This advanced method is aimed at blues guitarists and rock musicians looking to acquire a blues approach. Includes: understanding blues scale and mash up myxolydien scale blues arpeggio finger positioning 8 measure blues minor blues and much more. You will also find techniques from great masters such as Muddy Waters Big Bill Broonzy Freddie King B. B. King John Lee Hooker and many more. This is the most complete blues method for electric Guitar.

Olhos Verdes means nothing other than green eyes. A nice and light interim piece for all concerts. The infectious rhythm and the stirring melodies guarantee a good mood.

Pierre-Philippe Bauzin 's Sonate No.1 for Alto Saxophone and Piano.

for 2 flutes (or violins) 2 oboes (or violins) 2 clarinets (or violins) saxophone bassoon (or cello or bass clarinet) and 2 timpani (with 2 trumpets ad lib.)

La Melodia'-Rued Langgaard: Symphony No.3 'Ungdomsbrus' ('La melodia'). Instrumentation: Piano solo + 2.2.2.2/4.2.3.1/timp/perc/str (+ mixed choir ad lib.). BVN96. Composed 1915-16 (rev.1929-33). Manuscript copy. Rued Langgaard: Symphony No.3 'Ungdomsbrus' ('La melodia'). Instrumentation: Piano solo + 2.2.2.2/4.2.3.1/timp/perc/str (+ mixed choir ad lib.). BVN96. Composed 1915-16 (rev.1929-33). Manuscript copy.

Georg Philipp Telemann (1681 - 1767). Little Suite In D for 5-part String Orchestra. Score and parts available for sale.

Claribel is a piece for Clarinet and Piano composed by Eugène Bozza . Written for upper intermediate players as quite challenging this melodic work is dedicated to Henri Dubois a French professor at the Valenciennes Conservatoire. Divided into seven distinctive parts Claribel begins with the Piano the parts being in the following order: - Moderato - Andantino - Piu vivo - Vivo - Allegro Vivo – on the last measures of the Clarinet Solo - Meno Mosso - Allegro Vivo – for the final It also features a Clarinet solo starting at the number 11. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin conducting andcomposition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others. Claribel is a piece for Clarinet and Piano composed by Eugène Bozza . Written for upper intermediate players as quite challenging this melodic work is dedicated to Henri Dubois a French professor at the Valenciennes Conservatoire. Divided into seven distinctive parts Claribel begins with the Piano the parts being in the following order: - Moderato - Andantino - Piu vivo - Vivo - Allegro Vivo - on the last measures of the Clarinet Solo - Meno Mosso - Allegro Vivo - for the final It also features a Clarinet solo startingat the number 11. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

ST recorders

This series aims to present the significant concert band works of Philip Sparke in a format that enables any player to study their music whether or not they get the chance to play these pieces with their own band.

10 Lieder-Ten songs for Baritone Voice and Piano with music by Gerald Finzi and words by Thomas Hardy. This collections is a wonderful combination featuring texts by one of the most typically English poets set to music by one of characteristically English composers from the first half of the 20th century.

Niccolo Paganini's Quartet No.11 for Violin Viola Cello and Guitar. Score and Parts.

Guide du professeur- écoute musicale active par le musicogramme guide du professeur. Par Grosser aux éditions Leduc. Partition / Livre de chansons et théorie musicale

Vereinfachte Klavierausgabe

Old Joe has gone fishing- The famous round from Britten's opera Peter Grimes Old Joe Has Gone Fishing is an exciting piece for SATB Choir with Piano Accompaniment. The text is written in both German and English.

For SATB Choir. For SATB Choir.

2-part and 3-part chorus (equal voices) and guitar

for organ strings and percussion

Little is known about French composer Victor Blancou . Yet his Forty Studies remain popular in the progression of Clarinet studies. The first volume of Forty Studies contains twenty studies which focus on articulation dynamics scales intervals expression tempo fingering phrasing breath control range chromaticism rhythms and ornamentation among other aspects. This Blancou study book is essential to the progression of technique for all aspiring clarinetists. Little is known about French composer Victor Blancou . Yet his Forty Studies remain popular in the progression of Clarinet studies. The first volume of Forty Studies contains twenty studies which focus on articulation dynamics scales intervals expression tempo fingering phrasing breath control range chromaticism rhythms and ornamentation among other aspects. This Blancou study book is essential to the progression of technique for all aspiring clarinetists.

SSA with Piano for practice only.

“Prélude á l’aprés-midi d’un faune” often referred to as the first composition of the “modern” era is one of Debussy’s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter’s new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors. When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed. Bärenreiter’s Urtext edition incorporates readings of a printed copy of the scorefrom c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy’s finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work. Scholarly critical edition with many corrections in the score and orchestral parts Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm