for SATB double choir unaccompanied or SATB (with divisions) and organ. This anthem is a tender setting of a prayer by St Richard of Chichester. It features on The King's Singers' albums High Flight (SIGCD262) and Christmas Presence (SIGCD801). For SATB double choir unaccompanied or SATB (with divisions) and organ. This anthem is a tender setting of a prayer by St Richard of Chichester. It features on The King's Singers' albums High Flight (SIGCD262) and Christmas Presence (SIGCD801).

Set of parts for Dance Of The Cockerel (Hanedans) from act 3 of the opera Masquerade (Maskarade) by Carl Nielsen .

Composition for Organ dating from 1916.

for SATB and organ This uplifting anthem combines two well-known texts that are commonly read at weddings: 1 Corinthians 13:13 and Song of Solomon 8:6-7. Portraying a theme that is both personal and eternal Faith hope and love remain is suitable for use not only as part of a wedding ceremony but also for general services and concerts. This uplifting anthem combines two well-known texts that are commonly read at weddings: 1 Corinthians 13:13 and Song of Solomon 8:6-7. Portraying a theme that is both personal and eternal Faith hope and love remain is suitable for use not only as part of a wedding ceremony but also for general services and concerts.

for SATB solo piano and orchestra. There is an alternative accompaniment for 2 pianos timpani and percussion players (3 or 5 players). The vocal score and instrumental material is available on hire. From the poem by Sacheyerell Sitwell. The vocal score also contains a German translation by Beryl de Zoete. For mixed chorus solo piano and orchestra. There is an alternative accompaniment for 2 pianos timp and 3 (or 5) percussion players. Instrumental material is available on hire.

Trumpet. Liesering L

Pour Quator á Cordes- Born in 1947 Laurent Duvillier-Wable trained under pianist Suzanne Joly and studied composition with Michel Puig. The latter a student of René Leibowitz introduced him to the mysteries of Schonberg and Webern's twelve-note composition. To create a coherent œuvre Duvillier-Wable drew on the array of possibilities offered by chamber music in his series of six Sonatas composed between 1992 and 2007. Sonata IV For String Quartet was written in 1994 the year his father - painter René Duvillier a friend of Charles Estienne and André Breton - fell gravely ill. Divided into four movements thecomposition contains two beautifully expressive musical references: the Lamento religioso refers to Bach's Passion according to Saint Matthew by quoting the choral 'Was ist die Ursache aller solcher Plagen' (No.19: What is the cause of all this suffering?) when Jesus distressed by his imminent agony asks his disciples to watch over him. The Agitato final borrows the inexorable 'Must it be? It must!' theme from Beethoven's Quartet No.16 in F that crowns this poignant work.

Beginner level Piano solo by Diane Hidy. Beginner level Piano solo by Diane Hidy.

Alto Saxophone Piano. Dvorak A

Pour Alto Saxophone et Piano- Born to an Italian father and a French mother Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris where he was taught by Henri Busser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936) Bozza had written his Aria Pour Saxophone Alto Et Piano - a free adaptation of the third movement of JohannSebastian Bach's Organ Pastorale in F major BWV 590. This expansive and nostalgic melody which unfolds over a regular meter has become one of the most widely played Saxo­phone pieces in the world. Having enjoyed such success éditions Leduc has decided to supplement its republication with an audio version that will enable saxo­phonists to carry out full-scale practice.

Carl Nielsen was a Danish musician conductor and violinist widely recognized as his country's greatest composer. Nielsen is especially noted for his six symphonies his Wind Quintet and his concertos for Violin Flute and Clarinet. In Denmark his opera Maskarade' and many of his songs have become an integral part of the national heritage. Saul og David is the first of the two operas by the Danish composer. The four-act libretto tells the Biblical story of Saul's jealousy of the young David taken from the Book of Samuel. This edition features the Voice parts with Piano reduction accompaniment. With the 150th anniversary of Nielsen 's birth in 2015 there is no more appropriate time to (re)discover this master composer!

For speaker mezzo soprano or baritone solo mixed chorus percussion and cimbalom. Words by Cecil Day Lewis.

Pianoworks Duets 1 is the perfect resource for beginner pianists to explore duet-playing. They'll develop balance playing in time and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres. Pianoworks Duets 1 is the perfect resource for beginner pianists to explore duet-playing. They'll develop balance playing in time and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres from Offenbach's lively 'Can-Can' and Joplin's 'The Entertainer' to traditional folk tunes from Japan and the West Indies. In addition the collection contains several new and original gems by Alan Bullard the co-author of this celebrated series. 21 duets with parts of equal standard compiled and arranged for beginner pianists (approx. Grades 1-2) Wide range of styles includingClassical Romantic jazz folk and contemporary CD with backing tracks for each part to allow solo practice Useful tips on style and technique and background information on every piece Perfect companion to Pianoworks Book 1 and Pianoworks Collection 1

A Walk To Tchaikovsky for String Orchestra (2017) To Musica Vitae. A Walk To Tchaikovsky for String Orchestra (2017) To Musica Vitae.

Violin Piano.

for SATB and organ The Missa Sanctae Margaretae is a stunning new setting of the Missa Brevis showcasing Jackson's mesmerizing choral writing. Ideal for use in services and concerts. The Missa Sanctae Margaretae is a stunning new setting of the Missa Brevis showcasing Jackson's mesmerizing choral writing. Scored for SATB and organ the accessible choral lines move through a variety of textures and harmonies with linear passages in the Kyrie and Agnus Dei and rich chordal writing in the Gloria. The idiomatic organ accompaniment brings additional flavour to the music sometimes answering the choral lines sometimes offsetting them with fast rhythmic passages. Ideal for use in services and concerts. Ideal for liturgical and concert use Showcases Jackson's trademark compositional style Accessible chorallines Non-singing English translation provided

An excellent text for any trumpeter called upon to play in worship celebrations. In this popular book 116 favorite hymns are arranged for melody harmony and trumpet descant. The descants are lyrical and festive and showcase the brilliance of the trumpet sound. An excellent text for any trumpeter called upon to play in worship celebrations. In this popular book 116 favorite hymns are arranged for melody harmony and trumpet descant. The descants are lyrical and festive and showcase thebrilliance of the trumpet sound.

Three Characteristic Pieces arranged for Organ.

No. 1-4-Piano 4 Hands. Dvorak A

The piece is divided into six short movements corresponding to the standard sections of the Mass. This feature coupled with the compactness of the work and its modest scoring makes it ideal for performance in a liturgical context as well as in the concert hall. This edition is not only authoritative and scholarly but also is clear and practical for performers - the vocal score is free of clutter and easy to read. The full score contains full scholarly apparatus including a detailed preface and critical commentary. Orchestral material is available on hire.The Missa Brevis by Mozart was written in 1774 for an unknown occasion but it has been suggested that the basilica of St Maria Plain near Salzburg was its intended recipitent. A powerful and attractive work which is ideal for a liturgical context as well as in the concert hall. This full vocal score for Missa Brevis contains the complete setting for full mixed SATB choir with Piano accompaniment and solo passages for sections of the Gloria Credo Benedictus and Agnus Dei.