Nicolai Mass- The name of the “Missa Sancti Nicolai” refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas. It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work. As with the “Great Organ Mass” these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed. Urtextfrom the Haydn Complete Edition Performable in both versions Full score performance material (BA4645) vocal score (BA4645-90) available for sale

One of the few standard works for the Trombone to be written in the 19th century newly edited to enhance its romantic style with a new Piano reduction somewhat easier than most other editions.

Quarter Military Band QMB 403-Symphonic Band (score & parts). Grundman C

Morceau Romantique by the Finnish composer Selim Palmgren for solo Piano. Morceau Romantique by the Finnish composer Selim Palmgren for solo Piano.

For electric and acoustic Guitar. Tout Sur Les Gammes answers any questions you may have about range. Includes 120 audio tracks with tablature solfege and harmonic analysis. The book features 16 pages of exercises and the CD contains and more than 120 scales and modes covering a variety of different styles.

Du Gamle Måne by Kai Normann Andersen . From Scala Revyen 1924. Du Gamle Måne by Kai Normann Andersen . From Scala Revyen 1924.

Nothing beyond-Ingenting utanför / Nothing Beyond” is another collaboration between Mårten Jansson and the Swedish poet Einar Askestad. This a cappella choral work deals with sorrow and loss. After a forceful harmonically ambiguous section and a clear break in themusic the piece ends with a comforting decrescendo of reconciliation. It was commissioned by the Uppsala female choir “La Cappella” and is dedicated to its choral director Tony Margeta. Ingenting Utanför / Nothing Beyond is another collaboration between Mårten Jansson and the Swedish poet Einar Askestad. This a cappella choral work deals with sorrow and loss. After a forceful harmonically ambiguous section and a clear break in the music the piece ends with a comforting decrescendo of reconciliation. It was commissioned by the Uppsala female choir “La Cappella” and is dedicated to its choral director Tony Margeta.

The Boosey Woodwind and Brass Method responds to the new and changing demands in teaching designed to help make individual and group teaching easier more integrated and more effective. The Boosey Woodwind and Brass Method provides everything you need for teaching music through the instrument. Its unique approach develops general musical skills through a programme of quality solo and ensemble music with additional activities and an audio CD including listening activities. Because the method is based on a clear curriculum it provides an easy to use system for teaching and all the flexible resources you need for every situation whether individual group or mixedinstrument teaching. This series provides a complete instrumental curriculum whilst developing technique and musicianship. Piano Accompaniment. Morgan C

One of the greatest composers of his period Claude Debussy embraced a philosophy toward music that surpassed traditional limits of form and harmony. The wonderful pieces in this collection represent the vast repertoire of Debussy's piano works. This edition also includes an invaluable glossary of French terms commonly found in his works.

Handel ’s four anthems were all composed during his London period in the Chapel Royal. “As pants the hart” his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King’s Theatre in the Haymarket. Until just before Handel ’s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music. The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the “Halle Handel Edition”. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English. Scoring: - HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo. - HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo. - HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo. - HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo. - Urtext from the “Halle Handel Edition” at the forefront of musical scholarship. - First separate editions for performance purposes. - Clear and easy-to-play Piano reductions. - Original English text with underlaid German translation. - Full scores vocal scores and performance material available for sale.

Pays de Langue française (from 'Anthologie du Chant scolaire et post-scolaire - 2ème Série')

This celebratory 70th Anniversary instrumental edition of one of the most famous MGM movie musicals features an historical essay and colour and black and white movie photos. Included are classic titles Over the Rainbow We're Off to See the Wizard as well as the song deleted from the movie The Jitterbug and more all arranged and edited for the Level 2-3 instrumental player. Also included is a CD which features live demonstration performances of the instrument tracks.

The last record the Rolling Stones released with guitarist Brian Jones Beggars Banquet includes the hit songs Sympathy for the Devil and Street Fighting Man . The Piano/Vocal/Chords edition provides the lyrics along with piano and chord arrangements for all the songs on the records.

Work for Violin and Piano dating from 1925. Work for Violin and Piano dating from 1925.

The Benedictus and Agnus Dei in B flat is published as part of an ongoing policy to reissue works by Charles Villiers Stanford in the Autograph Edition in new engravings but as the composer wrote and approved them with no editing from another hand. Simple in texture but highly effective in performance these two short movements are a useful addition to the repertoire of music available for a traditional celebration of Holy Communion and would suit a small church choir with two or three voices per part.

Symphonie Nr. 2- Full score to Bernstein's second symphony for solo piano and orchestra.

Claude Debussy's Clair De Lune has been arranged for Viola with Piano accompaniment by Alan Arnold.

Chopin. Variations on a them of Rossini. Flute and PIano. Published by Schott.

The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. The highlight of his career came in 1846 when he was commissioned to write the oratorio Elijah for the Birmingham Festival. It remained hugely popular for over eight decades being performed at the Proms every year until 1930. It draws heavily on influences from Bach and Handel both of whom Mendelssohn admired. O Rest In The Lord is an aria from the second act of the oratorio sung by an Angel to Elijah. It is scored for Alto or Contralto Voice with Piano accompaniment.

Esquisse symphonique (musical argument by C.Teissier)