The most beautiful themes and melodies by Ennio Morricone including: Once upon a Time in the West • A Fistful of Dynamite • Gli Indifferenti • The Master and Margarita • The Secret of the Sahara • The Legend of 1900 • Legami • Metello • Once upon a Time in America • A Fistful of Dollars and many more. A compilation of some of award-winning Italian composer Ennio Morricone's most famous soundtracks here arranged for Piano Solo. This first volume includes extracts from 'Per Un Pugno Di Dollari' (A Fistful Of Dollars) and 'Per LeAntiche Scale'. This version also includes a CD of extracts from Morricone's soundtracks.

Two Pianos Four Hands.-These intriguing pieces are arrangements of Balinese gamelan music. The suite is called Gambangan after an ancient Balinese instrument which lends its name to a modern piece for the gong kebyar from whichthese pieces are taken. Gong kebyar is a type of gamelan ensemble which evolved in the early 20th century and consists ideally of about 20-30 players involving metallophones gongs drums and Balinese flutes. It isby nature fast and robust in comparison to the slow mellow Javanese style and is frequently used to accompany dance. In this arrangement Colin McPhee has attempted to get across the general flavour of this ceremonialmusic. Tuning differences are of course an obstacle but since it is normal in Bali for a piece written for one type of gamelan to be performed on another - for instance the smaller gamelan anklung - with a different tuningsystem this is not considered a difficulty. Please note: two scores needed to perform.

F Horn 3-This beautiful collection of grade 3 music for horn quartet appears on most state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fifteen works in this series includeclassics as well as contemporary pieces by the original Rubank composers - even a Christmas carol fantasy. A must for your school or church library.

for men's or upper voices and organ Unlike the earlier E major setting for men's voices this one is effectively for equal voices. A wonderful setting of the Evening Canticles in D for Men's Voices and Organ.

With Online Audio-The first of two volumes of the most requested pieces for weddings church services or meditative settings these compositions provide excellent intermediate literature for study in private lessons. Each of these classical masterpieces is excellent for development of tone and vibrato. All works are arranged for flute (or violin) with piano and organ accompaniment. A convenient 16-page pull-out part is included for the flute soloist. Includes access to online audio containing both organ and piano accompaniments for all pieces in the book. Introductions have been added where necessary to establish tempo and allow the soloist to enter with the recorded accompaniment at theproper time. The first of two volumes of the most requested pieces for weddings church services or meditative settings these compositions provide excellent intermediate literature for study in private lessons.Each of these classical masterpieces is excellent for development of tone and vibrato. All works are arranged for flute (or violin) with piano and organ accompaniment. A convenient 16-page pull-out part is included for the flutesoloist. The online audio contains both organ and piano accompaniments for all pieces in the book. Introductions have been added where necessary to establish tempo and allow the soloist to enter with the recorded accompaniment atthe proper time. Includes access to online audio.

Recorded by R. Kelly-From the 1996 movie Space Jam (with Michael Jordan) this familiar power ballad features a dynamic pulse and an uplifting spirit in this solidly scored adaptation by Tim Waters.

Full score-for soprano and baritone soloists SATB chorus and the composer's original chamber instrumentation Orchestral and vocal material is available on hire. Organ plays from the vocal score. Gabriel Faure: Requiem (1893 Version) for soprano and baritone soloists SATB chorus and the composer's original chamber instrumentation Orchestral and vocal material is available on hire. Organ plays from the vocal score.

With Online Audio-Books in Mel Bay's Acoustic Guitarcategory are written to be played fingerstyle on either nylon or steel string guitars. The titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena: Donde Estas Corazon: and Noche de Ronda. All arrangements are written in notation and tablature. Includes access to online audio. Covering music in a wide range of styles originating from many different cultures the titles in Mel Bay's Acoustic Guitar category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music Of Mexico For Acoustic Guitar is a collection of solos for the Acoustic Guitar based on 11 favourite Mexican songs. Arranged by Ruben Delgado this volume features the pieces Maria Elena Donde Estas Corazon Noche de Ronda and more. All arrangements are written in notation and tablature. Access to online audio is included. Mel Bay's books for Acoustic Guitar are all written to be played fingerstyleon either a nylon or steel string Guitar.

