The school song book - The new school song book - Tradition and innovation from ballad to rap. Over 400 songs divided into: Morning evening years Denmark life play rap … Per Nørgård Alberte Ib Nørholm Rockers By Choice Carl Nielsen Niels Lan Doky Fuzzy Pelle Gudmundsen-Holmgreen MC Einar Sebastian John Høybye Benita Haastrup MC Clemens Morten Kærså Bent Lorentzen Lars H.U.G. Bo Holten Aske Bentzon Marilyn Mazur Mads Vinding Kurt Larsen Otto Mortensen Sven Gyldmark Pierre Dørge Chris Minh Doky Jan Rørdam Finn Jørgensen Stevie Wonder The Beatles Paul Simon and many more. 'The school song book' - The new school song book - Tradition and innovation from ballad to rap. Over 400 songs divided into: Morning evening years Denmark life play rap … Per Norgard Alberte Ib Norholm Rockers By Choice Carl Nielsen Niels Lan Doky Fuzzy Pelle Gudmundsen-Holmgreen MC Einar Sebastian John Hoybye Benita Haastrup MC Clemens Morten Kaersa Bent Lorentzen Lars H.U.G. Bo Holten Aske Bentzon Marilyn Mazur Mads Vinding Kurt Larsen Otto Mortensen Sven Gyldmark Pierre Dorge Chris Minh Doky Jan Rordam Finn Jorgensen Stevie Wonder The Beatles Paul Simon and manymore.

Turlough O'Carolan (1670-1738) is regarded as one of the last great harp-players of Ireland and seems to be surrounded by an almost mystical aura. Numerous anecdotes exist which testify to a strong personality and a tremendous musical talent as well as enormous self-confidence. Unlike any other he knew how to combine old Irish music with Italian Baroque music creating numerous compositions about 200 of which have survived. 16 of them have been chosen and arranged by Patrick Pföß for the delightful instrumentation of two Flutes and Alto Flute. Content: O'Carolan's Concerto Lady Gethin John Jameson Blind Mary JohnDrury (Second Air) Colonel O'Hara Charles O'Conor O'Carolans Farewell to Music - O'Hara's Cup Thomas Leixlip the Proud Madam Maxwell Receipt for Drinking Princess Royal Mrs. Garvey (First Air) Lament for Owen Roe O'Neill Michael O'Connor (First Air)

With Piano String Bass (ad lib) and Percussion.

Ladies and Gentlemen Roll up! Roll up for a fantastic and evocative Circus extravaganza! This is a great collection of eight original catchy tunes by Alan Bullard for Horn with Piano accompaniment. Parts are included for F and E-flat Horn as well as the accompaniment or you can play-along with the backing CD. On the CD track 1 is a Bb tuning note then each piece appears twice: first with and then without the solo line. The music is light and humorous and aptly catches the circus mood Music Teacher Magazine . Grade: 3-5

One of the most famous opening melodies in the piano repertoire. Now available as a value for money single title.

Starting Christmas by playing - Spil Julen Ind contains 21 traditional Christmas songs with music and lyrics. Suitable for those who haven't played that long. 'Starting Christmas by playing' - Spil Julen Ind contains 21 traditional Christmas songs with music and lyrics. Suitable for those who haven't played that long.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark. Programme note: My Piano Trio Phantasmagoria is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards &ndash The fourth movement &ndash third movement - and I finally got to the beginning of the piece. It all begins with the violin &ndash solo &ndash heavily muted but aggressive and gradually the cello and the piano enter as shadows of the violin. The first movementends in a dark shadow of an aria from my opera Under the Sky . All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. Shadow play was the first title on my mind but a shadow play can be more physical &ndash the shadow can come alive &ndash alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. Phantasmagoria was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen) Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sorensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark. Programme note: My Piano Trio Phantasmagoria is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards - The fourth movement - third movement - and I finally got to the beginning of the piece. It all begins with the violin - solo - heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera Under the Sky. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. Shadow play was the first title on my mind but a shadow play can be more physical - the shadow can come alive - alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. Phantasmagoria was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sorensen)

