Moon of Saturn-A bold and powerful work for young bands! The aggressive theme sets the stage for this forceful original piece. In the spirit of The Planets by Holst Titan-Moon of Saturn celebrates the multi-national Cassini-Huygens spacecraft that landed on Saturn’s moon Titan on January 14 2005. There are many questions about Titan that this daring space exploration mission will seek to answer some of them. In addition to being a great piece for your own band it is the perfect expression for a massed band performance. This is also a wonderful opportunity for some cross-curricular work with the science department. Mighty!

Sancta Maria mater Dei K.273 scored for mixed choir (SATB) Strings Organ. Written in Salzburg in September 1777 it was most likely composed as an offertory motet for the Feast of the Blessed Virgin Mary on the 12th September. - Urtext of the New Mozart Edition - Full score & performance material (BA4751) and vocal score (BA4751-90) for sale

Concerto for Organ Harpsichord and Orchestra- Concerto for Oragn or Harpsichord: Organ/Harpsichord solo Oboe (2) Bassoon Strings & Continuo

Fantasia di Falcone is a four movement suite of fantasy variations composed as a showpiece for your outstanding Euphoniumsoloist. The piece opens with an expressive 12 measure soliloquy which presages the dynamic modern variations and diversionsthat fully explore the moods of the Euphonium. Exquisite orchestration contrasts and effects give the soloist perfect supportas the ensemble reinvents itself again and again revealing surprising new facets to this gem of the compositional art. Significant!

for the Left Hand for Piano and Orchestra- In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel ’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel ’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’s evolutionfrom Ravel ’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel ’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel ’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale

A Romantic Sketchbook for Piano explores the wealth of piano music from the Romantic period in five carefully graded albums. Each volume presents a variety of keys time signatures and textures within a comprehensive range of tempi which will be invaluable to students in the development of their musical skills. A Romantic Sketchbook For Piano explores the wealth of piano music from the Romantic period in five carefully graded albums. Mostly composed between 1830 and 1930 the pieces in these albums have been selected to introduce players to a wide range of music from works by some of the leading Romantic composers (such as Schumann Mendelssohn and Tchaikovsky) to unfamiliar pieces by lesser-known figures. Each volume presents a variety of keys time signatures and textures within a comprehensive range of tempi which will be invaluable to students in the development of their musical skills. Players will also respond imaginatively to the varying styles and moods offeredin these colourful sketchbooks from the lively dances and mood pictures to the tender songs and gentle serenades. The five books in this series are graded in terms of difficulty Book 1 being relatively easy and Book 5 advanced.

No. 2 Zion's Walls-Unison. Copland A

(SATB Piano Part)-The Piano part for Max Raabe 's Für Frauen Ist Das Kein Problem a wonderful work arranged for SATB chorus and Piano Accompaniment. The vocal score is available to purchase separately. The Piano part for Max Raabe 's Fur Frauen Ist Das Kein Problem a wonderful work arranged for SATB chorus and Piano Accompaniment. The vocal score is available to purchase separately.

First edition of the original version for Orchestra. Urtext based on the Complete Works of Gabriel Fauré. Large format orchestral parts (25.5 x 32.5 cm) Bärenreiter’s new scholarly-critical edition of Gabriel Fauré ’s evergreen the Pavane Op.50 has been edited by Robin Tait as part of the Complete Works of Gabriel Fauré. The popularity of the work is mostly attributed to its many arrangements but the original version for Orchestra is being published here for the first time. Shortly after completing the Orchestral work Fauré began work on a version for Choir which was actually premiered before the Orchestralversion. This Bärenreiter edition offers conductors and Orchestras a reliable Urtext edition of the Pavane ’s original Orchestral version which will surely enhance symphonic concert programmes everywhere.

Easier Piano Pieces 01-A one-time student of Mozart Thomas Attwood published these four sonatinas as lessons for 'Young Beginners on the PianoForte or Harpsichord' in 1795. Short tuneful and easy they provide an excellent introduction to the classical sonatina form. Easier Piano Pieces Vol.1 edited by Richard Jones.

Experiences from kids and their violin lessons have led to create this original collection of etudes. The well-known violin-pedagogue Christiane Bornemann uses the onomatopoeic effects of the pieces naming them „Die Schlange „Clowns or

Nine easy to medium pieces written and arranged for the trumpet by Chris Wilson-Smith.

With pieces including Last Of The Summer Wine English Country Garden and Dvorak’s Humoresque this collection of pieces arranged for Recorder Trio will provide a superb addition to your ensembles repertoire. As part of the Winners Galore series these popular pieces from Film and TV to well-known Classical melodies has been arranged for Recorder Trio by Peter Lawrance. Included here are the score and parts. For 2 Descant recorders and Treble/Tenor Recorder.

These carefully graded solos are combined with effective and sympathetic accompaniments. These carefully graded solos are combined with effective and sympathetic accompaniments.

Tapping method for electric Guitar.

Original Works and Arrangements for Church Service and Concert-The organ plus one series was conceived primarily with semi-professional church musicians and instrumentalists in mind. Based on the liturgical year the pieces can be readily performed in church services evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales both original works and arrangements. Among the pieces in this edition are John Alcock Fuga; Christlieb Siegmund Binder Prelude in F major; Jacques-Nicolas Lemmens Fanfare; Max Philipp Zeyhold Concerto in A major; Johann Sebastian Bach Was Gott tut das ist wohlgetan; Karl Hoyer Liebster Jesu wir sind hier; Carl Piutti Lobe den Herren den mächtigen König; andCarsten Klomp Grosser Gott wir loben dich. Original Works and Arrangements for Church Service and Concert. The “Organ plus” one series was conceived primarily with semi-professional church musicians and instrumentalists in mind. Based on the liturgical year the pieces can be readily performed in church services evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales both original works and arrangements. Each edition includes solo parts for instruments in C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instruments remains in the middle register. Among the piecesin this edition are John Alcock Fuga ; Christlieb Siegmund Binder Prelude in F major ; Jacques-Nicolas Lemmens Fanfare ; Max Philipp Zeyhold Concerto in A major ; Johann Sebastian Bach Was Gott tut das ist wohlgetan ; Karl Hoyer Liebster Jesu wir sind hier ; Carl Piutti Lobe den Herren den mächtigen König ; and Carsten Klomp Grosser Gott wir loben dich .

Easier Piano Pieces 69-The works of Russian conductor pianist and composer Reinhold Gliere (1875-1956) were much influenced by 19th-century Russian romantic tradition. These fascinating sketches vary considerably in style from a serene chorale-like work to an agitato piece full of chromatic detail. Most are gentle romantic works coloured with subtle harmonic touches. Easier Piano Pieces Vol.69 edited by Thomas A. Johnson.

As the title suggests there is a wide range of styles represented in the eight pieces making up the album – one piece in each of the Baroque Classical and Romantic styles and from the twentieth century a film theme tune a piece of 1930's jazz and 'Fever' from the 1950's (which requires the pianist to be able to click his fingers as well as play the right notes!) The album is completed by a short original piece 'Thin Ice'.

Violin Piano. Dvorak A

Eighteenth century theatrical music and operatic composer Thomas Arne is the creator of Rule Britannia but here is in less patriotic and more dramatic mood. The recitativo and air O Ravishing Delight appear to survive from Arne’s 1742 opera The Judgement of Paris at the moment that Paris is overcome at the sight of the three goddesses and begs Hermes to take him away. The initial bars of the aria express Paris’s emotion in a largo section which then gives way to jolly allegro before returning to the tragic largo briefly and ending allegro.