from High School Musical 3-Here is the tender ballad from Disney's hit movie High School Musical 3 in a great-sounding arrangement for young players. This is sure to be a hit with any audience while providing a nice programming change of pace. Dur: 3:00

Man in the Mirror - I'll Be There - Thriller-Featuring three key songs from Michael Jackson's diverse musical career this concise and easy to learn.

With Online Audio-This is an invaluable resource for anyone interested in Irish mandolin playing. As well as being a complete guide for the absolute beginner this book also contains a mine of information useful tips and ideas for the experienced player. The book takes the reader from the basics of the mandolin right through to more advanced topics such as creating variations emphasis improvisation playing with other musicians practicing effectively and much more. All the tunes and key exercises in the book are included on the accompanying 63 track audio download available online. There is no need to read conventional music notation as all the music is written in easy-to-read mandolintablature. However for those interested in learning about music notation there is a handy section on this subject tailored specifically to the mandolinist as well as a chapter on modes. This is an invaluable resource for anyone interested in Irish mandolin playing. As well as being a complete guide for the absolute beginner this book also contains a mine of information useful tips and ideas for theexperienced player. The book takes the reader from the basics of the mandolin right through to more advanced topics such as creating variations emphasis improvisation playing with other musicians practicing effectively andmuch more. All the tunes and key exercises in the book are included on the accompanying 63 track audio download available online. There is no need to read conventional music notation as all the music is written in easy-to-readmandolin tablature. However for those interested in learning about music notation there is a handy section on this subject tailored specifically to the mandolinist as well as a chapter on modes.

Here is the perfect choice for an entertaining and unique holiday selection. Johnnie Vinson combines a light swing treatment of Jingle-Bell Rock a lush version of Frosty the Snow Man and a jazzy Here Comes Santa Claus into a terrific medley for young bands. Sure to be an audience pleaser!

A show-stopping get-the-congregation-on-their-feet medley of patriotic favorites An American Trilogy will bring down the house! Mark Hayes has arranged this mini-collection in gospel style with an awesome solo opening andfabulous orchestration. Voiced for SATB or TTBB ensembles this is a must for any general or patriotic presentations. Includes: My Country 'Tis of Thee America the Beautiful and This Is MyCountry.

The Lilac Series of World Classics No.26. Beethoven's Menuet In G for Piano Solo.

The fifth string quartet by the innovative Philip Glass was originally commissioned by David and Evelyne Lennette for the Kronos Quartet and was first performed on February 15 1992.

Motown is celebrating its 40th anniversary this year and one of its headline groups was certainly The Temptations. This hit by the Temps epitomizes the down-to-earth rhythm and blues style that made their music so popular.

SATB with organ and soprano solo- Let Your Heart Not Be Troubled is a setting of text from St. John xiv: 1 27 by Oley Speaks . This is an arrangement for SATB choir with Organ accompaniment by Lucien G. Chaffin .

Two-part chorus of treble or mixed voices with piano accompaniment. A beautiful traditional Irish ballad arranged for 2 part choir of treble or mixed voices by Margaret Vance.

This early jazz classic by Miles Davis is an excellent vehicle for introducing the blues. The trumpet soli section is derived from Miles' original solo and may be performed either as a solo or as a section feature.

Incorporating Gloria-The Angels' Gloria combines the traditional French carol Angels We Have Heard on High with an original melody creating a truly heavenly chorus. Arranged for SATB three-part mixed or two-part treble voices this shiningChristmas octavo is appropriate for any age or skill level.

From the Choral Tradition Series in both German and English

This cycle of settings of poems by Paul Celan was written between May and July 1990 for Ute Lemper. The texts are taken from the following collections: 'Chanson einer Dame im Schatten' and 'Corona' from Mohn und Gedachtnis(1952) 'Nachtlich geschurzt' from Von Schwelle zu Schwelle (1955) 'Blume' from Sprachgitter (1959) and 'Es war Erde in ihnen' and 'Psalm' from Die Niemandsrose of 1963. The settings of 'Corona' and 'Blume' both introduce an eight-barchord sequence derived from Chopin's Mazurka in A minor Op.17 No.4 (the introduction to which was used by Gorecki in his Symphony No.3). Piano and voice version written in 1997 at the request of Hilary Summers.

