Available: SATB SSAA SA. As performed by Emmylou Harris arranged here for SSAA choir by Ed Lojeski.

inspiring confidence to play by touch-Making sight reading easier and more effective. A progressive set of imaginative pieces to take students and teachers step by step through the technique. 'Don't LOOK at the Keys!' is a progressive series in three parts teaching piano keyboard geography by touch in an accessible enjoyable way making sight reading easier and more effective. In Book 3 pieces with wider leaps all over the keyboard follow careful instruction clear direction and comprehensive exercises to build confidence. The music offers a wide variety of styles including jazz more traditional boogie woogie and to conclude a piece in 'stride piano' to demonstrate progress made by following the series- INSPIRATIONAL AND GREAT FUN! Making sight reading easier and more effective. A progressive set of imaginative pieces to take students and teachers step by step through the technique. Don't LOOK at the Keys! is a progressive series in three parts teaching piano keyboard geography by touch in an accessible enjoyable way making sight reading easier and more effective. In Book 3 pieces with wider leaps all over the keyboard follow careful instruction clear direction and comprehensive exercises to build confidence. The music offers a widevariety of styles including Jazz more traditional boogie woogie and to conclude a piece in 'stride piano' to demonstrate progress made by following the series - INSPIRATIONAL AND GREAT FUN! Why should I buy this book? It is the only book to practise pieces and give instruction to play piano by touch. It is not just another sight reading practice book of which there are many good ones already on the market. How does it do this? Step by step it instructs and develops the skill and confidence to look at the music instead of the hands. Book 1 starts by encouraging students (and their teachers) to find middle C by FEELING for the groups of two and three black notes. This is followed by a plethora of imaginative inspiring pieces to practise develop and improve the skills. Book 2 builds on a knowledge of scales and arpeggios. Book 3 HAS A SERIES OF EXERCISES TO PRACTISE AND DEVELOP THE ESSENTIAL KNOWLEDGE OF KEYBOARD GEOGRAPHY. To conclude there are two pieces to demonstrate the progress made by following the series.

SSAATTBB chorus (with piano accompaniment for rehearsal only)

for oboe clarinet and bassoon

French pianist Jean-Claude Pennetier (b. 1942) studied at the Paris Conservatoire and his since won many prizes for his performances. He also composed and published a variety of works including his unusual yet significant Bruits De Paroles. Pennetier 's Bruits De Paroles is an unusual yet helpful aid to choral singing. The study book provides detailed instruction on the pronunciation of various sounds while singing. For all choirs Pennetier 's Bruits De Paroles is a highly useful aid.

1. Violin 2. Violin (Viola) Violoncello-The Sassmannshaus “Early Start” string methods cultivate playing together as early as possible initially in duets. However playing in larger mixed ensembles is also encouraged and this tried-and-trusted edition for strings provides the perfect start for this. The first songs can all be performed in canon: each piece is notated in violin viola and bass clef so that all three string instruments can play together in any number and combination. The collection then continues with through-composed pieces by such composers as Johann Valentin Rathgeber and Johann Joseph Fuchs. Here the middle part may optionally be performed by a viola or second violin. The Sassmannshaus “Early Start” string methods cultivate playing together as early as possible initially in duets. However playing in larger mixed ensembles is also encouraged and this tried-and-trusted edition for strings provides the perfect start for this. The first songs can all be performed in canon; each piece is notated in violin viola and bass clef so that all three string instruments can play together in any number and combination. The collection then continues with through-composed pieces by such composers as Johann Valentin Rathgeber and Johann Joseph Fux. Here the middle part may optionally be performed by a viola or second violin. Firststeps in string ensemble playing For violin viola and cello or for two violins and cello Includes many canons

Volume 10 K.458-506- Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this tenth volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.The tenth volume comprising Sonatas 458-506 includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

La Lune Est Morte is a piece for SATB containing the score for Mixed voices or Equal voices on music by Georges Liferman . With lyrics by Jacques Mareuil this lyrical piece is quite melancholy: Cry Pierrots Poets and Black cats the Moon is dead being the main recurrent sentence. The chorus is sung by all voices while the verses lyrics are only sung by the Tenor and the Bass accompanied by a melody of o by the two other voices. Georges Liferman is a French composer and writer. His work includes French songs and French musicals mainly with very famous interpretationsin France by artists such as France Gall Juliette Gréco and Yves Montant.

