Tavener's 1960 work for tenor solo SATB chorus brass ensemble and organ. Large (A3) score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. Tavener's 1960 work for tenor solo SATB chorus brass ensemble and organ. Large (A3) score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Bliss 'Ballads Of The Four Seasons' arranged for High Voice with piano accompaniment. Duration 8 minutes.

Ballet-(Full score). Copland A

08:00 'It was such a lovely day I thought it was a pity to get up' • 10:45 'I like long walks especially when they are taken by people who annoy me' • 14:00 'Seeing is deceiving it's eating that's believing' • 16:50 'Well we can't stand around here doing nothing people will think we're workmen' • 19:30 'Without music life would be a mistake' • 23:59 'No civilised person goes to bed the same day he gets up' Written for trombone bass clef and piano.

The Te Deum (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643-1704) especially since its Prélude en rondeau was made the Eurovision signature tune. Although Charpentier set the Te Deum altogether four times this is his only setting employing a military band i.e. trumpets and kettledrums. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts. The present editionstands at the forefront of scholarship and provides a complete newly edited Urtext of Charpentier's masterpiece. - Full score performance material (BA7593) and vocal score (BA7593-90) available for sale

Flute Oboe Clarinet Bassoon Horn. Blumer T

A bumper collection of 45 unaccompanied tunes from a wide variety of musical styles guaranteed to whet the appetites of players and audiences alike.

Let me not to the marriage of true minds- William Shakespeare’s famous sonnet (‘Let me not to the marriage of true minds Admit impediments’) often used at weddings and civil ceremonies is here set to beautiful fresh music by young composer Ed Rex. The mostly homophonic setting employs the composer’s distinctive close harmonies which together with short phrases and natural rhythm serve to add greater meaning to the poignant and moving text. Spells of parallel and contrary motion in the inner parts are intended in some way to reflect important elements of the commitment two people make to each other in marriage or partnership. Sonnet 116 is sure to add an unforgettable moment to a happy couple’s special day and would also be an excellent addition to concerts using a theme of love.

A major piece to feature your Clarinet section! James L. Hosay has used his considerable compositional skill beautifully in creating this exuberant new offering for your band. It’s a great showpiece for your reeds but it leaves no one behind when the fun begins.The Baroque and Classical underpinnings of this original composition open the door for a wonderful educational encounter for everyone while a critically important part of the band gets the special exposure it deserves.Effervescent!

Winner Scores All is essentially a series for unaccompanied use but whether for use in performance or for simply enjoying the experience of ensemble playing the addition of Piano accompaniment opens up a new playing experience for the beginning musician. These 48 simple Piano accompaniments have been specially arranged to match the pieces in the book.

Per Violino E Pianoforte- For Violin & Pinao

Percussion. Moisy H

The music collected in Movie Main Theme Miracles are surely among the most famous popular and successful melodies in the history of film: Peter Kleine Schaars has arranged the themes from Braveheart Top Gun Star Trek and Mission: Impossible into a fabulous medley for concert band that will appeal not just to film buffs but any audience.

Facsimile: Printed score Walsh & Hare [1702] Introduction by Richard Platt

Sonate für Orgel und Kammerorchester Streicher ohne Viola- The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass. Three of the Sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and Strings without Violas. The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo 2 Trumpets Strings).

64 Well known tunes-64 well known pieces for unaccompanied bassoon players of all ages to dip into and enjoy. Sixty-four well known pieces for Bassoon players of all ages to dip into and enjoy.

8 Famous Works for Trombone / Euphonium-This book contains a selection of Bach’s best known compositionsarranged for players of a moderate standard. The accompanimentCD will enable you to give a truly authentic performance with thebacking being played on the organ harpsichord or cello.

No.1 from 'Chants paysans No.3' (SATB chorus)

Among the best of Jean Sibelius’ oeuvre are his 1917 compositions The Humoresques . This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He uses a considerably smaller Orchestra accompaniment to the Violin in the second group but maintains the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionally exhibitionistic display.Score for String Orchestra and Violin Solo. Among the best of Jean Sibelius’ oeuvre are his 1917 compositions The Humoresques . This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He uses a considerably smaller Orchestra accompaniment to the Violin in the second group but maintains the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionallyexhibitionistic display. Score for String Orchestra and Violin Solo.

Set on the ABRSM Flute syllabus.