From In The World Of Nature- Im Haine (In Nature Op.63) was a song-cycle written in 1882 for amateur performance. The five unaccompanied part-songs were settings of poems by the Czech poet Vitezslav Halek inspired by the countryside. No. 2 is loosely translated as “Bells Ring At Dusk” and tells of the bells ringing to call people to Vespers at the end of the day. It is scored for SATB choir a cappella. Antonin Dvorak (1841-1904) was best known for his New World Symphony composed in the short time he spent in America – the rest of his career was spent in his native Bohemia and the rest of Europe.

Commissioned by the Verdehr Trio Tibetan Dance had its first performance on March 7 2001. The three-movement work is based on the rhythm and melodic motive of a Tibetan folk dance from Qinghai a Chinese province by the borderof Tibet where the composer lived during his teenage years. 15 minutes. Tibetan Dance was composed in October 200 for the Verdehr Trio of the Michigan State University. Scored for Clarinet Violin and Piano it calls upon the musicians to also use their instruments as percussion with the violinist sometimes tapping the soundboard to create a drum-like rhythm. Written as three movements: Prelude – Song – Dance it weaves together themes from China Japan and the composer’s native Tibet creatinga mesmerising cross-cultural counterpoint. Bright Sheng is a contemporary Chinese composer who settled and studied in America following the Cultural Revolution. He is known for writing traditional Chinese tunesand folk songs in a western style.

Perfect as a pop concert closer the music of Freddie Mercury and Queen continues to wow a new generation of listeners. Includes: Another One Bites the Dust Bohemian Rhapsody We are the Champions and We Will Rock You. Performance Time: Approx. 4:40. Perfect as a pop concert closer the music of Freddie Mercury and Queen continues to wow a new generation of listeners. Includes: Another One Bites the Dust Bohemian Rhapsody We are the Champions and We Will Rock You. Performance Time: Approx. 4:40.

Quoting Burgon: My first thought on receiving this commission was what sort of text would suit. Something on the general idea of growth - starting very small and blossoming was the obvious way to go but it wasn’t until I foundthe Andrew Marvell poem Music’s Empire that I really got going. The poem is about the invention and development of music; this might sound a bit dry but in fact it is both charming and dramatic and it is also apt in that it canbe set for both solo voice and chorus. The other factor to be considered in writing this piece was the Purcell connection. Purcell wrote Come Ye Sons of Art in 1964 the year the bank was founded and this piece is alsoincluded in the celebratory concert. So I wanted to include some homage to HP as well. Marvell’s poem is the sort of text that Purcell might have set had he come across it. It is a sort of Ode of text that Purcell might haveset had he come across it. It is a sort of Ode to St Cecelia and he wrote one of those as we know. So I have referred to Purcell in two particular ways; I have quoted Come Ye sons of Art directly and I have used thecountertenor. Purcell himself sang countertenor in many of his own pieces and wrote some of the most gorgeous music ever written for that voice. I also happened to love both Purcell’s music and the countertenor so writing thispiece was really a labour of love. It is scored for countertenor mixed chorus and symphony of orchestra - rather larger than any orchestra that Purcell had access to as far as I know but one in which I’m sure he would haverevelled in given the opportunity. It is about ten minutes in duration.

Edited by Max Vogrich for the intermediate to advanced pianist.

Sheet Music The Black Swan is an aria from the opera The Medium by Gian Carlo Menotti. The work is arguably Menotti's most famous serious opera and it opened at the Ethel Barrymore Theater on Broadway in 1947.