Just sind es vierundzwanzig Jahre (Nr. 4) RV 511A/B/C-4.ABC-Instrumentation: Fl. Picc. / 2 / 2 (A) / 2 • 4 (F) / 2 (F) / 3 / 0 • Schlw. (Glsp. gr. Tr. m. Bck. kl. Tr. • Streicher Instrumentation: Fl. Picc. / 2 / 2 (A) / 2 • 4 (F) / 2 (F) / 3 / 0 • Schlw. (Glsp. gr. Tr. m. Bck. kl. Tr. • Streicher

Designed for pianists who are moving into late intermediate to early advanced levels of study this book features three sections. The first section includes études for the development of specific skills. The second section features selected Hanon exerc

A. Frans wrote mainly traditional-style marches. After the success of Pitsenburg March we could not deprive you of this sparkling Silvarez March.

Five Variations on the 'Brugg Song'-Kaleidoscope is a set of five variations of on the ‘Brugger Lied’ (Brugg Song) which is the traditional song of the town of Brugg. The lyrics tell of the geography people and traditions of this charming and historic town which is situated in the north of Switzerland near to the German border about halfway between Basel and Zurich.Each variation is based on tiny extracts of the theme the whole piece therefore resembling the effect of a kaleidoscope which juxtaposes small fragments of colour in a constantly changing pattern.

To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck Philip Sparke composed Wilten Festival Overture. A bold fanfare led by the horns forms the opening of the work from which an expressive theme unfolds until the full band reaches a climax. Short solo statements from saxophone horn and trumpet lead to a recapitulation of this theme which melts into a rhythmic Vivo. A robust melody is is then played by the clarinets and taken up by the whole band before a legato figure leads to a cantabile theme again presented by the clarinets. The original Vivo melody reappears before the opening fanfare is briefly heard and the work comes to an end with ashort Coda. A great experience for the whole band!

Late-elementary and early-intermediate piano students will enjoy the seven solos in Book 2. Taco Rock Appaloosa Pony and Lady Brittany's Ballad are just three of the popular solos in this collection. The variety of music in this collection will be appealing to students at this level.

Joies; Deuils; Luttes (Originally for Organ)

for drum kit and piano

Margery Dawe: Circus Scenes for Violin (Violin Part only)

Nuova Edizione Con Tracce Guida- Roberto Fabbi 's anthology of songs for the Guitar Chitarra boasts 14 tunes from the jazz pop cinema and classical genres allowing guitarists to learn to play some wonderful melodies. The accompanying CD allows you to play along while the easy transcriptions with tablature will get you playing as quickly as possible.

Symphony- Critical Commentary of Dvorák's Symphony No.7 in D minor Op.70 for Orchestra.

German language edition of Ferdinand Sor's Divertissement Op.38 . Scored for two Guitars.

1.Sainte Trinité; 2.Tous les Saints; 3.Conception immaculée; 4.Dernier Dimanche après Pentecôte; 5.Premier Dimanche de Carême; 6.Jour de Pâques

French pianist arranger composer and conductor Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass à La Manière De Vivaldi composed in 2002 for Trombone and Piano being no exception. With a typical performance lasting about four minutes Defaye 's à La Manière De Vivaldi reflects the compositional techniques of Antonio Vivaldi by use of contrapuntal textures modulations to related keys long and even quaverand semiquaver melodic passages syncopation and contrasts in dynamics. Defaye 's passion to explore a variety of preceding composers is clear with à La Manière De Vivaldi being a part of a series which explores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire à La Manière De Vivaldi by Jean-Michel Defaye is essential.

Flute Et Piano - Cycle 2- Born in 1970 éric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the wonderful short work Les Mystères De Brocéliande. This delightful work by Ledeuil depicts the legendary forest in Brittany France which has been used in numerous literary works. It is a place of legend due to its uncertain location unusual weather and for notably containing a supposed magical fountain and the tomb of Merlin. Les Mystères De Brocéliande for Flute and Piano accompaniment is an essential andvaried piece for intermediate flautists. Ledeuil 's piece depicting beautifully the inspiring forest of Brocéliande makes for an exciting performance piece for the Flute.

Cantata for Trinity Sunday- Es ist ein trotzig und verzagt Ding BWV 176 Cantata for Trinity Sunday This cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed by Bach apparently within a few weeks on texts by the contempotary Leipzig poetess Marianne von Ziegler. It is scored for Soprano Alto and Bass soloists mixed choir (SATB) 2 Oboes Oboe da caccia Strings and Basso continuo. - Urtext of the New Bach Edition - Performance material (BA10176) choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Work for String Orchestra. Work for String Orchestra.

for viola da gamba solo

Newly engraved scholarly-critical performing edition. Detailed notes on performance practice (Ger/Eng). Practical page turns. Access to Schubert ’s drafts at www.baerenreiter.com. New Foreword (Ger/Eng) and Critical Commentary (Eng). Schubert ’s great C Minor Sonata D 958 was composed in 1828 just a few months before his death along with the late sonatas in A major (D 959) and B-flat major (D 960). Conceived as a triptych they constitute his musical testament to the Piano sonata genre. This scholarly-critical edition by Walburga Litschauer is based on the New Schubert Edition and presents thismasterpiece in a spacious new engraving. Notes on performance practice especially on pedalling and Schubert’s distinctive manner of writing accents form a Foreword to the work. Rounding off the edition is a Critical Commentary which presents alternative readings of interest to performers. Schubert’s drafts for all four movements of the sonata can be accessed on Bärenreiter’s website. This new edition replaces our existing edition BA 5632.

Jay Althouse's I Saw A Star! arranged for unaccompanied mixed choir (SATB).