
111.00 £
Beriato Music Publishing
This work by the young Belgian composer Karel Deseure was written for the Koninklijke Harmonie (Royal Concert Band) De Wijngaard Vrijheidsvrienden from Wijnegem Belgium. Following an opening fanfare a brilliant allegro is heard featuring great alternating rhythms and virtuoso melodies. At the end the opening theme recurs this time with a wider instrumentation. This composition is suitable as an overture or contest piece.

15.25 £
Anglo Music Press
The English king Henry VIII (1491-1547) is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. He was however a gifted athlete dancer and composer writing many songs poems and consort pieces (though not Greensleeves as is often believed). Pastime with Good Company is undoubtedly the best-known of these written in the first years of the 16th century while he was still a handsome prince newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting dancing and singing and would have been sungas part of the court entertainment.

12.99 £
Alphonse Leduc
Successful French composer Pierre Gabaye (1930-2000) studied at the Paris Conservatoire where he won the 1956 Prix de Rome. His competence is proven by his Boutade for Trumpet and Piano. Gabaye 's compositional style has been described as following the French neo-classical tradition such as the music of Poulenc. Boutade exemplifies the composer's light-hearted music. A typical performance of the work lasts about two and a half minutes. For all advanced trumpeters seeking chirpy lively and upbeat repertoire Gabaye 's Boutade is ideal.

12.95 £
Edition Wilhelm Hansen
15 Salmer Og Kirkelige Sange - 15 hymns and church songs by Lasse Lunderskov (2016). Melody line lyrics and chords. 15 Salmer Og Kirkelige Sange - 15 hymns and church songs by Lasse Lunderskov (2016). Melody line lyrics and chords.

7.99 £
Aebersold
For All musicians wishing to learn fantastic bass lines. While reading from the book play along with the bassist on the recording (sold separately) until you feel you’ve mastered his feel and nuances. Then using the special stereo separation on all of our Play-A-Long recordings switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant professional bass lines. Includes notes in bass clef withchord symbols above each measure. Includes transcribed bass lines to the chord changes of Autumn Leaves Bb Shuffle Blues Cantaloupe Island Doxy F Blues Footprints Impressions Maiden Voyage Satin Doll Song For My Father Summertime Watermelon Man and III/V17/II/V Progression. For new improvisors and with slower tempos.

14.95 £
ADG Productions
Mark Vega’s Jazz Solo Series for Eb instruments including Alto Saxophone is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight Take The A Train and There Will Never Be Another You . Includes an easy version of the solo followed by a more difficult one. A selected discography of Mark’s favourite Jazz albums featuring great Jazz soloists.

14.95 £
Alphonse Leduc
4 Saxophones - S.A.T.B.- for SATBar saxophone quartet

17.25 £
Beriato Music Publishing
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title Jello is a combination of the names of the two children of the commissioner namely Jelle and Lobcke and the Colours of mySoul are the colours of the soul of the parents who despite the loss of one of their children continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss whereby use is made of pure fifths in order toportray the solidarity with nature as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested which develops into a real funeral march.The Dies Irae as this occurs in Berlioz’s Fantastic Symphony (F E F D E C D) forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage (where a wind machine is used) which announces disaster fragments from children’s songs areplayed to the accompaniment of a rising choir piece from behind the stage which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling laughing and dancing. One of the previous children’s songs is also cited. The Dies Irea is heard once again this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one’s own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued dignified choir piece captures the beautiful memories and ends in a positive hopeful tone.

78.00 £
Beriato Music Publishing
The Story of King Arthur leads us back into the Middle Ages and straight to the legend of Arthur himself. The Belgian composer Filip Ceunen sketched the famous legend in three linked movements Camelot The Holy Grail and Excalibur thus creating an exciting work that is suitable for any wind band at a lower level. With this composition Filip Ceunen won the ‘Familie Van Riet-prijs 2015’ (Family Van Riet Award 2015).

48.95 £
Alfred Music Publications
Seasonal work for Wind Band in full score and parts.

7.95 £
Beriato Music Publishing
This joyful festive march by the Belgian composer Sven Van Calster was written specially for young ensembles looking for a challenge. In Festiva all instrument groups are featured but the parts include sufficient doublings to cover any missing players. In a balanced concert programme a march is of course an absolute must!

13.50 £
De Haske Publications
for the total beginner-Playing the guitar is great fun. It can bring you a lifetime of pleasure and make you many friends. It’s also an excellent way to relax and help you escape life’s ups and downs and if you’re one of the really lucky ones playing the guitar could make you a millionaire! This book covers the basic art of lead guitar and has been written for the total beginner or anyone who’s tried to learn but had no success. It’s laid out in a simple down to earth manner using tried and tested methods that they learnt from years of teaching beginners. All the pieces have been thoroughly ‘road-tested’ by hundreds of students aged from six to sixty over a period of many years with great results. Thesimple TAB notation which is used throughout can be learnt easily in a matter of minutes getting you up and playing with the CD quickly and painlessly.

27.95 £
Rued Langgaard Edition
Efter Tagore-Gitanjali-Hymner (Efter Tagore) . BVN149 Gitanjali-Hymner (Efter Tagore) . BVN149

16.99 £
Alphonse Leduc
Cahier 2B Piano-For all budding young pianists Le Voyage magique is an essential well-presented guide in to the world of Piano music. pianist Leon Bates has toured the world performed with many symphony orchestras while his long-standing collaboration with pianist Janet Vogt has proven popular and effective in aiding aspiring piano players. As an excellent collection containing popular and specially selected recognisable tunes this illustrated book with accompanying CD will appeal to all young beginners. For all budding young pianists Le Voyage magique is an essential well-presented guide in to the world of Piano music. pianist Leon Bates has toured the world performed with many symphony orchestras while his long-standing collaboration with pianist Janet Vogt has proven popular and effective in aiding aspiring piano players. As an excellent collection containing popular and specially selected recognisable tunes this illustrated book with accompanying CD will appeal to all young beginners.

2.95 £
Banks Music Publications
Two Part medley including Over The Rainbow I'm Always Chasing Rainbows and Singin' In The Rain .

8.99 £
Breitkopf und Härtel
Piano score for mixed choir solo voice and piano. Soli: SATB - Choir: SATB

4.50 £
Banks Music Publications
Alan Spedding's Toccata-Carillon for Organ.

6.95 £
Edition Wilhelm Hansen
For Solo Piano. For Solo Piano.

9.95 £
Edition Choudens
Air de Spinette 'Mon beau chevalier qui partez pour la guerre'

48.95 £
Edition Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it has obviously given me an alternative focus on the whole piano literature and has given me a closerelationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements &ndash in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans Abrahamsen 2015 Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my le