Parker and Govenor have combined their creative talents to produce this meaningful Christmas morning celebration. May be used as an effective call to worship or as an anthem anytime during the Christmas season. Available: SATB. Duration: ca. 2:10.

For Oboe and String quartet. Published 1984. Commissioned by James Ostryniec. First performance: Tokyo (Interlink Festival) 1984 James Ostryniec (oboe) New Arts String Quartet. For Oboe and String quartet. Published 1984. Commissioned by James Ostryniec. First performance: Tokyo (Interlink Festival) 1984 James Ostryniec (oboe) New Arts String Quartet.

This book and online audio is a treasure-trove of improvisational techniques. Twenty-nine techniques are covered including: arpeggios targeting chromaticism side-slipping negative tonal space poly-rhythms resolution melodic expansion and more. Anyone interested in the art of jazz improvisation regardless of ability will find this book indispensable. The author Jay Umble guarantees something for everyone. All examples are presented in standard notation and tablature. Includes access to online audio for all examples.This book and online audio set is a treasure-trove of improvisational techniques. Twenty-nine techniques are covered including: arpeggios targeting chromaticism side-slipping negative tonal space poly-rhythms resolution melodic expansion and more. Anyone interested in the art of jazz improvisation regardless of ability will find this book indispensable. The author Jay Umble guarantees something for everyone. All examples are presented instandard notation and tablature. Includes access to online audio for all examples.

One Piano Four Hands-One Piano Four Hands. To see other NFMC selections click here . Dvorak's Slavonic Dances arranged for piano four-hands. Edited and fingered by Albert Von Doenhoff.

For Trebles and organ by Lennox Berkeley. Adapted from A Festival Anthem op.21 no.2 (1945)

For String Quartet and taped natural sounds. Dedicated to and premiered by the Duke Quartet.

The Musical Theatre Essentials series represents the ultimate selection of songs from the stage. Volumes are available for Soprano Mezzo-Soprano Tenor and Baritone/Bass either with or without accompaniment CDs. Unique song lists are provided in the books for each vocal range including this volume for Mezzo-Soprano. Newly edited and engraved with Vocal line and Piano accompaniment the two Mezzo-Soprano volumes from the Musical Theatre Essentials series provide a golden opportunity to celebrate the music of the stage containing songs from classic and modern musicals such as: Cabaret Evita Guys and Dolls Mamma Mia! and Les Miserables .The Musical Theatre Essentials series represents the ultimate selection of songs from the stage. Volumes are available for Soprano Mezzo-Soprano Tenor and Baritone/Bass either with or without accompaniment CDs.Unique song lists are provided in the books for each vocal range including this volume for Mezzo-Soprano. Newly edited and engraved with Vocal line and Piano accompaniment the two Mezzo-Soprano volumes from the Musical Theatre Essentials series provide a golden opportunity to celebrate the music of the stage containing songs from classic and modern musicals such as: Cabaret Evita Guys and Dolls MammaMia! and Les Miserables .

For Violin Duet-A collection of 92 delightful folk melodies from Romania Russia Ukraine Poland Hungary Moldavia Transylvania Czechoslovakia Moldavia Serbia Croatia and more arranged for two violins in the first position with accompaniment chords. This package includes the companion online recording a 72-minute stereo audio presenting a performance-tempo rendition of all 92 duets from the book. Each violin is isolated on its own channel so by adjusting the balance of your player to the left or right you can play along with the first part second part or both. Includes access to online audio. Mary Ann Harbar (Willis) presents a collection of 92 delightful folk melodies from Romania Russia Ukraine Poland Hungary Moldavia Transylvania Czechoslovakia Moldavia Serbia Croatia and more. Arranged for twoViolins in the first position with accompaniment chords. This package includes the companion online recording a 72-minute stereo audio presenting a performance-tempo rendition of all 92 duets from the book. Each Violin isisolated on its own channel so by adjusting the balance of your player to the left or right you can play along with the first part second part or both. Includes access to online audio.

Classic music from the top-selling album 'Voices' including some of the world's finest vocal music as performed by Louis Armstrong Russell Watson and Placido Domingo. Arranged for piano with separate vocal line.

Here is one of John Mellencamp's biggest hits in a solid chart from Paul Murtha. This is energetic rock and roll at its best!

