
15.99 £
Simrock - Benjamin (Elite Edition)
Flute Viola. Degen H

3.05 £
Oxford University Press
For SATB unaccompanied. Originally published in the New Horizons collection Cantica Nova this expansive Advent motet creates a unique sound world through unusual harmonic inflections striking spatial effects unmeasured notation and haunting soprano and tenor solos. Featured on CDs by Ex Cathedra ( Christmas Music by Candlelight ) and The Sixteen ( O Guiding Night ) O Adonai et Dux domus Israel is quickly becoming a popular choice for choirs looking to develop their contemporary repertoire.For SATB unaccompanied. Originally published in the New Horizons collection Cantica Nova this expansive Advent motet creates a unique sound world through unusual harmonic inflections striking spatial effects unmeasured notation and haunting soprano and tenor solos. Featured on CDs by Ex Cathedra ( Christmas Music by Candlelight ) and The Sixteen ( O Guiding Night ) O Adonai et Dux domus Israel is quickly becoming a popular choice for choirs looking to develop their contemporary repertoire.

3.05 £
Oxford University Press
for upper voices SATB and piano or orchestra The Seeds of Stars is a resplendent setting of a philosophical text by Charles Bennett. The rippling piano part provides a shimmering accompaniment to radiant and expressive vocal lines. The Seeds of Stars is a resplendent setting by Bob Chilcott of a philosophical text by Charles Bennett. The rippling piano part provides a shimmering accompaniment to radiant and expressive vocal lines and Bob Chilcott effectively contrasts upper- and mixed-voice sections with stirring passages for all voices. Reflecting the vivid imagery of the text the upper voices soar above the choir during climatic moments but also bring the piece to its gentle profound close.

17.99 £
Musikgruppe Hermann
Galopp-Instrumentation: Fl. Picc. / 1 / 2 (E A) / 1 • 4 (E) / 2 (E) / Posthr. (A) / 1 / 0 • Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher Instrumentation: Fl. Picc. / 1 / 2 (E A) / 1 • 4 (E) / 2 (E) / Posthr. (A) / 1 / 0 • Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher

14.99 £
Simrock - Benjamin (Elite Edition)
Europäische Weihnachtslieder-Voice Violin or Recorder or Flute or Oboe Piano. Taubert W

6.99 £
Mel Bay Publications
A wonderful assortment of 23 Christmas chants and carols from around the globe. Beautiful moderately difficult selections. A fresh different resource for schools churches and carolers. A wonderful assortment of 23 Christmas chants and carols from around the globe. Beautiful moderately difficult selections. A fresh different resource for schools churches and carolers.

2.50 £
Shawnee Press
The powerful and beautiful text of Song of Solomon 8:6 has been gorgeously set for concert and contest performance. Brad Nix's arrangement supports and teaches tone and breath control pacing and range as well as effective textpainting with an accompaniment that includes piano and flute. Sure to be a choral standard! Available separately: SATB flute or C-instrument; PianoTrax CD. Duration: ca. 2:40.

8.99 £
Mel Bay Publications
A fine collection of early music ranging from Gregorian chants and medieval dances to late-Renaissance compositions. A fine collection of early music ranging from Gregorian chants and medieval dances to late-Renaissance compositions.

1.95 £
Oxford University Press
for SS(A) and piano or organ An attractive setting of the seventeenth-century poem by George Herbert with a gently syncopated accompaniment. The simple melody is coloured by subtle harmonic gestures mirroring the sentiments of the text. This setting of a text by George Herbert is written by Bob Chilcott for Unison and Divisi Upper Voices with Piano or Organ accompaniment. Part of the Oxford Upper Voices series (T125) the melody is simple and softly flowing suitable for amateur or younger choral groups.

3.70 £
Chester Music
Work for Countertenor Solo composed in 1973. Work for Countertenor Solo composed in 1973.

12.99 £
G. Schirmer
Written for flute and piano and edited by James Galway. Piano reduction by Phillip Moll.

24.99 £
Mel Bay Publications
With Online Audio-Written in Spanish and English this book contains 12 of Juan Serrano's finest flamenco guitar solos. Selections include: Bella Mar (Verdiales): Ensueno (Petenera): Fantasy (Zambra): Juani (Farruca): Lidia: Majestuosas (Serguiriyas): Munequita (Zapateado): Nancy (Rumba): Nostalgia (Guajiras): Posadas (Soleares): Tentacion (Bulerias): and Verde Selva (Danzon). All solos are scored in notation and tablature. Includes access to online audio recording download of Juan Serrano playing each solo. Written in Spanish and English this book contains 12 of Juan Serrano's finest flamenco guitar solos. Selections include: Bella Mar (Verdiales); Ensueno (Petenera); Fantasy (Zambra); Juani (Farruca); Lidia;Majestuosas (Serguiriyas); Munequita (Zapateado); Nancy (Rumba); Nostalgia (Guajiras); Posadas (Soleares); Tentacion (Bulerias); and Verde Selva (Danzon) . All solos are scored in notation and tablature. Includes accessto online audio recording download of Juan Serrano playing each solo.

