The film Fantastic Beasts and Where to Find Them takes us to a new era in J. K. Rowlings wizarding world decades before Harry Potter and half a world away. This folio presents selections arrangd for easy piano from the films sweeping score pennedby A-list composer James Newton Howard and also includes eight vibrant colour pages of art from the movie. The film Fantastic Beasts And Where To Find Them takes us to a new era in J. K. Rowling's wizarding world decades before Harry Potter and half a world away. This folio presents easy Piano arrangements of selections from the film's sweeping score penned by A-list composer James Newton Howard and arranged by Dan Coates and also includes eight vibrant colour pages of art from the movie.

Morceau De Concours (1903) is a work for Cornet and Piano by Augustin Savard . Composed for the Paris Conservatoire contest this piece lasts approximately seven minutes and can be played by upper-intermediate and above level players . Starting solemnly the first half of the piece is quite slow while the second half is more energetic and more cheerful. This piece would also be great to use in recitals. Augustin Savard (1861-1942) is a French composer who won the Prix de Rome who composed some oratories and some orchestral works.

For Solo Alto SSAA Choir (Upper Voices) and Piano. For Solo Alto SSAA Choir (Upper Voices) and Piano.

Flute Violin Vibraphone Guitar or Piano-Suitable for Flute Violin Vibes Guitar or Piano. Suitable for Flute Violin Vibes Guitar or Piano.

This three-movement work by the Swiss composer Etienne Crausaz reflects three true stories and fascinating legends from the Middle Ages. The first movement tells the dramatic story of the ‘witch’ Catherine ‘Catillon’ Repond (1662-1731). She was the last woman ever to be executed for sorcery. In the second movement the famous court jester Girard Chalamala occupies centre stage. This jester the last one at the castle of Count Greyerz could make everyone laugh. The third movement tells the story of Count Michael. He went down in history as a spendthrift bon-vivant. His burden of debt became so high that he did a moonlight flit and never came back!

Along with Symphonies Nos. 79 and 81 Haydn’s D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince’s orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn’s large choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”. Bärenreiter has already published the complete performance material forseveral “Sturm und Drang” symphonies and all the London and Paris symphonies.

(The Trumpet Voluntary)-Jeremiah Clarke (c. 1674-1707) belongs to the generation of English composers following that of Henry Purcell. Not much is known about his early life but by 1685 he was a chorister of the Chapel Royal a group of liturgical musicians attached to the court. He held the post of organist at Winchester College from 1692 but later returned to London as Master of the Choristers at St Paul’s Cathedral. The Prince of Denmark’s March is perhaps his best-known work and was originally written for harpsichord although Clarke later included it in a collection of pieces for wind instruments.

The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.

Chant de Bergers de Haute-Auvergne from 'Chants d'Auvergne'

Taken from the 1926 Broadway operetta The Desert Song Ho! (The Riff Song) has been arranged here for chorus of male voices with piano accompaniment.

MacMillan's setting of text by R. C. Trevelyan using a traditional dutch carol. This is a simple piece for unison choir which is given a colourful piano part to enhance its sense of progress. Easy for children to pick up and attractive to listen to.

A Christmas carol for unaccompanied SATB choir. This was Banks Music's first choral title published in 1972.

Following the popularity and success of Book One this companion volume presents more favourites from the keyboard repertoire. All works are in their original form devoid of any simplification or arrangement. Spurious editing has been eliminated to give students a clear indication of the composers' intentions with Urtext editions being used as often as possible. The majority of the works range from medium difficulty to advanced standard but should pose no problems for the accomplished pianist.

Norn Pater Noster-This is an adaptation made by the composer from the last section of Westerlings for unaccompanied miexed chorus which was written for the Uppsala Akademiska Kammerkör to mark the quincentenary of the Universtity of Uppsala. SATB. Davies Pm

This music sounds as if it came straight off the cinema screen. However there’s no movie for this fantastic score! Just like EVERY good film score this work also includes moving melodies fast virtuoso passages and last but not least a romantic love theme. The instrumentation takes into account that a group may not be complete and this means that the piece can be played by practically every orchestra. Highly recommended for concerts and competitions.

A collection of six carols-A Celebration of Christmas is a collection of carols in modern arrangements ranging from medieval tunes through traditional carols to original compositions. It is available in two versions: for upper voices (SSA) and for mixed voices (SATB). A set of optional instrumental parts suitable for school ensembles is also available. A collection of six carols in modern arrangements by the composer of Adiemus Karl Jenkins ranging from medieval tunes through traditional carols to original compositions. Vocal score for female choir and piano reduction of the instrumental parts. Pack of 10 scores.

This work was commissioned for The Berkshire Young Musicians Trust (England) who required a testing piece for the woodwind section of their concert band. The piece opens with a strong unison passage based on the interval of a fifth and develops with a passionate legato. This is followed by the main vivo section of the work based on the earlier 'fifth' figures. A bridge passage leads to a short chorale figure and a rhythmic climax which dissolves into a plaintive solo for oboe over staccato clarinets. Following a recapitulation of the main theme the oboe returns triumphantly before the opening unison passage reappears to provide a stirring coda.

Works for Viol by Sylvestro Ganassi first published in Venice in 1542/3.

Songs include: Mamma Mia (Mamma Mia) My Heart Will Go On (Titanic) Now We Are Free (Gladiator) Profondo Rosso (Profondo Rosso) The Mission (The Mission) Unchained Melody (Ghost) Anonimo Veneziano (Anonimo Veneziano) Chariots of Fire (Chariots of Fire) Dos Gardenias (Buena Vista Social Club) Ebb Tide (Ebb Tide) Eye of the Tiger (Rocky III) Footloose (Footloose) and more.

Prélude et fuguette (élém. 1 et 2) (2') pour hautbois et piano. Par Manen aux éditions Leduc. Partition / Livre de chansons pour Hautbois