This is an exceptional collection of ten original etudes by Aaron Minsky. For intermediate to advanced players these dynamic and lively etudes are equally suited to performance and study. This is an exceptional collection of ten original études by Aaron Minsky. First published to international acclaim as Ten American Cello Etudes these captivating pieces are now available to violinists in this adaptation by editors Daryl Silberman and Danny Seidenberg. For intermediate to advanced players these dynamic and lively études are equally suited to performance and study. Unique entertaining pieces A variety of contemporary styles including Latin Rock and Roll Blues and more Musical depictions of American places activities and moods Technical challenges such as harmonics left-hand pizzicato and doublestopping Useful fingering and bowing suggestions Aaron Minsky Aaron Minsky began his career as a rock guitarist and then went on to study the cello with established teachers from Juilliard and elsewhere obtaining a Master of Music degree from the Manhattan School of Music. He has performed with orchestras around the world and on radio and television. Minsky is also an award-winning composer with over a dozen works published by Oxford University Press. He has premiered his original music at the First World Cello Congress the American Cello Congress and the New Directions Cello Festival. Selections from his published collections are now considered standard repertoire appearing in the curriculums of the Associated Board of the Royal Schools of Music and the American String Teachers Association. Particularly known for bridging the gap between classical and popular music for cello Minsky founded the Von Cello Band the first cello-fronted rock power trio which features a unique blend of hard alternative and jam rock.

for SATB unaccompanied This makes a very useful addition to the repertory for Ascension Day - either as an introit or as an anthem. The text is from the Collect for the Sunday after Ascension. This makes a very useful addition to the repertory for Ascension Day - either as an introit or as an anthem. The text is from the Collect for the Sunday after Ascension.

Trumpet Piano. Schmeisser E

Ludwig van Beethoven's Sonatas No.7 Sonata In D Op.10/3 for solo Piano.

Nine poeces for Soprano Recorder with Piano accompaniment by by Jean-Philippe Rameau. Selected for the ABRSM Descant Recorder examinations grade 4 and 5.

Brass Ensemble Series No. 196-Arranged for Brass Quintet by Stephen Roberts.

for SATB unaccompanied A beautiful setting of Michael Forster's hymn for Advent in which four verses are set strophically followed by a light more elaborate coda. Kindle A Light for SATB unaccompanied A beautiful setting of Michael Forster 's hymn for Advent in which four verses are set strophically followed by a light more elaborate coda.

Jay Rouse has created an original pop-style ballad for your Christmas concert that expresses the love hope peace and joy of the season. Warm harmonies simple rhythms and light syncopations effectively weave throughout thisbeautiful choral. Available separately: SATB StudioTrax CD. Duration: ca. 4:11.

Evening Service Paperback-for SATB and organ This is Chilcott's first setting of the Evening Service written for the Choir of Downing College Cambridge. The Magnificat is a powerful setting of the Canticle of Mary with homophonic textures and strong harmonies while the Nunc Dimittis is expressive and poignant. A long-awaited addition to the Evensong repertory. This is Chilcott's first setting of the Evening Service (in English) written for the Choir of Downing College Cambridge. The Magnificat is a powerful setting of the Canticle of Mary with homophonic textures and strong harmonies while the Nunc Dimittis is expressive and poignant. A long-awaited addition to the Evensong repertory!

The Oxford Book of Descants is a definitive collection of 102 descants to well-known hymns carols and worship songs. This is an excellent resource that will be welcomed by all choirs and church musicians and which will enhance hymn singing at church services throughout the year. The Oxford Book of Descants is a definitive collection of 102 descants to well-known hymns carols and worship songs. It features descants by a wide range of composers including contemporary names such as David Willcocks John Rutter Malcolm Archer and Paul Leddington Wright as well as celebrated twentieth-century church composers such as Alan Gray Edward Bairstow Sydney Nicholson and John Wilson. Published in both full music and melody editions this is a fully practical collection with selected descants presented in different keys and with alternative words to match most popular hymnals. The With a superb range of descants ablywritten and sympathetic to the style and harmony of the original tune this is an excellent resource that will be welcomed by all choirs and church musicians and will enhance hymn singing at church services.

