10 Mélodies

Hob I:81- Haydn's Symphony in G major Hob.I:81 comes from a series of three symphonies completed in late 1784 (nos. 81 80 and 79 presumably in that order). No autograph score survives for Hob.I:81 thus our Urtext edition is based on copyists' manuscripts and first editions. As with so many of his symphonies Haydn wrote this one to provide new music for his employer Prince Nicolaus Esterhazy. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiterhas now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104). - Based on the G. Henle Complete Edition of the Works of Joseph Haydn - Orchestral parts in a large format (25.5 x 32.5 cm) - Full score & parts (BA10983) available for sale

Dances from the French Suites English Suites and Partitas. Dances from the French Suites English Suites and Partitas.

Whilst making no claims to be stylistically authentic this little piece aims to capture the infectious spirit of mariachi a word whose origins are lost in the mists of time but which describes not only the performers (on guitars vihuelas violins trumpets and harp) but also the music itself. Their music speaks of love passion politics life in the country and revolutionary heroes but is unerringly uplifting in style and immediately recognisable as the spirit of Mexico. A chance to add that Spanish flavour to your concerts.

This majestic processional march entitled Cortège de Bacchus (Procession of Bacchus) is an extract taken from one of the most popular scenes in the ballet Sylvia by the celebrated 19th Century French composer Léo Delibes. In this arrangement for brass band by Stephen C. Barnwell it can be used an ideal concert opener or for any festive occasion.

9 Duets by Tasso first published in Venice 1559 arranged for Recorder Duet (ST).

Having published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s piano concertos the study scores can now also be purchasedindividually.The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by Introductions by Beethoven scholar Barry Cooper on the genesis of theconcertos as well as Forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.• Urtext editions at the cutting edge of scholarship• Reference editions for pianists students conductors and libraries• Each score contains an Introduction by Barry Cooper (Ger/Eng) Urtext edition study score of Ludwig van Beethoven 's Piano Concerto No.5 In E-Flat Op.73 . Features: Urtext edition at the cutting edge of scholarship An ideal reference edition for pianists students conductors and libraries Each score contains an introduction by Barry Cooper (Ger/Eng) Format 17.5 x 22.5 cm Barenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven ’s Piano concertos. The study scores can now also be purchasedindividually. The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.

Valse pour chalida pour caisse claire ou tambour et piano. Par Rabie aux éditions Leduc. Partition / Livre de chansons pour Batterie

10 easy solo arrangements of Mercedes Sosa ’s songs for classical Guitar. Transcribed by Oscar Nuñez Caballero Album de Guitarra Fácil N.10 - Mercedes Sosa includes: Antiguo dueño de las fleches Graciasa la vida La añera Los mareados Pampa del sur Pequeña Pollerita Todavía cantamos Todo cambia and ¿Será posible el sur? . Language: Spanish. Mercedes Sosa known as La Negra was an Argentine singer who was popular throughout Latin America and many countries outside the continent. Withher roots in Argentine folk music Sosa became one of the preeminent exponents of nueva canción. She gave voice to songs written by both Brazilians and Cubans. She was best known as the 'voice of the voiceless ones'. Sosa performed in venues such as the Lincoln Center in New York City the Théâtre Mogador in Paris and the Sistine Chapel in Vatican City as well as sell-out shows in New York's Carnegie Hall and the Roman Colosseum during her final decade of life. Her career spanned four decades and she was the recipient of several Grammy awards and nominations including a posthumous Latin Grammy award for Best Folk Album. She served as an ambassador for UNICEF.

Piano Solo

This work is suitable for the lower school classes and especially for youth orchestras.Every group is highlighted with its own theme against a heavy beat. Peanuts will get your audience on their feet and adds a cheerful note to your concert.

Rued Langgaard 's String Quartet No. 2 dating from 1931. BVN 145 Rued Langgaard 's String Quartet No. 2 dating from 1931. BVN 145

4 or 5 Voices. Glasby J 4 or 5 Voices. Glasby J

Elegy I ‘Jealousy’ has been named after John Donne’s poem of the same name. This English poet (1572-1631) wrote an entire series of elegies each with its own theme. Jealousy can trigger various emotions ranging from disappointment grief or regret to madness and anger. All these emotions have been incorporated into this composition. Jacob de Haan was inspired by three different works of art: a poem (the aforementioned poem by John Donne) a painting by the Norwegian painter Edvard Munch (Jealousy in the Garden) and an old French chanson about jealousy (Je ne l’ose dire) by the sixteenth-century French composer Pierre Certon. The music refers repeatedly to thischanson - sometimes through key notes from the melody that serve as the starting point for new isolated themes and sometimes through quotations of the original version

The Ultimate “Europe” Collection is an exciting medley of explosive 80s rock! Europe who originally went under the name of Force were founded in 1979 in the Swedish town of Uppland Väsby. At the beginning the band wrote progressive rock but soon switched their direction to a more accessible keyboard-laden rock sound. Their worldwide breakthrough came in 1986 with the snappy The Final Countdown . This infectious rock number occupied the number one slot in the charts the world over. At the end of the 80s Europe had various other hits of which Rock the Night Carrie and Superstitious are the best known. The band which over time has released eightstudio albums is still going strong and has a loyal fan base. In The Ultimate Europe Collection four of the biggest of Europe’s hits are brought together: The already-mentioned Rock the Night Carrie and Superstitious and of course also the megahit The Final Countdown !

As the title suggests this piece comprises a set of variations on an original chorale which is presented in the opening bars.The chorale uses the dark middle and lower sections of the band and is extended with minor variations until a pause leads to the first real variation marked Vivo. This is in the form of a moto perpetuo. The second variation is a beautiful Andante introduced by a solo clarinet. Following a full band climax the final variation opens with quiet nervous energy until its main theme is introduced.The chorale makes a brief appearance until the main theme reappears. This leads to a triumphant final augmented statement of the chorale theme decorated by theflorid clarinet theme in the upper woodwinds. A dazzling new concert work.

Alfred's Basic Piano Library offers nine perfectly graded beginning series which are designed to prepare students of all ages for a successful musical learning experience. This book is designed specifically for adults and whilst it is designed to correlate directly to the corresponding level of Alfred's Basic Adult Piano Course the pieces are written in a manner which makes them highly adaptable to almost any other method.

Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BVN 133. Texts by Jenny Blicher-Clausen Ivan Turgenjev Thor Lange and Holger Drachmann. Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BVN 133. Texts by Jenny Blicher-Clausen Ivan Turgenjev Thor Lange and Holger Drachmann. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Danmark Synger Julen Ind - 10 Nye Danske Julesange (2015). This is a collection of 10 new Danish Christmas songs arranged for Mixed Choir SATB and Equal Voices SSA. Published by Edition Wilhelm Hansen and the Danish National Radio P2. Danmark Synger Julen Ind - 10 Nye Danske Julesange (2015). This is a collection of 10 new Danish Christmas songs arranged for Mixed Choir SATB and Equal Voices SSA. Published by Edition Wilhelm Hansen and the Danish National Radio P2.

Gleichwie Der Regen Und Schnee Vom Himmel Fällt (Like As The Raindrops And Snow From Heaven Fall) BWV 18 Cantata for Sunday Sexagesimae Leipzig Version - Performance material (BA10018) vocal score (BA10018-90) & study score (TP1018) available for sale Barenreiter's editions of Bach 's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one forevery Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.