(optional piano feature)-This old country favorite is nothing but fun with its twangy tune wipe-out style drum break and foot-stompin' knee-slappin' fiddle playing. You can choose to feature a Floyd piano player or play it with just orchestra. Anoptional easier fiddle feature is also included. An audience-pleaser-plus! Dur: 2:20

The fifteenth full Opera from the prolific Hans Werner Henze and the first to feature a self-penned libretto. After the poems he wrote for his Songs from the Arabian Henze has produced this unusal tale through adaptingboth Arab and Persian legends and invoking the same half-real half-imaginary Arabia as the song cycle. The story itself is a fairy tale comedy with much in common with The Magic Flute . The orchestral arrangement is huge featuring quadruple wind five percussionists and a part for tape.

Petula Clark went straight to the top in 1966 with this hit. Girls of all ages will have a great time performing this fun arrangement. Petula Clark went straight to the top in 1966 with this hit. Girls of all ages will have a great time performing this fun arrangement.

Composer's Notes : Heavenly Things is my fourteenth song-cycle but the first with piano accompaniment. I mention this because when I was asked to write this piece my first reaction was ‘what can I make of amedium that seems to me quintessentially 19th century’ and I was doubtful that I could produce anything that I would be happy with. Then I went to hear Christopher Maltman and Malcolm Martineau and was so impressed by the magicand intensity of their performance that I saw a ‘way in’ to what at first had seemed a problem. The choice of poems was obviously going to be crucial and I chose the Donne Holy Sonnets because of the dramatic possibilities theyoffer and the huge range of emotion that they encompass. In these settings the piano is always more than a mere accompaniment it tends either to be in dialogue with the voice or to have its own musical agenda which the voicereacts to in an independent but parallel way. Geoffrey Burgon

Negro Spiritual-The spiritual Do-Don't Touch-A My Garment arranged by Robert Shaw for TTBB choir a cappella with a Baritone soloist.

Available for the first time for solo piano here are four fabulous arrangements from the motion-picture soundtrack of The Piano plus the two favourite themes from the award-winning film by Jane Campion. This is anotherwonderfully presented edition with stills from the film an original manuscript sketch and note from Nyman to lead actress Holly Hunter who performs the pieces herself in the film.

This book presents 31 of the most-loved old-time gospel songs arranged in the three-finger style complete with musical notation banjo tablature chords and lyrics. Each song is presented first as a beginner-intermediate arrangement played in the first position in Scruggs style. Most songs are then presented in an up-the-neck arrangement. The audio download available online features five-string banjo solos played in three-finger style and accompanied by guitar mandolin and bass. This is a split-track recording the lead banjo is on one channel and the accompaniment instruments on the other. Includes access to online audio that can be used as a solo recording ateaching recording or a play-along recording. This book presents 31 of the most-loved old-time gospel songs arranged in the three-finger style complete with musical notation Banjo tablature chords and lyrics. Each song is presented first as a beginner-intermediatearrangement played in the first position in Scruggs style. Most songs are then presented in an up-the-neck arrangement. The audio download available online features five-string Banjo solos played in three-finger style andaccompanied by Guitar Mandolin and Bass. This is a split-track recording the lead Banjo is on one channel and the accompaniment instruments on the other. Includes access to online audio that can be used as a solo recording ateaching recording or a play-along recording.

(Psalm 130)- Mozart ’s De Profundis (Psalm 130) K.93 for SATB Choir with Organ or Piano accompaniment edited by Don Smithers. Composed in Salzburg in the summer of 1771 to the words of Psalm 130 a Penitential Psalm used in liturgical prayers for the faithful departed in Western liturgical tradition. Instruction in English Psalm in Latin. For intermediate (Grade 4-6) level. Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical era. Born in Salzburg Mozart showed prodigious ability from his earliest childhood. Already competent on Keyboard and Violin hecomposed from the age of five and performed before European royalty. During his life he composed over 600 works many acknowledged as pinnacles of symphonic concertante chamber operatic and choral music. He is among the most enduringly popular of classical composers and his influence on subsequent Western art music is profound.

Two Shakespeare Songs were written in 1989-1990. Cry Cock-a-Doodle-Doo was written first and is scored for Soprano Voice and Piano. It takes its text from a song by Ariel in The Tempest . The Witches’ Song is for solo Soprano with the text coming from Macbeth . Both are dramatic works which allow the performer to showcase her virtuosity; either would be a perfect audition piece or both could be combined as complementary items on a recital programme. Alison Bauld (b. 1944) is an Australian-born composer and writer who lives and works in London. Her compositions are distinguished by their dramaticstructure partly inspired by musical theatre. She has also written a three-volume tutor for keyboard and composition.

A New Beginning was commissioned by the New Millennium Experience Company and will be performed in the Millennium Dome London in the closing minutes of 1999 to herald the New Millennium. For solo treble children's chorus SATB chorus and small orchestra. Duration c. 7 minutes.