A set of seven dances originally composed for children. Stemming from his earlier years these pieces exclude humour and imagination. Seven easy pieces for solo Piano by Russian composer Shostakovich. In essence they have been collated and compiled from his own Ballet Suites and are indicitive of the style of his Children's Notebook Op.59. Based on various dances these pieces are interesting and enjoyable for developing pianists.

Symphonic Band (score & parts). Alford Kj

Lynn Ahrens and Stephen Flaherty have been collaborators in the musical theatre since they first met in the BMI Musical Theatre Workshop in 1983. They have premiered two shows at Lincoln Center Theatre: My Favorite year and the 2002 production of A Man of No Importance with book by Terrence McNally.

This volume includes a series of short varied pieces that are suitable for performance or as additional material to any method book.This book is supplementary material for the second method book in the Look Listen & Learn series. The great sparkling and enjoyable solos in this book are not only fun to play but will improve your technique and musicality. All these pieces have been included for a particular reason; there are a number of studies which will help you learn to play in different styles such as rock or swing and other pieces which address specific aspects of your instrument. Part 2 of the Flute Look Listen And Learn series.

Graded selected classical and romantic pieces for Piano with fingering phrasing tempo and expression marks added by Dorothy Bradley.

“ I asked my friend the poet Einar Askestad if he could write a poem for me about love between father and son brothers and God. I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece various aspects of these relationships are conveyed ”. - Mårten Jansson Biography: My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings life consists of. This has led people todescribe my music as both “so sad that it sounds like birds who have lost their wings” and “the happiest classical music we ever heard”. I have also always preferred beautiful music to atonal music and that is surely the reason why the most part of my music is more on the sad side – but what a dream it would be to be able to create beautiful music that’s bubbling over with joy! My compositions consist of almost only sacral music. This is to express my own faith but also my appreciation and respect for the timeless texts that have been used for centuries after centuries. In 1994 I was lucky enough to start conducting the female choir Carmen and I conducted them until we decided to disunite 2010. This is of course the biggest reason why most of my compositions are for female choirs – the knowledge that what I write during the night will be tested the next evening is a driving force that not so many are lucky enough to have. I work as a voice music theory and conducting teacher and conductor in Uppsala were I was born -65 and still live. My education is in short: two years of musicology at Uppsala University and a MFA in Music Education and Dalcroize Rhythmics at the Royal Academy of Music in Stockholm. - Choral works a cappella. - Sample pages for download: www.baerenreiter.com.

Aaron Holloway-Nahum's Le Campane Che Svaniscono for Solo Violin. Duration: c. 8 minutes

Angelus Domini from Fod and Dom-First published in Germany in 1964 Franz Biebl's Ave Maria was originally scored for 7-part men's choir. This expressive transcription is based on a mixed choir version in order to better match the registration of a wind ensemble. Layered woodwinds and brass create the effect of the choral version's overlapping male and female voices. Symphonic Band (full score). Biebl F.

This is the Score and Parts for the Sonata In G for three Flutes.

18 Favorite Classics for Young Players-18 Favorite Classics for young players arranged by James Curnow. This edition is for Euphonium or Trombone (suitable for both Treble and Bass Clef Instruments) or Bassoon and includes a Play along CD of backing and demonstration tracks.

for the 25th Anniversary of the High School of Music and Art New York City- Fanfare For A High School Band was written by Leonard Bernstein for the 25th Anniversary of the High School of Music and Art New York City. This piece has been arranged for Brass ensemble and Percussion.

You can almost smell the aardvarks! Oh no wait. The kids had P.E. just before band rehearsal. Never mind.Seriously though this cheerful and engaging new piece by Graydon Toms is a sure winner for every Grade 1 1/2 band. Big areas of contrast between the upper Woodwinds and the Brass and Saxophone combination ensure that each player feels important to the group while an easy change of tempo near the end helps the piece sound harder than it plays.Whimsical!