13 Easy Pieces-Thirteen Easy Pieces for Piano. Thirteen Easy Pieces for Piano.

12 Grade 4- Teachers' Choice Selected Piano Repertory & Studies for Grades 4 & 5 is compiled to provide teachers and students with good options for the 2011-2012 ABRSM Piano examinations. A variety of interesting and appealing Piano pieces with up-to-date editorial suggestions are presented to assist students achieve high standards of musical performance. Effective teaching points are suggested with recommended technical studies. Teachers will find this approach very helpful and effective thus enriching their teaching process leading to a very successful experience. Examination requirements aside finer details in interpretation and stylisticperformance are strongly encouraged. Beyond the printed page the editorial suggestions are directed to provide the impetus to strive towards greater musical creativity and perfection. Most important of all enjoy the high standard of music typography; with clear professionally laid scores that combine musical semiotics with modern publishing technology. Digital print on quality cream-coloured paper ensures comfort in reading and learning for all students.

Mattinata - Tongues Of Light (1992) for Organ solo. Edited by Jens E. Christensen.

The edition is part of the ABRSM syllabus (grade 2 3 8)

Niels Marthinsen's Great Fireworks In China for Ensemble (2010). 3. movement of 2. Symphony - 'Snapshot Symphony' arranged for Ensemble. Parts are available on hire: hire@ewh.dk

String Quartet No. 12 'Each In Each' was composed by Pelle Gudmundsen-Holmgreen in 2013.Commissioned by the Kronos Quartet. String Quartet No. 12 'Each In Each' was composed by Pelle Gudmundsen-Holmgreen in 2013. Commissioned by the Kronos Quartet.

Simplified version-Everyone knows and loves this most famous of rags by Scott Joplin - the father of ragtime.

Oboe Clarinet Horn Bassoon Piano (Score & parts). Dessau P

Brass Pack-All Things Bright and Beautiful Praise My Soul and five other favourites. Grade: 1 onwards

Trinity Performance Edition showcases previously unpublished pieces by contemporary composers with each edition dedicated to one composer and instrument. Many pieces from across the series have been selected for Trinity syllabuses while others make great transition pieces between grades. All are perfect for concert performance and you’ll find a range of playing standards in each book. Performance notes written by the composer are available online along with further digital resources at trinitycollege.com/music-books.Trinity Performance Editions showcase new works by contemporary composers. Each edition is dedicated to one composer and instrument. Many pieces from the series are featured on Trinity’s exam syllabuses whilst others are simply enjoyable to learn and play and provide great transition pieces between grades. All are excellent recital pieces and performance notes written by the composer are available online along with further digital resources.

Work for SATB Chorus or SA Chorus and Percussion ad lib.

Clog Dances Fom The Lanca-Clog Dances from the Lancashire Cotton Mills arranged for Two Violins (or Violin & Viola) with optional Cello. Clog dancing originated in the North of England over 200 years ago. It is thought to have developed in the Lancashire Cotton Mills where wooden-soled clogs were preferred to leather soles because the floors were kept wet to help keep the humidity high an important feature in cotton spinning as the nails in leather soles could cause sparks which could result in the risk of explosion. The Clog dance steps were inspired by the rhythmic sounds of the textile machinery and it is said to have first been danced by girls working in the cotton mills. Theywould beat out a rhythm with their wooden clogs to keep in time with the shuttle flying backwards and forwards across the loom. They would also sing choruses whilst stepping to the rhythm of their machines. There were a variety of machines in the many mills of the Midlands and North West each machine built for a specific function. There were many rhythms and as the girls clog danced it is said that those watching the dancers could tell which machines they worked at and from which mill. Clog dancers were also a common sight not only at the mill's lunch breaks but also at competitions in towns and in Music Halls throughout the 19^th and 20th centuries.