Sonatina Festival provides elementary students with three easy and attractive sonatinas for Piano. Keith Snell has carefully written each sonatina to be musically satisfying fun for students to play and pedagogically sound. The sonatinas are in progressive order of difficulty. Sonatina Festival provides elementary students with three easy and attractive sonatinas for Piano. Keith Snell has carefully written each sonatina to be musically satisfying fun for students to play and pedagogicallysound. The sonatinas are in progressive order of difficulty.

Paperback-Over a hundred nursery rhymes with simple piano accompaniments guitar chords and illustrations Over a hundred nursery rhymes with simple piano accompaniments guitar chords and illustrations

So we'll go no more a-roving (Byron)A Widow bird sate mourning (Shelley)The knot there's no un-tying (Thomas Campbell) So we'll go no more a-roving (Byron)A Widow bird sate mourning (Shelley)The knot there's no un-tying (Thomas Campbell)

Written for the Endellion Quartet in 1990. Duration 13 minutes. Score available: SOS03075 Written for the Endellion Quartet in 1990. Duration 13 minutes. Score available: SOS03075

for SATB (with divisions) and organ This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel with the sopranos and altos presenting a lilting melody in thirds underpinned by a flowing organ accompaniment. This Easter anthem by Bob Chilcott sets the second part of George Herbert's poem 'Easter' famously set in full by Ralph Vaughan Williams in his Five Mystical Songs . The opening section has an almost pastoral feel with the sopranos and altos presenting a lilting melody in thirds underpinned by a flowing organ accompaniment. The anthem becomes progressively more expansive and reflective with rich textures and harmonies before drawing to a profound close.

Drei Gesänge-High Voice Violin. Krol B High Voice Violin. Krol B

A highly successful journey in story and song through the enjoyable things associated with a happy Christmas. Arriving at the Bethlehem Nativity scene the Little Angel finds out what makes the night so special. This fun andeffective Christmas celebration is easy to understand and is suitable for children aged 4 to 7. Arranged for Piano Voice and simple percussion with Guitar chords given. Duration: 25-30 mins. You will require a license toperform this work at your school/youth theatre; please click here for more information and our application form. Professionally recorded demonstrationand backing tracks are available to purchase and download here .

for SSATB unaccompanied This five-voice work is an unusual and interesting piece of moderate difficulty and well worth investigation for any concert programme. It ranges in mood from meditative devotional stillness to dramatic contrasts of a more extrovert operatic nature. An English singing translation is included. For SSATB unaccompanied This five-voice work is an unusual and interesting piece of moderate difficulty and well worth investigation for any concert programme. Includes an English singing translation.

In this piece a solo (for the first violin) runs parallel to a trio (violin viola cello) but is independent in metre speed and style. The title is from Foucault: 'Truth is a thing of this world: it is produced only by virtue of multiple forms of constraint.' The work was commissioned in 1997 for the Kreutzer Quartet.

This Christmas/Epiphany title is just the thing for rounding out your Christmas program. We are all welcome at the manger just as we are and this message comes through wrapped in simple yet effective music. Touching! Accompaniment/performance on Exaltation 2005 CD

For SSA Choir (Upper Voices). Based on an old French double-motet consisting of Haec dies and Huic main. For SSA Choir (Upper Voices). Based on an old French double-motet consisting of Haec dies and Huic main.

For SATB and piano Don Michael Dicie has created a straightforward unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of major and minor seventh chords for a more tertial setting. The variety of textures and its simplicity and accessibility make a lovely effect. The women sing the first verse; men the second; both a cappella for the third; and they finish together with piano.For SATB and piano Don Michael Dicie has created a straightforward unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of major and minor seventh chords for a more tertial setting. The variety of textures and its simplicity and accessibility make a lovely effect. The women sing the first verse; men the second; both a cappella for the third; and they finish together with piano.

