to give your pupils something simple yet rewarding to play? Carol Barratt creates easy pieces that are creative idiomatic simple yet rewarding to play and that will really get pupils listening and performing musically right from the beginning. The pieces in Bravo! Violin take the student progressively through the early grades. They consist mainly of original material with a few arrangements too - some well-known some more unusual. These pieces are intended to encourage the student to perform - rather than merely play - whenever the opportunity arises.About Bravo! ViolinViolin and Piano. By Carol Barratt. (Violin). This edition: M060110276. Boosey and Hawkes Chamber Music. 16 pages. Published by Boosey & Hawkes. (48011971) Contents: Round Dance * Quirk * Rise and Shine! * String Along * Fais Dodo * Polka * Russian Dance * Shortcake-Walk * On the Wing * Minuet * Hunt the Rosin! * Torry Burn * German Dance * Out-of-Step March * Sowing Marjoram * The Night Visiting Song * Penny-Stinkards * Wimbledon Waltz * Ballyhoo! * Harvest Time * Fivepins * Midsummer Fire * Barrel Blues * English Jig * The Hurdy-Gurdy * Three Variations on Cat in the Snow.Size 9x12 inches.

Francesco Ezechiele Ermenegildo Suppe Demelli better known as Franz von Suppé (1819-1895) was the son of a Belgian father and an Austrian mother. In total he wrote some 30 operettas and Steven Verhaert selected Die schöne Galathea for his arrangement. This splendid overture is a real gem for lovers of the operetta style which is sometimes (unfairly) looked down upon.

This book contains some of the most popular pieces ever written for guitar including Malaguene El Testamento De Amelia Lagrima and Recuerdos de la Alhambra . Helpful playing tips and plenty of fingerings are included making this your ultimate source for Spanish guitar pieces. Every piece is written in standard music notation and easy-to-read tablature showing exactly where each note should be played on the guitar.

Dix Figures A Danser by Pierre Max Dubois is a small ballet for Alto Saxophone and Piano. Perfect for upper beginners / intermediate players each of the ten pieces is approximately half a page long with easy rhythms tempo and a maximum of 3 sharps or 2 flats. The ten pieces that feature in these scores are: - Gaillarde - Danse Gracieuse - Virelai - Bransle - Pavane - Passepied - Complainte - Rigaudon - Menuet Vif - Intermezzo Pierre Max Dubois (1930-1995) was a French composer who was awarded the Prix de Rome in 1955. Mainly composing classicalmusic his works are mainly for woodwinds. He is one of the founder of the Les Six which included his professor Darius Milhaud.

Soul Time de Roland Kernen est un triptyque qui contient tous les éléments caractéristiques d’une œuvre de musique légère : une mélodie plaisante associée à un rythme entraînant. Que du plaisir !

Oratorio paperback-A festive piece for church and concert hall. Composed around 1760 “Die Auferstehung und Himmelfahrt Jesu” is one of Telemann’s last large-scale vocal works. The libretto by Karl Wilhelm Ramler recounts the Biblical events from the Resurrection to the Ascension in seven sections. Alternating between recitative da capo arias and festive choruses Telemann succeeds in producing a vivid and effective musical interpretation of the libretto. Our edition of this oratorio is based on the Urtext from “Georg Philipp Telemann Musical Works”. The score contains a realisation of the continuo part. The work is ideal for performances in church and concert hall alike. Composed around 1760 Die Auferstehung und Himmelfahrt Jesu is one of Telemann 's last large-scale vocal works. The libretto by Karl Wilhelm Ramler recounts the Biblical events from the Resurrection to the Ascension in seven sections. Alternating between recitative da capo arias and festive choruses Telemann succeeds in producing a vivid and effective musical interpretation of the libretto. Our edition of this oratorio is based on the Urtext from Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part. The work is ideal for performances in church and concert hall alike. Complete scholarly-critical edition based on Georg Philipp Telemann Musical Works An attractive addition to the repertoire with a view to the Telemann Year 2017 Bilingual Foreword (Ger/Eng) Idiomatic Piano reduction Full score (BA5851) and vocal score (BA5851-90) available for sale Performance material (BA5851-72) available for hire.

A critical edition of the 35 Piano Sonatas by specialist Professor Barry Cooper. Includes a general introduction covering performance practice including tempo articulation pedalling and dynamics and commentary to each sonata including history full assessment of the sources and detailed notes on interpretation. Introductory CD included. A critical edition of the 35 piano sonatas by Professor Barry Cooper renowned Beethoven specialist. Created for today's performers teachers and scholars this is the most comprehensive study of these extraordinary works yet undertaken. The Andante from Sonata in G minor is included on ABRSM Piano Grade 6 syllabus 2017-2018

The First Book of Practical Studies is designed to develop chord consciousness and to provide additional experience in the fundamental rhythms key signatures and articulations and to improve accuracy in reading through the use of interesting and melodic studies. It may be used either to supplement or to follow any beginning method book and will serve as an ideal preparation for slightly more advanced techniques to be found in the Second Book .

Jericho is the musical translation of the well-known story from the book of Joshua about the capture of the city of Jericho by the Israelites.Part 1 depicts the cruel journey through the desert to Canaan the promised land. An emotional lamentation for the yearning for a home for the end of a roaming existence.The capture of Jericho is the theme of part 2. The city cannot be captured immediately and Jehovah orders an impressive army to march around the city for six days. On the seventh day they marched around the city seven times and the priests blew their trumpets and the people cried so loud that the walls of Jericho came tumbling down. The Jews stormed the city and drove theinhabitants away. The music clearly reveals the marching army and you can hear the walls falling down with a tremendous noise. However there is quite some artistic freedom in the actual story.A majestic and grand melody subsequently evokes the triumphant emotions that emerged as the fortified city fell (part 3).Following a personal and romantic interpretation the scene ultimately ends in a typical Jewish feast (part 4) whereby the virtuosity of melodies played by the woodwinds and the passionate rhythms refer to traditional Jewish music. All themes are repeated in this last part in various forms often simultaneous and in duelling counterpoint. The piece ends with fragments from the main theme of part 1 in major: peace and quiet return at last.