William Boyce ’s Te Deum And Jubilate In C was written for four Voices (SATB) with Bass continuo (Piano) accompaniment and first published in 1790. The lyrics of the two sacred pieces are both in English translation – an early Christian hymn of praise ( Te Deum ) and Psalm 100 ( Jubilate ). As morning canticles they are usually sung at Morning Prayer in the Anglican tradition. Duration if performed together is approximately 6:15 minutes. William Boyce is widely regarded as one of the most important English-born composers of the 18th century however he remains little-performed today. The beauty of his sacredcompositions is proof of his lifelong involvement with various aspects of Church music (as a choirboy organist and composer) since the age of 9.

Get Me To The Church On Time' from 'My Fair Lady' is arranged for soprano alto tenor and bass vocal parts.

Classiques No.134- from 'Le Devin du Village'

For Counter-Tenor and String Quartet. Parts. For Counter-Tenor and String Quartet. Parts.

For Bassoon-To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His 12 Caprices for Bassoon is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Compiled in 1968 Bozza 's 12 Caprices addresses a variety of very difficult advanced features of the Bassoon includingcomplex rhythms articulation chromaticism variations in time signatures breath control phrasing intervals scales and arpeggios amongst other aspects. For all advanced Bassoon players Bozza 's 12 Caprices are essential to continue to develop technique to a high standard.

Schirmer's Library of Musical Classics #2071-This affordable and convenient collection features sonatas variations sonatinas bagatelles and more from one of the most reveredcomposers of all time. Includes: Sonata in C minor Pathétique Op. 13 Sonata in C-sharp minor (Quasi una Fantasia) Moonlight Op. 27 No. 2 Fur Elise Six Variations on the Duet Nel cor più non mi sento Adieu to the Piano Rondo aCapriccio in Hungarian Style Rage Over a Lost Penny Op. 129 and more. Includes a total of 10 sonatas 3 variations 4 sonatinas 10 bagatelles and 8 other pieces.This affordable and convenient collection features sonatas variations sonatinas bagatelles and more from one of the most revered composers of all time. Includes: Sonata in C minor 'Pathétique ' Op.13; Sonata inC-sharp minor (Quasi una Fantasia) 'Moonlight ' Op. 27 No. 2; Für Elise; Six Variations on the Duet 'Nel cor più non mi sento'; Adieu to the Piano; Rondo a Capriccio in Hungarian Style 'Rage Over a Lost Penny ' Op. 129; andmore. Includes a total of 10 sonatas 3 variations 4 sonatinas 10 bagatelles and 8 other pieces.

Music for Manuals-Music for Manuals As publishers and church musicians ourselves we understand the financial restraints faced by many organists. So here's our contribution to the solution: several pieces for the price of one. Even if you use just one of thepieces in the set you are paying only the usual price of a single Organ piece. If you use two you're getting double value and if you use three four five or more you're quids in! Music For Manuals: Joyful Music -Set 2 includes 11 well-known pieces for the Organ repertoire: Gavotte (William Boyce) Gavotte from Suite No. 3 (Johann Sebastian Bach) Jubilato Deo (Norman Warren) Little Toccata (Elizabeth Hill) March (Richard Lloyd) March from the Occasional Oratorio (George Frideric Handel) Sortie (Robert Jones) Trumpet Voluntary (Jeremiah Clarke) Trumpeting Tune (JuneNixon) Two Trumpet Tunes and Air (Henry Purcell) and Use the Reeds (Colin Mawby).

The Bärenreiter Romantic Piano Album presents a representative cross section of romantic piano music by renowned composers of the nineteenth and early twentieth centuries. The pieces are well suited to lending variety to the piano lesson.

Progressive studies for unaccompanied saxophone-An indispensable collection of sixty progressive studies for unaccompanied saxophone suitable for E flat and B flat instruments. The book systematically covers aspects of technique in order of difficulty from Grades 1 to 8 while being carefully paced to provide lots of material at each level. Sixty For Sax is an unmissible collection of studies that cover the full range of musical styles with challenges for players of all abilities. Discover the versatility of your Saxophone - this progressive set of sixty studies varies from the sad sorrowful and bluesy to jumping Jazz and elegant Classical tunes. Each study is designed to address a particular Saxophone technique from legato slurs to stuttering staccatos and each study is written in a characterful style that reflects the style of playing. The studies are intended to provide a systematic coverage of different aspects of technique from Grades 1 all the way up to 8 and all aredirectly applicable to the playing standards required for the ABRSM examination program for both Tenor and Alto Saxophones.

Composed in 2003 this is a complex undulating piece for solo Guitar by Joby Talbot with overlapping rolling textures that create the illusion of stasis whilst the music progresses.

