based on the march from Henry Purcell's Music for the funeral of Queen Mary II-This composition is based on the march from Henry Purcell’s Music for the funeral of Queen Mary II a work written in 1694. In this fantasia various movements flow from one to the next following the main theme: these movements not only elaborate on the theme but also contrast with it. At times the thematic material diverges so much that the work acquires a character of its own: however the composer often refers back to fragments of the theme.

A collection of pieces which have been set for ABRSM's piano exams over the years. Available in three series each containing five graded volumes and reflecting the wide variety of pieces on the syllabuses. The series concentrate on the baroque and romantic sections of the syllabus. Another wonderful collection of Keyboard music from the significant periods and composers all in easy arrangements. In all there are twenty-one pieces from Purcell and Telemann to Stanford and Goedicke each has been carefully edited for the ABRSM by Howard Ferguson. J S Bach's Bourrée is an alternative for ABRSM Piano Grade 3 2017-2018

Winners Galore contains a fabulous selection of popular pieces from classical works to film and TV themes. This volume contains Piano accompaniments that can be used to accompany musicians playing from the Winners Galore Treble Clef book for Trumpet Trombone Horn Euphonium and Cornet.

A Comprehensive Course in three Volumes-Clarinet. Kell R

Sure. To the kids it’s about Little Miss Muffet and a surprise visit from her friendly local spider.But to you the director it’s REALLY about the “new” note called concert E-natural. Whatever method book you are using once concert E-natural has been introduced the band will be ready to play this one. The students will have fun with foot stomping and Miss Muffet’s scream while you enjoy watching your students get better and better at playing concert E-natural and concert E-flat at the right times.EEEEEEEEK!

for Piano and Band-Best-loved themes from Mozart and Haydn for Piano soloist with band! These two great Classical themes have been carefully arranged with detailed attention to the Classical idiom and performance practice. This piece acts as a perfect change-of-pace during the band concert giving your show a refreshingly contrasting sound to reinvigorate the audience's ears. While being a nice reward for the young Piano soloist's hard work having the band play in the Classical style in an accompanying manner allows for exploration of all kinds of control and sensitivity issues in rehearsal. A great experience for everyone!

16 Christmas Carols for Singing and Playing-Violin or flute or oboe piano.

HWV 294- Das Harfenkonzert ist die ursprungliche Fassung des B-Dur-Orgelkonzerts op. 4/6. Das neue Auffuhrungsmaterial beinhaltet erstmals auch die Stimme des Orgel-Continuo. Diese ist als Abschrift jenes Materials uberliefert das fur die Auffuhrungen von Händels

Rachmaninov wrote Vocalise for Voice and Piano but did not set a text to it unlike the other songs in the Op. 34 set. It immediately became popular and the composer fashioned several transcriptions of the work including one for Piano and another for Orchestra. This edition is arranged for Flute and Piano.

Funeral Cantata- Telemann's Funeral Cantata “Du aber Daniel gehe hin” appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score parts (BA3583) and choral score (BA3583-91) available for sale Scored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ

Suite for Orchestra- In 1918 Gabriel Fauré then 73 years old received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell’arte. The four-movement orchestral suite Op.112 consisting of Ouverture Menuet Gavotte and Pastorale combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré’s last composition for orchestra the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer now older and more experienced reworked and improved his earliermusic. This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works Volume IV/2. First Urtext edition Based on Gabriel Fauré The Complete Works Score and orchestral parts in a large format (25.5 x 32.5 cm) available for sale

Opera in three acts- Almira Handel's first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking's text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian. The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira's crowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia. The vocal score to Almira by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 Ingrato spietato from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the Halle Handel Edition. Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the Gottinger Händel -Beiträge. Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the Halle Handel Edition volume could be reconstructed from the basso continuo part of the Bellante aria Ich brenne zwar (no. 71). - Urtext edition based on the Halle Handel Edition - Original German and Italian text with a German translation of the Italian arias

Hawkes Pocket Scores HPS 712-In 1941 Argentine composer Alberto Ginastera was commissioned to write a Ballet comprising One Act and Five scenes that was based on and would depict pastoral life in Argentina. He closely based his score on the great epic poem Martín Fierro by Jose Hernandez which tells the story of the Argentinean cowboys or Gaucho — nomadic and heroic figures who are the subject of much of the country's folklore. The story tells of a city boy who watches and falls in love with a country maiden. Despite initial contempt for him her feelings turn to admiration as he demonstrates he can perform the rough and difficult work and proves his skill in taming wild horses. Estancia is set over the passage of a single day: dawn morning afternoon night and dawn. Ginastera has not only captured the rhythms of life on a Estancia or ranch but also provided an insight into the gaucho's now diminished way of life. This volume is the Hawks Pocket score containing all the dances from the ballet in Study Score Format.

Cheryl Frances-Hoad's Psalm No. 6 for SATB. Commissioned by Help Musicians UK for the 2014 Festival of Saint Cecilia with funds provided by the RVW Trust and first performed by the combined choirs of Westminster Cathedral Westminster Abbey and St. Paul's Cathedral directed by Martin Baker Director of Music Westminster Cathedral on 19th November 2014.

Solo Cello Part from the work for Solo Cello and String Ensemble.

Piano. Dvorak A

1.Pavane Op.50 (transc. H.Busser); 2.Les Joueuses de Flûte (1ère Air de Danse from 'Pénélope'); 3.Sicilienne Op.78 (tr. H.Busser)

Die 20 schönsten Weihnachtslieder zum Mitsingen und Mitspielen-Twenty of the finest Christmas carols for singing and playing along.Christmas time is the season for singing and music making above all others. And now nobody need sing alone any longer. This book contains the best-loved Christmas carols with recordings on the CD in two versions: once with voices and once just with the accompaniment for you to sing along to. There are also chord symbols above the music so that you can play along to the songs too.

Published in 1648 Heinrich Schutz's Geistliche Chor-Music is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig's revised new text is available (BA 5901/BA 5902). Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation. In keeping with contemporary performance practice the choral' parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902). - So fahr ich hin zu Jesu Christ SWV 379 No.11 from Geistliche Chor-Music - Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.

Patrick Doyle's original score blends the magic and wonder of Harry Potter with classic musical forms including a waltz a foxtrot a beautiful hymn and more. Titles: Death of Cedric * Foxtrot Fleur * Harry in Winter * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Neville's Waltz * Potter Waltz * The Quidditch World Cup (The Irish). Put the magic into your playing with this fantastic selection of pieces from Harry Potter and the Goblet of Fire as arranged for the late-elementary player by Carol Matz. This superb collection includes pictures offering you more than just the music from the film. From the Quidditch World Cup to the Death of Cedric this collection includes the music from some of the most emotive intense and exciting scenes in the film.