Standard US Set (without european suppl. parts)-Taken from Ellington's renowned suite Black Brown and Beige the song Come Sunday has become an acknowledged standard in its own right. With lush scoring and beautiful harmonies here is a marvelous adaptation of this movingballad featuring a solo alto sax with concert band. (Grade 4) Taken from Ellington's renowned suite Black Brown and Beige the song Come Sunday has become an acknowledged standard in its own right. With lush scoring and beautiful harmonies here is a marvellousadaptation of this moving ballad featuring a solo Alto Sax with Concert Band. (Grade 4)

This work was commissioned by the Naxos Recording Company and is the fifth in a series of ten quartets. It was first performed on 20th October 2004 at the Wigmore Hall London by the Maggini Quartet.

(Fanfare-Overture for Band)-Commissioned to celebrate the sesquicentennial of the state of West Virginia Forever Free incorporates indigenous elements of the states musical heritage capturing a robust and celebratory spirit. Cast in a single movement in threesections the title is inspired by the state motto Montani semper liberi (Mountaineeers forever free). The work is unified at the outset and closing by a ceremonial fanfare based on thematic figures from the state song West Virginia Hills . A contrasting middle section features a lyric variant accompanied by a militaristic snare drum and timpani cadence before all thematic elements are combined for thebuoyant and festive conclusion. Dur: 4:25

Six hits for children's choir from the best-selling series. Contents: She's Like the Swallow Foggy Birthday Shuffle Tuuti Tuuti Tummaistani Wee Little Piute Shiru The Boston Trot. Everything you need to train young choirs. Choral Music Experience (CME) is a performance-based curriculum for music education developed by award-winning educator Doreen Rao. It brings a new integrated approach to music education combining the development of performance skills with the acquisition of musical knowledge. In the past these complementary aspects of music have been taught and treated separately. Today we know that when students perform they are demonstrating their knowledge - theyare singing their understanding. Guided by this performance model Doreen Rao's Choral Music Experience focuses on distinctive diverse multicultural choral repertoire in which students can experience the joy of learning through singing. An invaluable resource for conductors teachers and student teachers. There is an extensive library of graded repertoire specially written & edited for young voices which introduces a very wide range of styles: folk gospel jazz blues classical and contemporary. The teaching materials cover vocal technique and conducting technique and includes rehearsal guides evaluation questions and assessment materials. Upper Voices (pack of 10). Rao D

Ensemble-Mixed 8 or more- for 2 bassoons 4 horns 3 trumpets 3 trombones tuba 3 timpani cymbals and bass drum

Fantasía obertura Española-Mont Serrat is a fresh and delightful fantasy overture. Its Spanish flair and bright colours make it an extremely engaging work. The music quickly reveals itself to be captivating and exquisitely pleasant. The triple-time rhythm reflects the typical elements found in the seguidilla (a Spanish dance) as this fantasy unfolds a sweet and poetic melody that is shared between the trumpet and saxophone. Mont Serrat is guaranteed to delight audience and musicians alike.

This sweet and gentle Christmas octavo is perfect for any choir Flute part included in octavo

Enseignement Complet du Trombone à Coulisse par Henri Couillaud- Reviewed by Henri Couillaud and composed by Michel Bléger Thirty-one Brilliant studies is a set of studies for Slide-Trombone. Written for end of cycles (pre-exams) levels such as 3° and 6° this piece is written in F key. These exercises are completed by other sets of studies and exercises by the same author for a complete technical formation. Michel Bléger initially wrote these studies for Tuba or for Trombone. Henri Couillaud (1878-1955) was a French trombonist and a soloist at the Paris Opera. His method was highlighting the importance of the air whenplaying.

Easy fillers and voluntaries-Easy fillers and voluntaries An Exciting Collection Of Easy Voluntaries Written Specifically For The Busy Parish Organist Who Has Little Time To Practice. These Pieces Will Add Greatly To The Joy And Excitement Of The Sunday Celebration. Congregations Will Love Them!

Performing score of the three Violin lines only.

Bassoon-Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010. I - A Mountain II - Fixation III - Flowers IV - Fountains Metamorphoses after Britten by philipvenables Metamorphoses after Britten are just that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception of Fountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces. I verymuch viewed these pieces as musical Haiku and in that sense I hope they embody a sense of peace brevity and simplicity. The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell. The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vicki and Andrew Vaughan - Philip Venables Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010. I - A Mountain II -Fixation III - Flowers IV - Fountains Metamorphoses after Britten by philipvenables 'Metamorphoses after Britten arejust that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception ofFountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces. I very much viewed these pieces as musical Haiku and in that sense I hope they embody a sense ofpeace brevity and simplicity. The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell. The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vickiand Andrew Vaughan' - Philip Venables

The text for this piece is taken from five poems by W.H. Auden and one by Louis MacNiece.

French Carol-For a high school or adult choir at Christmas time but also suitable at any time of the year particularly nice for Communion

Harold Rosenbaum Choral Series-One of the four Marian antiphons this devotional text has been sung in monastic choirs for centuries. This setting features a homophonic texture and a simple ABA form. Duration: ca. 4:15. One of the four Marian antiphons this devotional text has been sung in monastic choirs for centuries. This setting features a homophonic texture and a simple ABA form. Duration: ca. 4:15.

A Ballet in Seven Scenes. A Ballet in Seven Scenes.

This wonderfully diverse collection explores the world of traditional fiddle music from Irish to Gipsy and from Bluegrass to Latin-American with many other exciting and intriguing styles along the way. The CD reflects this diversity with supporting bands featuring an extraordinary variety of instrumental colours including authentic sounds drawn from the Celtic countries central and eastern Europe and from the Americas.The arrangements can be performed as solos or duets (or played by larger ensembles) accompanied by piano violin or guitar with or without the CD accompaniment. Above all this is music to play and enjoy with other people.The edition is part of theTrinity syllabus 2007 (grade 1 2 3). This wonderfully diverse collection explores the world of traditional fiddle music from Irish to Gipsy and from Bluegrass to Latin-American with many other exciting and intriguing styles along the way. The CD reflects this diversity with supporting bands featuring an extraordinary variety of instrumental colours including authentic sounds drawn from the Celtic countries central and eastern Europe and from the Americas.The arrangements can be performed as solos or duets (or played by larger ensembles) accompanied by piano violin or guitar with or without the CD accompaniment. Above all this is music to play and enjoy with other people.The edition is part of theTrinity syllabus 2007 (grade 1 2 3).

Meet Me In The Green Glen was composed by Brian Elias for Solo Voice as part of the cycle of songs written to poems by John Clare.

Vocal Score-Vivaldi's beautiful setting of the Magnificat is a mature work and blends a variety of choral styles in and around brief solo sections. Vivaldi's Magnificat along with his Gloria is among his best-known choral works and this vocal score has been edited by Gian Francesco Malipiero with piano reduction by Raffaele Cumar.

The 1969 hit by Creedence Clearwater Revival evokes an earlier time and place with John Fogerty's signature guitar riffs and licks. Vocal harmonies and the great rhythms of the country-rock style will energize any pop/showconcert. Available separately: SATB SAB TTB ShowTrax CD. Combo parts available as a digital download (tpt 1-2 tsx tbn gtr b dm). Duration: ca. 2:40.

For Flute and Piano. Published 1994. Commissioned by Duo Dogen Tokyo. First performance: Tokyo 1994 Dogen Kinowaki (fl) Hiroshi Ohi (pf). For Flute and Piano. Published 1994. Commissioned by Duo Dogen Tokyo. First performance: Tokyo 1994 Dogen Kinowaki (fl) Hiroshi Ohi (pf).