11.95 £
Chester Music
For Percussion Quartet. For Percussion Quartet.

8.99 £
Mel Bay Publications
A handy and economical starter book chock-full of useful information. Teaches strumming rhythm by playing along with lyrics then teaches tablature reading for playing solos. The solos provide picking indications for up-picking and down-picking. Contains 25 folk favorites for strumming and singing 13 songs in notation and tablature for solo picking and a mandolin chord reference chart. A handy and economical starter book chock-full of useful information. Teaches strumming rhythm by playing along with lyrics then teaches tablature reading for playing solos. The solos provide picking indications for up-pickingand down-picking. Contains 25 folk favorites for strumming and singing 13 songs in notation and tablature for solo picking and a mandolin chord reference chart.

9.95 £
Alphonse Leduc
Pièce En Sol Mineur Op. 5 is a piece for Oboe and Piano accompaniment composed by Gabriel Pierné . Its medium difficulty will enable intermediate players and above levels to play it and to appreciate its features. Really enjoyable this early work written in 1833 lasts approximately 2'30 and has been transcribed for many other instruments. It is perfect for recitals and concerts. The book contains the score and Oboe part. The score mentions the possibility of replacing the Oboe by a Violin or a Cello. Gabriel Pierné (1863-1937) won the Prix de Rome in 1882.The composer wrotemany chamber compositions Piano pieces symphonic music and some oratorios.

2.50 £
Shawnee Press
This famous movement is the soprano aria from Fauré's Requiem in D minor Op. 48. Beautifully arranged for SSA voices Jill Gallina retained the serene melodic sound while adding full three-part harmonies keepingthe harmonic intent of the original. A lovely addition to your women's choral library. Available Separately: SSA PianoTrax CD. Duration: ca. 2:49.

17.95 £
ADG Productions
Learn advanced concepts for blues guitar soloing with Canned Heat lead guitarist Barry Levenson. He continues his guitar method with analysis of key concepts and techniques demonstrating these with his own tunes and style to help you find an outlet for self-expression. Includes a CD of specially recorded backing tracks so you can play along! Experienced studio and blues player Barry Levenson invites you round for a guitar lesson with transcriptions of his own solos (with backing tracks) on the CD and advice and dissection in the book. He's an inventive soulful and diverse blues lead player primarily in the West Side Chicago mould of Otis Rush and Buddy Guy and his analysis of his own solo work is expert. Bar-by-bar breakdowns nestle alongside tone info and the author's awareness of the heritage of his licks makes for an insightful read for the budding blues soloist - Guitarist - November 2007 Learn advanced concepts for blues guitar soloing with Canned Heat lead guitarist Barry Levenson. He continues his guitar method with analysis of key concepts and techniques demonstrating these with his own tunes and style to help you find an outlet for self-expression. Includes a CD of specially recorded backing tracks so you can play along! Experienced studio and blues player Barry Levenson invites you round for a guitar lesson with transcriptions of his own solos (with backing tracks) on the CD and advice and dissection in the book. He's an inventive soulful and diverse blues lead player primarily in the West Side Chicago mould of Otis Rush and Buddy Guy and his analysis of his own solo work is expert. Bar-by-bar breakdowns nestle alongside tone info and the author's awareness of the heritage of his licks makes for an insightful read for the budding blues soloist - Guitarist - November 2007

7.95 £
Oxford University Press
With specially written poems by Karlis Verdins based on the Adonis chapters from Frazer's The Golden Bough each song in this little cycle explores a single Affekt.

3.95 £
Music Sales
Leslie Winters. Words and music to 13 carols for Christmas and the rest of the year. For unison recorders two three or four part ensemble. Optional part for treble tenor bass recorders with or without piano.

11.95 £
Chester Music
Like many of Davies’s smaller works this is in a relatively lucid modal style midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat minor and the close is triumphantly in G flat major. What happens in between -- always in 4/4 march time but usually with exuberant syncopations and cross-rhythms - is a sequence of transformations of the theme heard first from the second trumpet on the top line at the start; it will be heard again from the horn and from the first trumpet in upward-moving inversion with brilliant climaxes to punctuate. An ebullient piece in a simplified yet still very distinctive harmonic andrhythmic style and surely destined to make a rousing encore item. Arranged for brass quintet. Like many of Davies’s smaller works this is in a relatively lucid modal style midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat minor and the close is triumphantly in G flat major. What happens in between -- always in 4/4 march time but usually with exuberant syncopations and cross-rhythms - is a sequence of transformations of the theme heard first from the second trumpet on the top line at the start; it will be heard again from the horn and from the first trumpet in upward-moving inversion with brilliant climaxes to punctuate. An ebullient piece in a simplified yet still very distinctive harmonic andrhythmic style and surely destined to make a rousing encore item. Arranged for brass quintet.