Pour la flûte à bec et le clavecin - 38 pièces de Lulli Destouches Rameau M. A. Charpentier...-As a prominent Recorder player himself Michel Sanvoisin has extensive knowledge of the instrument and has been significantly instrumental in the revival of the instrument. He has compiled numerous prolific works for the instrument Airs Et Danses being no exception. The Soprano and Alto Recorders are the most common Recorders heard today. Sanvoisin 's Airs Et Danses are based on compositions by Lulli Destouches Rameau Charpentier and Marin-Marais. The 38 pieces are realised by Sanvoisin to include Harpsichord accompaniment. For all aspiring players of the Recorder Sanvoisin 's Airs Et Danses provides excellent accessible repertoire. As a prominent Recorder player himself Michel Sanvoisin has extensive knowledge of the instrument and has been significantly instrumental in the revival of the instrument. He has compiled numerous prolific works for the instrument Airs Et Danses being no exception. The Soprano and Alto Recorders are the most common Recorders heard today. Sanvoisin 's Airs Et Danses are based on compositions by Lulli Destouches Rameau Charpentier and Marin-Marais. The 38 pieces are realised by Sanvoisin to include Harpsichord accompaniment. For all aspiring players of theRecorder Sanvoisin 's Airs Et Danses provides excellent accessible repertoire.

Basses sur l'ensemble des notes étrangères - Textes- As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan 's experiences in mind 380 Figured Bass Exercises is very well-informed. The ninth volume provides 24 exercises in which the student can study the use of foreign notes within the context offigured bass. Challan 's 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.

“ Ubi Caritas II: Through Infinite Ages is a closely related sequel to my Ubi Caritas published in 2007. Re-imagining some of the same material such as the main theme from the first piece Ubi Caritas II is in one sense a more sunny version of its prequel. While Ubi Caritas II functions as an independent work it is also intended to be used in combination with the other piece for example as prelude/postlude ‘bookends’ perhaps yielding a sense of unity and conclusion to the concert or recording. In those cases I would usually recommend ending with Ubi Caritas II.” Ola GjeiloWatch here - CWU Chamber Choir: Gjeilo - Ubi Caritas II: Through Infinite Ages :

The Edition Peters edition of Clair De Lune edited by Hans Swarsenski and arranged for Solo Piano.

SA arrangement for this classic song. Also available for SAB and SATB.

20 Hymn Arrangements-Hymns from King’s is a collection of 20 hymn arrangements for choir and organ by Stephen Cleobury – Director of Music at King’s College Cambridge for more than 25 years. Covering the entire church year including Christmas and Easter Hymns from King’s is not just a book of descants – it also contains varied arrangements and accompaniments for many of the most popular hymns sung not only at King’s College but also in churches around the world. Hymns From King's is a collection of 20 hymns for Choir and Organ arranged by Stephen Cleobury - Director of Music at King's College Cambridge for more than 25 years. Covering the entire church year including Christmas and Easter Hymns From King 's is not just a book of descants - it also contains varied arrangements and accompaniments for many of the most popular hymns sung not only at King's College but also in churches around the world.

Dotzauer's Violoncello Tutor - Volume 3

Chorale by Ola Gjeilo was recorded in one take with no preparation or preconceived thoughts other than an idea to improvise a piece that was a pure expression of what Gjeilo felt in that particular moment – which turned out to be something very slow warm and introspective. Chorale is from Gjeilo 's album Piano Improvisations which is the follow-up to Ola Gjeilo’s 2007 debut Stone Rose. Chorale is a quiet meditation that gently soothes as it allows the mind to wander.

Millions saw the amazing You Tube performance of Toto's Africa by the Slovenian choir Perpetuum Jazzille as they recreated the sounds of a rainstorm solely with body percussion. This accessible arrangement will allow your choir to wow your audience the same way! Includes simple percussion part. Available separately: SATB SAB 2-Part ShowTrax CD. Rhythm parts available digitally (syn 1-2 gtr b dm perc). Duration: ca. 3:50. Toto 's 1983 hit Africa arranged for 2-part Choir by Roger Emerson. Millions saw the amazing You Tube performance of Africa by the Slovenian choir Perpetuum Jazzille as they recreated the sounds of a rainstorm solely with body Percussion. This accessible arrangement will allow your Choir to wow their audience in the same way. A simple Percussion part is included with this arrangement. A ShowTrax CD and SATB/SAB arrangements of the piece are available separately.

Valjean's anguished prayer from Les Mis?rables is a poignant expression of the romance and turmoil in this monumental musical epic. Mark Brymer's arrangement of Bring Him Home portrays Valjean's anguished prayer from Les Misérables as a poignant expression of the romance and turmoil in this monumental musical epic. Arranged for SAB includes Piano accompaniment.

German version of Jesu Joy Of Man's Desiring . Vocal score with Piano accompaniment.

for 40-part unaccompanied mixed chorus This score is in G. The full vocal score and two chorus parts (Choirs I-IV and Choirs V-VIII) are available on hire. This wonderful composition by Thomas Tallis is for eight SATB choirs to make forty parts in all! It is an ambitious impressive looking score to an even more impressive sounding and altogether magnificant sacred piece for unaccompanied mixed choruses.