After the volumes on baroque and classical composers Piano Duets: Romantic Composers is the next instalment in this successful series. Providing varied accessible and attractive repertoire this volume is ideal for duettists looking for recital material or for those exploring the medium. After the volumes on baroque and classical composers Piano Duets: Romantic Composers is the next instalment in this successful series. The collection includes new editions of celebrated works written for Piano duet (by Brahms Dvorak and Schumann) and attractive new arrangements of orchestral and chamber pieces including a Piano quartet by Mendelssohn and an orchestral suite by Tchaikovsky. To complete its survey of the Romantic age the collection features a Piano study by Liszt and a nocturnal song-without-words by Fanny Mendelssohn. Providing varied accessible and attractive repertoire this volume is ideal for duettists looking for recitalmaterial or for those exploring the medium. Contents: Hector Berlioz: Hungarian March from La Damnation de Faust Op. 24 Georges Bizet: 'La toupie' Impromptu from Jeux d'enfants Johannes Brahms: Waltzes Nos. 1 and 2 Op. 39 Antonín Dvo'rák: Slavonic Dance No. 2 Op. 72 Franz Liszt: Étude No. 5 'La Chasse' from Grandes études de Paganini Fanny Mendelssohn: Lied No. 3 (Lenau) from Vier Lieder Op. 8 Felix Mendelssohn: Intermezzo from Piano Quartet No. 2 Op. 2 Robert Schumann: 'Versteckens' No. 10 from 12 Vierhändige Clavierstücke für kleine und grosse Kinder Op. 85 Pyotr Ilyich Tchaikovsky: Waltz from Suite No. 2 Op. 53

Saxophone Quartet in C.

Theme from the Twentieth Century Fox Television Series-From the wildly popular animated TV series Family Guy comes this swinging and thoroughly enjoyable theme. Solidly scored in the style of a Las Vegas show band this is sure to be a hit with all audiences. From the wildly popular animated TV series Family Guy comes this swinging and thoroughly enjoyable theme. Solidly scored in the style of a Las Vegas show band this is sure to be a hit with all audiences. Instrumentation Trombone 1 (x3) Trombone 2 (x3) Baritone - Bass Clef (x2) Baritone – Treble Clef (x2) Tube (x4) Double Bass (x1) Percussion (x2) Timpani (x1) Mallet Percussion (x2) Piccolo (x1) Flute (x8) Oboe (x2) Bassoon (x2) B Flat Clarinet 1 (x4) B Flat Clarinet 2 (x4) B Flat Clarinet 3(x4) E Flat Alto Clarinet (x1) B Flat Bass Clarinet (x2) E Flat Alto Saxophone 1 (x2) E Flat Alto Saxophone 2 (x2) B Flat Tenor Saxophone (x2) E Flat Baritone Saxophone (x1) B Flat Trumpet 1 (x3) B Flat Trumpet 2 (x3) B Flat Trumpet 3 (x3) French Horn 1 (x2) French Horn 2 (x2)

This collection of level-1 solos for violin with keyboard accompaniment is taken from folk and classical melodies. Created especially for use as a solo supplement to any first-year string method or private instructional course these solos are an ideal Suzuki supplement and a perfect complement to the other Beginning Violin titles in the Building Excellence Series. These short easy pieces contain some staccato and slurred notes with suggested bowings. Students will love playing these familiar pieces for recitals or just for fun. Includes a 20-page pull-out part for the violin.This collection of level-1 solos for violin with keyboard accompaniment are taken from folk and classical melodies. Created especially for use as a solo supplement to any first-year string method or private instructional course these solos are an ideal Suzuki supplement and a perfect complement to the other Beginning Violin titles in the Building Excellence Series. These short easy pieces contain some staccato and slurred notes with suggested bowings.Students will love playing these familiar pieces for recitals or just for fun.

Commissioned for the 200 years anniversary for the Norwegian constitution by the symphonic orchestras of Norway. Released on the record Variations over Variations in 2017. Maja S. K. Ratkje 's Paragraf 112 for Orchestra. Full score. Commissioned for the 200 year anniversary for the Norwegian constitution by the symphonic orchestras of Norway. Released on the record Variations over Variations in 2017.

This new offering from Ruth Elaine Schram is perfect for the Easter season. Beyond the pain there is hope; beyond the cross there is life. Beyond the grave there is glory behold our risen Lord. The piano and celloaccompaniment enhance the message of the powerful text.Available separately: SATB. Approx. Performance Time: 4:00.

Phoenix is a series of interlinked contrasting sections - by turns elegiac radiant and menacing - culminating in a luminous cantilena for the four melody instruments against densely clustered chords in the piano.

Rift for String Trio by Henrik Hellstenius . Commissioned by Jakob Kullberg and written for Trio Aristo 2014. Rift for String Trio by Henrik Hellstenius . Commissioned by Jakob Kullberg and written for Trio Aristo 2014.