Litany is the first chorus from Edward Elgar ’s ‘The Dream of Gerontius’ scored for SATB Voices and Organ or Piano accompaniment in this Novello edition. The Dream of Gerontius Op. 38 is a work for Voices and orchestra in two parts composed by Edward Elgar in 1900 to text from the poem by John Henry Newman. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory. Litany is sung by the chorus (‘Assistants’) after Gerontius’ deathbed prayer. Elgar disapproved of the use of theterm 'oratorio' for the work though his wishes are not always followed. The piece is widely regarded as Elgar 's finest choral work and some consider it his masterpiece. Sir Edward Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations the Pomp and Circumstance Marches concertos for Violin and Cello and two symphonies. He was appointed Master of the King's Musick in 1924.

A definitive view of Portuguese Fado including 26 great songs arranged for voice and guitar; with a uniqiue CD containing classic recordings of every song performed by the original artists!

2 Violas Cello. Dean B 2 Violas Cello. Dean B

Victor Hely-Hutchinson's setting of Edward Lear's famous verse The Owl And The Pussy-Cat is a popular piece for your choir's repertoire. This version is for Upper Voices (SSA) with Piano accompaniment as arranged by J. Michael Diack.

An arrangement for four-part voices of the celebrated Largo. Words by Leigh Kingsmill.

Patrick Hawes' Blue in Blue for SATB and Harp (or Piano). Duration: 4 minutes Patrick Hawes' Blue in Blue for SATB and Harp (or Piano). Duration: 4 minutes

The studies in this book are designed to provide trombonists with a wide variety of technical and musical challenges progressively arranged from beginner to advanced levels. Each study forms a complete musical statement encompassing classical music jazz funk rock and other traditional and popular world musical styles. Alternative slide positions are indicated where their use facilitates easier and more natural slide movement. The studies in this book are designed to provide trombonists with a wide variety of technical and musical challenges progressively arranged from beginner to advanced levels. Each study forms a complete musical statement encompassing classical music jazz funk rock and other traditional and popular world musical styles. Alternative slide positions are indicated where their use facilitates easier and more natural slide movement.

West 'The Fisher Boy' arranged for mixed voice choir SATB.

Arranged for Organ by O.H Peasgood

Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii Sackey Codjoe who came to England from Ghana as an illegal worker. Sackey's goal was to make money to give himself a better future in his home country but he was made redundant with the result that his life fell apart. He gambled and drank away all the money he had saved and eventually died of heart failure. Sackey's story is all too common but none the less tragic for that. He left no children and his warmth and laughter were blotted out by a world for which he was not adequately equipped leaving nothing behind. Nobody except a handful of kind Ghanaian church people came to hiscremation which was paid for by the hospital where he died. In the piece a simple 25-bar refrain is gradually transformed recurring four times. These four refrains are interspersed by four episodes which give a musical portrait of aspects of Sackey's life and character. After the fourth refrain comes the final section Valediction in which we hear his pulse (represented by flute horn and viola) falter and cease while the harp quietly plays the melody of a hymn which was a favourite of Sackey's: 'Rock of ages cleft for me Let me hide myself in thee...'

Duo in three movements-Violin Cello (2 playing scores). Vogt H

Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) Tamtam Crotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed. Crotales sound two octaves higher than written Duration: c. 6 minutes Orchestral parts areavailable on hire from the publisher

Scored for SATB and Organ. Written for and dedicated to Alec Wyton at the Cathedral of St. John the Divine New York.

Carl Rüttis O Nata Lux De Lumine for SATB choir unaccompanied. Carl Rutti 's O Nata Lux De Lumine for SATB choir unaccompanied.

British-Lebanese singer and songwriter Mika took the pop-scene by surprise in 2006 with not only one but two successful albums in consecutive years proving beyond doubt that he is more than just another one hit wonder. His intoxicating sometimes even crazy songs contain melodies and rhythms that have not only brought fl ocks of people to the dance floor but have also entertained people of all generations. Gilbert Tinner’s medley brings together three of Mika’s hits: Lollipop We Are Golden and Grace Kelly.

Jacobson's choral arrangements of six spirituals for men's voices presented in Tonic Sol-Fa notation.

From the Anthology of Organ Music From the Anthology of Organ Music

Arranged for unaccompanied SATB chorus with Piano part for rehearsal purposes only.

Written for SATB choir and organ. A chorus from Judas Maccabeaus.

World Cup Theme-Known to many as the 'World Cup Theme'. Grade: 2-3. Known to many as the 'World Cup Theme'. Grade: 2-3.