Paperback-for SATB chorus with SAT and ATB verses and organ As the scholar John Stainer writes: 'There is in it a quaintness not without tenderness and devotional feeling which recalls the style of the composer's brother Henry by whose brilliant career and fame he was no doubt overshadowed'. Daniel Purcell 's setting of Magnificat And Nunc Dimittis for SATB chorus with SAT and ATB verses and Organ accompaniment. In the absence of any original material Geoffrey Webber's preparation of this edition has been influenced by the scholarly reconstruction of the work by John Stainer. In Stainer's words: 'there is in it a quaintness not without tenderness and devotional feeling which recalls the style of the composer's brother Henry by whose brilliant career and fame he was no doubt overshadowed' .

Luna by Per Nørgård is a fantastic composition for Orchestra dating from 1967. Full score. Luna by Per Nørgård is a fantastic composition for Orchestra dating from 1967. Full score.

From Cosi fan Tutti. Wonderful uplifting melodies. Grade: 6 From Cosi fan Tutti. Wonderful uplifting melodies. Grade: 6

Bist du bei mir / Komm süßer Tod- The edition is part of the ABRSM syllabus (grade 7)

James Vivian is currently Director of Music at St George's Chapel Windsor Castle having previously served as Director of Music at the Temple Church in London. He was educated at King's College Cambridge where he was the Dr AH Mann Organ Student and studied the organ with Colin Walsh David Sanger and Marie-Louise Langlais. He is active as a recitalist and conductor and has performed concerts in Brazil the US Japan South Africa and throughout Europe. He has recorded with labels such as Signum EMI Decca SonyBMG and Hyperion.

Naacal for Choir SATB and 12 intruments was composed by Ole Buck in 2015. Commissioned by Ars Nova og Athelas Sinfonietta Copenhagen. Vocal score available: WH32821C Naacal for Choir SATB and 12 intruments was composed by Ole Buck in 2015. Commissioned by Ars Nova og Athelas Sinfonietta Copenhagen. Instr: Chorus SATB; 1.1.1(bcl).1/0000/2perc/hp.pf/str 1.0.1.1.1. Vocal score available: WH32821C

Elizabeth Maconchy's Divertimento For Cello And Piano . Previously AL03818

Markus Zahnhausen’s Lux Aeterna belongs to a very special category in my repertoire. The tender and dangerous beauty of his music has fascinated me for years. In a contemporary musical language Zahnhausen has managed to bring theinstrument back to what it once was: flauto - the flute! His expressive music never takes the instrument beyond its limits thus avoiding the trap of many a modern work. There is a perfect balance between form content andidiomatic writing that places both his music and the recorder where they belong: in the hearts of the listeners! I have had a tremendous time when studying Lux Aeterna. I sometimes wondered whether I played the piece or the piecewas playing me ... Dan Laurin

from Eugen Onegin-Piano. Tschaikowsky Pi

No.8 bis from 'Le Train bleu'

With Online Audio-Parlez-vous Francais? This collection of popular compositions for flute illustrates French musical styles at the end of the nineteenth century and beginning of the twentieth century. Written information about the composers and French musical styles is included as well as keyboard accompaniments. The pieces include popular and enjoyable pieces by Debussy Satie Faure Boisdeffre Saint-Saens. On the audio recording a native French speaker introduces all of the works in the book helping you learn correct pronunciation of the composers' names and performance markings. Play along with the piano accompaniment tracks for all pieces in the book. Accompaniment tracks reflectnuances in tempo phrasing and articulation used by professional performers. All works are set at a performance tempo and can be used in the practice studio or recital setting. Includes access to online audio. Parlez-vous Francais? This collection of popular compositions for Flute with Piano accompaniment illustrates French musical styles at the end of the nineteenth century and beginning of the twentieth century. Information about the composers and French musical styles is included as well as accompaniments. The works featured include popular and enjoyable pieces by Debussy Satie Faure Boisdeffre and Saint-Saens. On theincluded audio download a native French speaker introduces all of the works in the book helping you learn correct pronunciation of the composers' names and performance markings. Play along with the Piano accompanimenttracks for all pieces in the book. Accompaniment tracks reflect nuances in tempo phrasing and articulation used by professional performers. All works are set at a performance tempo and can be used in a practice studio or recitalsetting.

From '24 Sketches' for Organ (1855). From '24 Sketches' for Organ (1855).