Jaromir Weinberger (1896-1967) was a Czech composer who spent most of his life in the United States becoming an American citizen in 1948. He wrote over 100 works but the only one which has endured to the present day is the 1926 opera Schwanda The Bagpiper which has been preformed in 17 different languages and was performed thousands of times between the wars. The Polka is one of the two orchestral excerpts from Schwanda The Bagpiper which are still regularly performed. It has been arranged here for Piano duet by Joan Trimble. Included are separate scores for each part.

This collection comprises of an eclectic set of arrangements of well-known and not so well-known jazz standards and original pieces. There is a mixture of moods styles and tempos to capture the imagination yet still provide a challenge to players of a wide range of abilities.

This new piece by Stef Minnebo allows your band show off its rhythmical side. All groups are showcased and it is totally suitable for young dynamic bands.

Six moderately easy pieces with piano accompaniment. All of the pieces may be played in first position and there is useful practice of various aspects of technique - such as reading bowing symbols mixed phrasing legato and stacccato playing - which will help build the young player's confidence. A delightful album of pieces in contrasting styles for young violinists. All of the pieces may be played in first position and provide useful practice of various aspects of technique such as reading bowing symbols mixed phrasing legato and staccato playing all of which will help build the young player’s confidence. All the pieces can be played in the first position and the music is clear and well-edited. These are excellent pieces for developing a sense of style and the writing for both instruments [including A Sketchbook for Cello] is imaginative . David Rothwell ISM Magazine

SS. Thiman

This book represents an attempt to write for the Clarinet in various styles not normally associated with the instrument - from bebop through to folk Latin and funk with the soloist expected to perform such feats as playing melodies and bass lines simultaneously mimicking hillbilly Violin double- stopping and even Guitar-like funk figures!

Songs from Star Wars The Empire Strikes Back and Return Of The Jedi for clarinet.

The Music Factory was written to introduce beginner players to ensemble playing as early as possible. Thanks to the low grade of difficulty of this piece this it is possible to play in a ‘real band’ after only a few lessons. Because of the four-part instrumentation The Music Factory is suitable for smaller strengths taking into account that it is important to divide parts evenly among the players. Also includes an ad-lib keyboard/piano part to support the ensemble.

Work for Solo Piano dating from 1917.

Volume 1: Free Chorale Based Compositions Preludes Fugues Fantasies and Miscellaneous Works; Appendix and Critical Report. Contents: Präludium d-Moll Andante D-Dur Ostinato c-Moll Fantasie und Fuge g-Moll Choral mit Variationen 'Wie groß ist des Allmächt'gen Güte' Nachspiel D-Dur Präludien und Fugen c-Moll-G-Dur-d-Moll op.37 Fuge e-Moll Fuge f-Moll Choral und Variation 'Herzlich tut mich verlangen' Präludium c-Moll Trio F-Dur Choral As-Dur Choral D-Dur Thema mit Variationen D-Dur Allegro d-Moll Allegro B-Dur Andante alla Marcia B-Dur Fuge B-Dur Allegro moderato maestosoC-Dur Anhang/ Appendix: Präludium d-Moll (Fragment) Ergänzung zum Präludium d-Moll Andante D-Dur und eine Variation (Fragment) Fuge f-Moll (überarbeitete Fassung) Volume 2: Six Sonatas Op.65; Appendix and Critical Report BA 8197 Special price for Volumes 1 and 2 BA 8198

Ode for St. Cecilia's Day- Alexander's Feast or The Power of Musick HWV 75 Ode for St. Cecilia's Day In 1736 Handel composed “ Alexander’s Feast ” or “ The Power of Musick ” a two-part cantata based on John Dryden’s poem of the same name. Now in a revised edition. For the new edition of Handel’s “ Alexander’s Feast ” the dynamic markings have been thoroughly revised. The three movements which Handel had added are published for the first time in the Vocal score. The readability of the edition has been much improved and the writing of the Piano part has become more idiomatic. - Clear straightforward Piano reduction in the Vocal score - Urtext of the Halle Handel Edition - Full score (BA4001) & Vocal score (BA400192) available for sale - Performance material available for hire

Anthems for the Chapel Royal O sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264 As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265 Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266 Handel ’s four anthems were all composed during his London period in the Chapel Royal. “ As Pants The Hart ” his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket. Until just before Handel ’s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music. The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever! The full scores and vocal scores also contain a German translation along with the original English text.

from Le Nozze di Figaro-From Le Nozze Di Figaro . A version for unison treble voice.

1.Sous ces Pavots; 2.Ah! si mon Sort vous intéresse; 3.De nos Vergers de nos Prairies; 4.Exilée au Sein de Paris

15 contemporary rounds-2 to 4 Violins Cello. Go Canon Go!

Fairest Lord Jesus-Eatnemen Vuelie is the opening musical number for the 2013 Disney animated feature Frozen. The song is inspired by indigenous Saami and Norwegian culture and was written and composed by Norwegian composer Frode Fjellheim. The song is a combination of Saami yoiking and the Danish Christmas hymn Dejlig er jorden/Fairest Lord Jesus. Composed by Frode Fjellheim. The original hymn is composed by the Danish composer B.S. Ingemann. Eatnemen Vuelie is inspired by the traditional Sami Yoik. York is a very old vocal tradition among the Sami people of Scandinavia and Russia. Typical of this tradition is the use of short melodic phrases that repeat endlessly with small variations. Forchildren's choir or women's choir (SSAA) sythesizer percussion and solo medium voice. German English and Norwegian versions of the text. Eatnemen Vuelie is the opening musical number for the 2013 Disney animated feature Frozen. The song is inspired by indigenous Saami and Norwegian culture and was written and composed by Norwegian composer Frode Fjellheim . The song is a combination of Saami yoiking and the Danish Christmas hymn 'Dejlig erjorden'/'Fairest Lord Jesus'. 'Yoik' is a very old vocal tradition among the Sami people of Scandinavia and Russia. Typical of this tradition is the use of short melodic phrases that repeat endlessly with small variations. Arranged for children's choir or women's choir (SSAA Voices) Synthesizer Percussion and solo medium Voice.

SATB chorus

Messiah occupies a unique position in Handel ’s work. Even if it does not represent the absolute zenith – several other oratorios could challenge it in this respect – its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer’s monumental output. That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention. Urtext of the Halle Handel Edition Full score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.

Funeral Cantata- Telemann's Funeral Cantata “Du aber Daniel gehe hin” appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score parts (BA3583) and choral score (BA3583-91) available for sale Scored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ

The third part of Honegger's Trois Contrepoints is entitled Canon Sur Bass Obstinee A Quatre Voix and is written for Piccolo (Flute) Cor Anglais Violin and Cello. The third part of Honegger's Trois Contrepoints is entitled Canon Sur Bass Obstinee A Quatre Voix and is written for Piccolo (Flute) Cor Anglais Violin and Cello.