Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.

Instrumental Play-Along-10 songs from the latest live action hit movie adaptation of the Disney classic Beauty and the Beast arranged for instrumentalists. 10 songs from the latest live action hit movie adaptation of the Disney classic Beauty and the Beast arranged for instrumentalists. Each book features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs include Aria Be Our Guest Beauty and the Beast Belle Days in the Sun Evermore Gaston How Does a Moment Last Forever The Mob Song and Something There.

Llef recalls the rain-swept stone walls of the Welsh countryside where echoes of the old hymns may still be heard.

for Bb Flugel Horn (or Bb Cornet) and Brass Band- Belvedere is a beautiful solo for flugel horn or cornet and is partly taken from City Scapes a concert work that was inspired by Central Park in New York City. The title Belvedere refers to ‘Belvedere Castle’ erected in 1869 and radiates the peaceful atmosphere of this place. Belvedere is a beautiful solo for Flugel Horn or Cornet and is partly taken from City Scapes a concert work that was inspired by Central Park in New York City. The title Belvedere refers to ‘Belvedere Castle’ erected in 1869 and radiates the peaceful atmosphere of this place.

Nico Dezaire and Peter Kleine Schaars created this medley in traditional style from: Away in a Manger Es ist ein Ros' entsprungen In dulci jubilo Still Still Still und Silent Night .

Nocturne In E Flat Op. 9 No. 2-A meandering melodious piece Frederic Chopin's Nocturne In E Flat Op.9 No.2 is set here for Piano solo edited by Richard Lane.

for SATB and piano with obbligato for oboe or other melody instrument An arrangement with straightforward vocal parts and a simple chordal piano part. An arrangement with straightforward vocal parts and a simple chordal piano part.

Composed for Zara Nelsova. Unaccompanied. Composed for Zara Nelsova. Unaccompanied.

This setting of a text by Delia Stuart has been written for two voices with a full Piano accompaniment. A pastoral and joyful 2-part song ideal for the classroom or to bring cheer to any choral performance.

For Voice and Piano inlcudes 'Tres Morillas' 'Oh Que Buen Amor…' 'La Guitarra Sin Prima' 'Aquel Sombrero De Monte' 'Polo Del Contrabandista' 'El Vito'. For Voice and Piano inlcudes 'Tres Morillas' 'Oh Que Buen Amor…' 'La Guitarra Sin Prima' 'Aquel Sombrero De Monte' 'Polo Del Contrabandista' 'El Vito'.

Everyone will be sure to recognise many of the ten hits from the world of the West-End Musical. Contains songs from Sweet Charity Aspects of Love My Fair Lady A Chorus Line Fiddler On The Roof The Blues Brothers Phantom of The Opera and Joseph and His Amazing Technicolor Dreamcoat .

Play with a real band!-This exciting book with CD accompaniment featuring real musicians covering many styles of light music including swing country rumba slow rock disco mambo cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

Singers can embrace an empowering message with this uplifting song by Canadian singer/songwriter Alessia Cara that soared up the charts in 2017 basically challenging the beauty myth. You don't have to change a thing the world could change its heart. Singers can embrace an empowering message with this uplifting song by Canadian singer/songwriter Alessia Cara that soared up the charts in 2017 basically challenging the beauty myth. You don't have to change a thing the world could change its heart.

31 Duets That Can Be Played By Any Combination Of Wind Instruments-These invaluable collections contain 31 duets in a variety of styles (classical folk music new original pieces) that can be played with any combination of two wind instruments. Students can develop their chamber ensemble skills while playing with their friends no matter what instruments they play. Ranging from grade levels 2-3 Compatible Duets for Winds is perfect for band directors to buy for use in the classroom and its flexibility makes it a must-have for any wind player. If you have a friend that plays another instrument and you want to play a duet with them for fun or in a performance then this is the book for you! This collection contains 31 duets in a variety of styles from classical to folk music to original pieces that will be fun to play with any combination of two wind instruments. Duets are a great way to learn how to play in a chamber music setting and this unique collection gives you the opportunity to do it with anyone else that plays a wind instrument making the combinations of instruments that can be used almost limitless. This collection is ideally suited for use in schools for students who areespecially eager to play music with their friends. The flexibility of these duets makes them a must-have for any wind player. Editions available for: Alto/Baritone Saxophone (CFWF95) Clarinet/Trumpet/T.C. Euphonium/Tenor Saxophone (CFWF94) Flute/Oboe (CFWF93) Trombone/B.C. Euphonium/Bassoon (CFWF96) Horn In F (CFWF97) Tuba (CFWF98)

Three pieces for Piano solo composed in 1895. Three pieces for Piano solo composed in 1895.

as performed by John Miles-In his most famous number Music an ode to music John Miles managed to pack in lots of diff_x001E_erent musical aspects and elements: rhythmically from slow to fast; dynamically from quiet to loud; and in the instrumentation between strings and rock band he shows just what goes to make a piece of music and why it is that he loves this art form so much. This arrangement for a 10-part variable ensemble allows even musicians who don’t have huge amounts of experience to discover and show their own passion for music.

This book includes carefully selected and edited clarinet arrangements with chord symbols in concert pitch to play 8 latin tunes. The included CD contains full backing tracks professionally arranged and recorded and full demonstration recordings to help you learn the songs.

St. Cecilia Rag (Wilby)-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.

The World's Great Classical Music-63 preludes by 16 of the greatest composers from the Baroque period right up the the 20th century. Includes works from Alexander Skryabin Henry Purcell Francois Couperin and Isaac Albeniz. 63 preludes by 16 of the greatest composers from the Baroque period right up the the 20th century. Includes works from Alexander Skryabin Henry Purcell Francois Couperin and Isaac Albeniz.

for violoncello and orchestra- Krzysztof Pendereckis fondness for the cello becomes apparent. The solo part is juxtaposed by four other cellos. The resulting sound blocks interplay with each other which is in turn repeatedly interrupted by the orchestra.