for SA (with divisions) and piano with optional bass and optional drum kit This is a gentle blues setting of 'A Cradle Song' from William Blake's Songs of Innocence and Experience. Rich harmonies blues chords and syncopation combine with the classic Chilcott sound to create a charming addition to the upper-voice repertory. This is a gentle blues setting of 'A Cradle Song' from William Blake's Songs of Innocence and Experience. Rich harmonies blues chords and syncopation combine with the classic Chilcott sound to create a charming addition to the upper-voice repertory. There is an optional bass part printed in the vocal score and the pianist may improvise around the given lines. Bob Chilcott Bob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang and composed music for 12 years with the King's Singers. His experiences with that group his passionatecommitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.

Version For Accordion and String Quartet- Parts for Anders Koppel' s Concerto Piccolo (2009) - Version for Accordion and String Quartet arranged by Josefine Opsahl. Orig. version for Accordion and Strings: WH30973

The traditional Nativity story retold in narration and song for performance by children of mixed ages and abilities. The music is easy to learn and has an up-to-date feel which makes it instantly appealing.

Many churches have multiple services of different styles. Church members have different tastes in music. This song brings the whole body of believers together in worship. The music is a blend of traditional and contemporaryinfluences presented in a warm and gently lilting 3/4 meter. Worship As One is an insightful reminder that we are bound together by God's eternal spirit. Easy part-writing and a Lite Trax accompaniment track give thedirector some great options for presentation.

5 up-beat carols- Sing 'n' Swing: Five Up-Beat Carols for 2-part voices with optional percussion. Music by Christopher Norton and words by Richard Everett. The five carols are: Child of the Evening; The Inn-Keeper's Carol; Rise Up and Sing; Let's Go to Bethlehem; Mighty Kings.

These five spirituals for unaccompanied chorus despite the occasional appearance of complexity are basically simple: the harmony indeed is of the simplest possible. The apparent complexity arises primarily from the number of parts which are not however all real parts. These in fact seldom comprise more than the traditional four. Lines are frequently doubled at the octave rather in the manner of organ registration so that the chorus needs to be thought of as an organ-like body producing a homogeneous sound at many levels of the chords and melodies. Thus the numbers and even the kinds of voices needed to produce these chords and melodies in the most effective manner mustbe selected by the conductor from the whole body of the chorus according to the conditions of performance. Great latitude can be taken in this respect even to the extent of using low female voices for the high registers of written tenor parts or high male voices for the low registers of written alto parts etc.The only parts which are strictly differentiated are those marked Leader. These should be an individual voice standing out from the choir sufficiently to lead the singing both in the words and in the music. They need not be soloists engaged from outside.If the spirituals are performed in this way the apparent complexity of certain printed pages will disappear. Any reasonably sized chorus with four good leaders can produce the effect required.

Sonata vi «harmonologia» (28') pour piano. Par Duvillier-Wable aux éditions Leduc. Partition / Livre de chansons pour Piano

Big-note easy compositions for the beginning student. Big-note easy compositions for the beginning student.

The Sinatra pop hit gets a jazzy remake for young singers! Steve Zegree's well-crafted 2-part vocals are easy-learned and fun to sing and the piano accompaniment will let every pianist sound like a jazz pro.Available separately:2-Part and VoiceTrax CD. Performance Time: Approx. 2:40.

Fun with the Piano is a collection of big-note easy solos on folk favorites; and functions as an extremely successful early-intermediate supplement to any method as well as a source of fun-to-play songs. Tunes include: When the Saints Go Marching In Shenandoah The Entertainer Swing Low Sweet Chariot and many more. Lyrics are included with most of the songs in the book. Fun with the Piano is a collection of big-note easy solos on folk favorites; and functions as an extremely successful early-intermediate supplement to any method as well as a source of fun-to-play songs. Tunes include: 'When theSaints Go Marching In' 'Shenandoah' 'The Entertainer' 'Swing Low Sweet Chariot' and many more. Lyrics are included with most of the songs in the book.