Capricious Waltz by Eduard Puetz for Flute and Piano.

A celebratory song from 1936 by C.S.Lang for mixed chorus a cappella. A celebratory song from 1936 by C.S.Lang for mixed chorus a cappella.

John Joubert 's Hymne To God The Father for unaccompanied SATB choir from words by John Donne. Duration: c. 7mins.

Classic Film Gold (CD Edition)-This spectacular collection features blockbusting themes from all your favourite silver-screen classics! From the show-stopping pieces of the compelling Shine through the seedy Jazz of LA Confidential tothe suave Ocean's Eleven and the dramatic Apocalypse Now who can forget these marvellous music moments that have provided depth and character to such celluloid masterpieces - and this is but a handful of themelodies and themes on offer in this unique anthology. All twenty-five fabulous pieces have been carefully arranged as breathtaking Piano solos for you to enjoy again and again complete with full performances on theincluded CD.

G. F. Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera in Britain both importing Italian works and composing his own. Where’er You Walk is an aria from his 1743 opera Semele based around the classical myth of the mother of Dionysus. Where’er You Walk has been arranged by Kenneth Finlay for upper voices (SSA) and Piano. In addition to standard notation it includes the names of the notes in the ever-popular solfege system making this accessible to any group.

Variationen uber ein Thema von Padre Martini-Oboe Clarinet Horn Bassoon Piano (Score & parts). Schwarz-schilli

Classroom Pops! Classroom Pops! is a highly effective flexible new collection of classroom songs for children each complete with a lesson plan and backing track CD. Designed toinvolve the whole classroom and suitable for both class teachers and music specialists alike this new series is an exciting user-friendly approach to getting children singing! Lesson Plan Each Classroom Pops! song has been specially arranged for children's voices by Jane Sebba and Joanna Mangona and includes a lesson plan that can be followed over several sessions. Also included are rhythm games vocalwarm-ups and step-by-step guidance on how to teach the song. Ideas for continuation work are also included allowing the teacher to craft a rounded lesson plan. Accompaniment andSupport Classroom Pops! allows the teacher to formulate interesting and engaging classroom singing lessons without the necessity to read music. The accompanying CD includes backing and performancetracks as well as ideas for class percussion. However a complete PVG score is printed for Piano players and music readers. Downloadable instrumental parts in C B flat and E flat are also available should teachers wish to includeinstrumental work in their sessions.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

Version for SATB Choir and Organ.

Single sheet music arranged for SATB with piano accompaniment.

For Trumpet And Piano-From the opera Carmen. Grade: 3 From the opera Carmen. Grade: 3

Hear My Prayer Oh Lord manifests Purcell’s genius not only in his unerring setting of each line but in addition of challenging intervals and discordant moments to what is a deceptively simple melodic line. Purcell’s affecting anthem Hear My Prayer Oh Lord was writing in 1680 approximately and is likely to be part of a larger unfinished work. The autograph manuscript is held in the Cambridge Fitzwilliam Museum from which John E West has edited this rendering of the work.Hear My Prayer Oh Lord manifests Purcell’s genius not only in his unerring setting of each line but in addition of challenging intervals and discordant moments to what is a deceptively simple melodic line. Purcell’s affecting anthem Hear My Prayer Oh Lord was writing in 1680 approximately and is likely to be part of a larger unfinished work. The autograph manuscript is held in the Cambridge Fitzwilliam Museum from which John E West has edited this rendering of the work.

Written in 2009 for Andrew Millington and the Choir of Exeter Cathedral. Unaccompanied SATB choir. 'Written for Exeter Cathedral and already in the repertoire of other cathedral choirs this straightforwardly melodic tonal setting does not divide the voices and could be learnt and sung enjoyably by any church choir with for example the Byrd Mass for Four Voices in its repertoire. Although there are no soloists the composer frequently usesindividual choir sections for brief quasi-solo passages contrasting with full SATB. The Osannas at the end of Sanctus and Benedictus will sound breathtaking in a resonant acoustic.' - Sunday by Sunday

For SATB Choir A Cappella. For SATB Choir A Cappella.

Opera comic in one act-(Vocal Score) (German). Offenbach J

Arranged and edited by Karl Scheit.

Sweet Was The Song By Gerald Hendrie For Ss Chorus And Organ (Or Piano). Originally Published In Merrily On High (Nov032121). Sweet Was The Song by Gerald Hendrie for SS chorus and Organ (or Piano). Originally published in Merrily on High (NOV032121).

Of all the operas written by Handel Acis and Galatea – originally possibly written as a masque or little opera – has never passed from the repertoire since its first public performances in 1731. It is considered the pinnacle of English pastoral opera and has been adapted and arranged many times.This Soprano aria As When the Dove Laments Her Love is frequently performed as a recital piece requiring a Vocal dexterity in a short cadenza-like phrase before the cadence.

Single sheet music arranged for SATB with piano accompaniment.

Gay's lighthearted whimsical tunes have retained their appeal throughout the decades and include 'The Lambeth Walk.' Arranged for guitar vocals and piano. Gay's lighthearted whimsical tunes have retained their appeal throughout the decades and include 'The Lambeth Walk.' Arranged for guitar vocals and piano.