To mark the Handel Year 2009 Bärenreiter is offering a special set on all Handel's keyboard music. Up till now all works have been published as individual volumes Keyboard Works I-IV (BA 4221-4224) in the 'Halle Handel Edition'. These volumes encompass Handel's output over a long period spanning approx. 1705 to 1750. Volumes I and II include both collections of suites (1720 and 1733) which the composer himself saw to print. These standout in terms of their compositional demands and are a testimony to Handel's sometimes idiosyncratic treatment of the Baroque form. Volumes III and IV contain all the other individual surviving piecesand miscellaneous suites. The edition based on the Urtext of the 'Halle Handel Edition' has been edited by the internationally-renowned Handel scholar Terence Best. The music text in each volume which also takes into consideration alternative versions of individual pieces is accompanied by a detailed foreword on the history of the compositions transmission and performance practice. Urtext based on the 'Halle Handel Edition' Comprehensive edition of Handel's keyboard works Detailed introductory text with notes on performance practice (German/English) Based on the latest Handel research findings Barenreiter sheet music performing editions present the authentic text and the latest findings of scholarly research enabling players to get as close to the composer's intentions as the surviving sources will allow. There are no arbitrary editorial editions and the quality of the musical text matched by an appearance on the page that satisfies the most discerning eye. Comprehensive edition of Handel's Keyboard works. Detailed introductory text with notes on performance practice (German/English) Based on the latest Handel research findings. 'By using one of Barenreiter's scores I feel confident that I have an edition that has been meticulously prepared to the highest standards and with the latest research. It feels good to have a Barenreiter score in your hand. For many

Written for solo cello and strings. This work was commissioned by the Australian Chamber Orchestra with funds provided by the Arts Council of Great Britain. It was first performed on 24th November 1992 at the Fowler Centre Wellington New Zealand by Steven Isserlis (cello) and the Australian Chamber Orchestra.

A group of romantic pieces arranged by Paul Archibald for Trumpet and Piano. Pieces include: Passepied (Le Roi s'amuse) Leo DELIBES; Waltz (Coppelia) Leo DELIBES; Romance Without Words Gabriel FAURE; Passepied (Suite Bergamasque) Claude DEBUSSY; Sonatine (2nd Movement) Maurice RAVEL; Rigaudon (Le Tombeau de Couperin) Maurice RAVEL.

Quarter Military Band QMB 390-Symphonic Band (score & parts). Grundman C

for Violin and Basso continuo- Handel returned repeatedly throughout his life to the composition of works for violin and basso continuo. The earliest autograph HWV 358 was composed around 1707 his last work for this combination of instruments the Sonata in D major HWV 371 stems from circa 1750. In addition to the 5 sonatas which have survived as autographs there are 4 other sonatas of a spurious nature which have found a place in the violin repertoire under Handel's name although they are certainly not from his pen. These sonatas are attempts by other unknown composers to make a name by using the style of the great master. To round off thisfirst ever publication of Handel's Complete Works for Violin and Basso continuo there are two movements currently not available in any other performing edition: the Allegro HWV 408 and an Andante HWV 412. The Authoritative Performing Edition Edition with the recently-revised Urtext of the Halle Handel Edition First ever performing edition of the complete works for violin and basso continuo in one volume With separate violin and continuo bass parts the latter with figures Basso continuo part with figures including 2 movements not available in any other performing edition Includes valuable comments on performance practice An Associated Board recommended title All violinists should buy this volume not only for its completeness and clarity but because it is exceptionally good value for score and parts.(ESTA News Views Spring 2003)

Scottish Folk Song Setting-Among airs there are none more beautiful than those fromthe general vicinity of Scotland and Ireland. An originalmelody intertwines with the lovely Scottish air Ye Banksand Braes to form a touching and reflective espressivoperformance piece that you are sure to admire. The endearingnature of old Scottish melody has a charm all its own.A little touch of the “Pipes” is included to re-emphasize theorigin of this timeless air.A gem!

Piano. Prokofiev S

The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability and that people are the product of their environment. According to Dr. Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as a Book & CD kit. Titles: Berceuse Wiegenlied or Lullaby Op. 98 No. 2 (F. Schubert) * Tonalization: The Moon over the Ruined Castle (Taki) * Gavotte (Lully) * Minuet from Sei Quintetti for Archi No. 11 Op. 11 No. 5 in EMajor (Boccherini) * Tonalization: The Moon over the Ruined Castle (Taki) * Scherzo (Webster) * Minuet in G Wo0 10 No. 7 for Piano (Beethoven) * Gavotte in C Minor Gavotte en Rondeau from Suite in G Minor for Klavier BWV 822 (Bach) * Minuet No. 3 BWV Anh. II 114/Anh. III 183/Anh. II 115 (Bach) * Humoresque Op. 101 No. 7 for Piano (Dvorák) * La Cinquantaine (Gabriel-Marie) * Allegro Moderato from Sonata I in G BWV 1027 for Viola da Gamba (Bach).