This Irish traditional song is widely known even though this tune consists of only a few bars that are repeated all the time. Bart Picqueur turned it into a lively arrangement and incorporated the theme in different ways with a stirring crescendo towards the end.The perfect encore piece or taster piece for any concert!

The Pogues' classic Christmas hit arranged for SATB chorus and Piano. Words and music by Shane MacGowan and Jem Finer.

for 3 bassoons

This popular ballad from the hit M-G-M motion picture FAME is arranged here for piano voice and guitar with guitar chord boxes and complete lyrics.

This work was commissioned by Music in the Round for the Cropper/Welsh/Roscoe Trio with funds from Arts Council England. First performance on 29th September 2005 at the Maidment Hall Shrewsbury as part of the Around theCountry tour .

Clarinet Repertoire-Easy pieces for beginners including music from different styles cultures and times: classical pop jazz and world music. Can be used with stages 1-6 of the Boosey Clarinet Method book 2 or as a repertoire book by any beginner player. The Boosey Woodwind and Brass Method answers the new and changing demands in teaching: it helps make individual and group teaching easier more integrated and more effective. The Boosey Woodwind and Brass Method provides everything you need for teaching music through the instrument. Its unique approach develops general musical skills through a programme of quality solo and ensemble music with additional activities and an audio CD includinglistening activities. Because the method is based on a clear curriculum it provides an easy to use system for teaching and all the flexible resources you need for every situation whether individual group or mixed instrument teaching. This series provides a complete instrumental curriculum whilst developing technique and musicianship. Boosey Woodwind Method books contain a broad and balanced collection of pieces for beginners to explore music from different styles cultures and times including classical pop jazz and world music. You will experience real music right from the earliest stages of learning and develop musical skills with a unique system of practice activities. Boosey Woodwind Method: Clarinet Repertoire Book C is a fantastic book which contains classical to popular pieces to enrich your repertoire at an early stage. The keyboard accompaniment part is also included on a separate insert.

sur Obéron de C. M. von Weber Les classiques de la flûte n° 76 (rév. Marcel Moyse)- Les Classiques De La Flûte No.76. Composed by Jules Demersseman (1833-1866) Grande Fantaisie De Concert Op. 52 has been reviewed by the French flautist Marcel Moyse . Written for Flute and Piano it is based on 'Obéron' by Weber and would fit players with advanced skills and abilities and strong endurance. Part of the series Flute Classics this piece number 76 is among those adapted by P. Taffanel Ph. Gaubert M. Moyse and others. Grande Fantaisie De Concert starts with the Piano alone soon joined by the Flute. The main theme does not start before the top ofthe second page of the Flute score which is then followed by variations and the finale.

For Viola and Cello. Published 2008. Dedicated to Garth Knox and Rohan de Saram First performance: Intrasonus Festival Venice 3 May 2008 This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence I would say that it is based on the idea of 'two things seen/heard as one'. a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly this never happens in this work; in fact the opposite is true: regardless of how it appears on paper (i.e. on one or two staves) the music for each instrument is constantly based on two layers. This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border death-strip killing and escape to freedom had a particularly evocative resonance especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There there was a nameless road whose destination the authorities did not want you to know but the locals called it the 'death-road'. In no way programmatic in this context the extra-musical dimension of the principal idea is very much part of the piece. Here the musical and extra-musical interpretations cannot easily be separated for they are two parts of the same thing: a2. As if to add another dimension to this idea there are two versions of this piece: for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice.For Viola and Cello. Published 2008. Dedicated to Garth Knox and Rohan de Saram First performance: Intrasonus Festival Venice 3 May 2008 'This music was composed during my DAAD residency in Berlinin October — November 2007. If I were to describe it in one sentence I would say that it is based on the idea of 'two things seen/heard as one'. 'a2 (a due) is a well-known term to musicians; it is often found in orchestralscores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family the literal

Written by Gérard Pichaureau Trente Études Dans Tous Les Tons is a volume which is part of his method for Trombone. For intermediate players this book is a great tool to gain a great sonority in all tonalities. Each study is approximately a page long and is written in the medium range of the instrument. It uses all tonalities to enable musicians to play some notes they are not always used to. It completes the other book of technique studies by Gerard Pichaureau . Born in 1916 Gerard Pichaureau is a Trombonist and composer. Soloist for the French Republican Guard he also taught Trombone at theParis Conservatoire after André Lafosse.

2 playing scores. Oboe and percussion (vibraphone marimba metal/wood/bamboo wind chimes bongos conga djembe maraca rainstick and berimbau) 2 playing scores. Oboe and percussion (vibraphone marimba metal/wood/bamboo wind chimes bongos conga djembe maraca rainstick and berimbau)