Piano Piece (Klaverstykke) by Carl Nielsen (1930-31). The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12 Piano Piece (Klaverstykke) by Carl Nielsen (1930-31). The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12

Paskedage - for blandet kor SATB og orgel af Soren Birch . Tekst af Ester Bock.

Thus Saw St. John is a work for Orchestra which was inspired by Chapter 6 of the Book Of Revelation. Thus Saw St. John is a work for Orchestra which was inspired by Chapter 6 of the Book Of Revelation.

Text: J.W.v. Goethe Romische Elegie V for Baritone solo Mixed Choir SSAATTBB and Violoncello. Text: J.W.v. Goethe.

Das Trainingsprogramm für junge Gitarristen (TAB)-Finger Fitness is another Ricordi bestseller for guitar. The author made a similar concept for kids or younger students and it will probably please many more players because it just looks nicer and easier than other technique books. (illustrated guitar tab).

A fantastic arrangement of this well-known work.

Fifteen very playable Cello duets in contrasting styles. These duets have been written with an easier second Cello part and a more demanding first Cello part. Not too demanding in most cases so that roles can be reversed.

Five Beethoven pieces of a highly playable nature. Ideal teaching material in easy keys. Grade: 3 - 5

This piece is one of the best known pieces of classical music in the world today and is probably the piece most identified with Tchaikovsky. It has been used extensively in many different contexts and has become on of the most popular concert items. A wonderful arrangement that provides pianists with an opportunity to play this celebrated work.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

The Death Of Queen Dagmar-Medieval Folk Song for SATB Choir. Medieval Folk Song for SATB Choir.

A collection of early Rachmaninov Piano works which demonstrate the sublime skill of this great Russian composer. Nine wonderful pieces for Piano solo. A collection of early Rachmaninov Piano works which demonstrate the sublime skill of this great Russian composer. Nine wonderful pieces for Piano solo.

Composed in 1957. 2.2.2.2/4.3.3.1/timp.3perc/hp/str The scores can be rented: hire@ewh.dk Niels Viggo Bentzon's Symphony No. 8 Opus 113 was composed in 1957. Parts are available on hire: hire@ewh.dk

Stemmesaet til Michael Bojesen s Stjernevandring - for lige stemmer (SSAA) og syv instrumenter. Tekst af Jesper Malmose. Instr.: asax vla vlc gtr db pf perc Korpartitur: WH31052A Partitur: WH31052

Set for parts for Star Prelude And Love Fugue by Poul Ruders expertly arranged for Saxophone Quartet by Jesper Nordin. Set for parts for Star Prelude And Love Fugue by Poul Ruders expertly arranged for Saxophone Quartet by Jesper Nordin.

Kohaut was a contemporary of Dittersdorf Vanhal and Hoffmeister. This three movement concerto published here for the first time offers musical and technical challenges of Grade 8 standard and above. Scored for Double Bass with a Piano reduction of the original Orchestral Score. Grade: 8

Højt På En Gren En Krage by Poul Ruders (1997) for Childrens Choir Mixed Choir SATB Soprano Saxophone and Piano. Hojt Pa En Gren En Krage by Poul Ruders (1997) for Childrens Choir Mixed Choir SATB Soprano Saxophone and Piano.

Sonata No. 4 For Cello And Piano: Op.289 was composed by Danish composer Niels Viggo Bentzon . Sonata No. 4 For Cello And Piano Op.289 was composed by Danish composer Niels Viggo Bentzon.

A Suffolk folk song.

The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249 The composer writes: 'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and