Contents: At St. Patrick's Purgatory * Church Bell at Night * Church Bell at Night * St. Ita's Vision * The Heavenly Banquet * The Crucifixion * Sea-Snatch * Promiscuity * The Monk and His Cat * The Praises of God * The Desire for Hermitage. To poems translated from anonymous Irish texts of the eighth to thirteenth centuries.

A Thread Entwined was written by Emily Wright for the Nieuw Ensemble and was commissioned in partnership with the Huddersfield Contemporary Music Festival. A Thread Entwined was first performed by the Nieuw Ensemble on 23rd November 2011 conducted by Bas Wiegers at the Huddersfield Contemporary Music Festival in St Pauls Hall. A Thread Entwined was written by Emily Wright for the Nieuw Ensemble and was commissioned in partnership with the Huddersfield Contemporary Music Festival. A Thread Entwined was first performed by the Nieuw Ensemble on 23rd November 2011 conducted by Bas Wiegers at the Huddersfield Contemporary Music Festival in St Pauls Hall.

A seasonal motet for unaccompanied SATB voices This choral work is among some of the finest of the late Tudor and Elizabethan periods and is here available in scholarly edition with a practical piano reduction. A festive season motet for unaccompanied SATB voices. This choral work is among some of the finest of the late Tudor and Elizabethan periods and is available here in scholarly edition with a practical piano reduction for rehearsal purposes only.

Work for Guitar with fingering by Josefina Robledo. Work for Guitar with fingering by Josefina Robledo.

Based on a poem by William Wordsworth Eric Wetherell's Westminster Bridge for unaccompanied SSATB choir.

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS

Nach der Offenbarung des Johannes-Bass Organ. Brandmueller T

for SATB unaccompanied For SATB unaccompanied.

Elisabeth Lutyens ' music from the film ' The Skull ' (1965). A3 conductor's score. Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass. Elisabeth Lutyens ' music from the film ' The Skull ' (1965). A3 conductor's score. Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Version for Two Guitars for Venancio Garcia Velasco. Version for Two Guitars for Venancio Garcia Velasco.

The Choral Benediction is a melodic gently flowing piece that is appropriately arranged for amateur or church choir.Contemporary American composing partnership Don Besig and Nancy Price has produced more than four hundred works for school and church choirs. These award-winning composers are active as conductors adjudicators and Choral clinicians.

A Piano transcription of Edward Elgar's First Symphony which was written in 1908.

Motet for Five Voices (SSATB) A Cappella.

Sweet Thames Flow Softly is a tremendous unaccompanied part-song for SATB choir by Betty Roe with words by Ewan MacColl. A brisk flowing pace accentuates the meandering of the river through London to the sea. This piece from 1992 is the first of Two River Songs . A Piano reduction is included for rehearsal purposes.

Arranged for unaccompanied choir SATB. Words by Edward Lear. Piano part included for rehearsal use.

Return Of The Nightingales by Sadie Harrison is for solo Piano and Nightingale. This score is prefaced by the following Persian Sufi text: 'Ajab tarana e sar karda am darin golshan Khoda konad ke na sazad falak khamush mara' - which translates in English to 'I have started to sing a wonderful song in this flower-garden like a nightingale. I hope the movement of the stars (destiny) does not make me silent again.' It is used as a direct reference to the devastation of Afghan culture during the period of the Taliban when musicians were silenced many exiled or fleeing and to their re-emergence following the Taliban’s expulsion from 2001. The piece is dedicated to John Baily who together with his wife Veronica Doubleday has worked tirelessly to preserve Afghan music. His video documentary Return of the Nightingales (2012) celebrates the fabulous work undertaken by the Afghanistan National Institute for Music. Its mottos are: BUILD LIVES THROUGH MUSIC REVIVE AND PRESERVE AFGHAN MUSIC TRAIN FUTURE MUSIC EDUCATORS ESTABLISH INTERCULTURAL DIALOGUE ASSURE MUSICAL RIGHTS Return Of The Nightingales was commissioned by Late Music Festival with funds from the Performing Rights Society. It was premiered by Ian Pace on 3 August 2013 at the Unitarian Chapel York. Return Of The Nightingales by Sadie Harrison is for solo Piano and Nightingale. This score is prefaced by the following Persian Sufi text: 'Ajab tarana e sar karda am darin golshan Khoda konad ke na sazad falak khamush mara' - which translates in English to 'I have started to sing a wonderful song in this flower-garden like a nightingale. I hope the movement of the stars (destiny) does not make me silent again.' It is used as a direct reference to the devastation of Afghan culture during the period of the Taliban when musicians were silenced many exiled or fleeing and to their re-emergence following the Taliban’sexpulsion from 2001. The piece is dedicated to John Baily who together with his wife Veronica Doubleday has worked tirelessly to preserve Afghan music. His video documentary Return of the Nightingales (2012) celebrates the fabulous work undertaken by the Afghanistan National Institute for Music. Its mottos are: BUILD LIVES THROUGH MUSIC REVIVE AND PRESERVE AFGHAN MUSIC TRAIN FUTURE MUSIC EDUCATORS ESTABLISH INTERCULTURAL DIALOGUE ASSURE MUSICAL RIGHTS Return Of The Nightingales was commissioned by Late Music Festival with funds from the Performing Rights Society. It was premiered by Ian Pace on 3 August 2013 at the Unitarian Chapel York.

Luís Tinoco 's Incipit for symphony Orchestra. Conductor's score. “ Incipit ” includes various quotations of “Audivi vocem de caelo” written by the Portuguese composer Duarte Lobo (1565-1646) thought to have been born in the same year when the city of Rio de Janeiro was founded. Work commissioned by the OPART - S.Carlos Theatre to mark the city of Rio de Janeiro’s 450th anniversary and first performed by the Orquestra Sinfónica Brasileira conducted by Tito Muñoz – Cidade das Artes and Theatro Municipal 10th and 11th of June 2015 – Rio de Janeiro. Luís Tinoco 's Incipit for symphony Orchestra. Conductor's score. “ Incipit ” includes various quotations of “Audivi vocem de caelo” written by the Portuguese composer Duarte Lobo (?1565-1646) thought to have been born in the same year when the city of Rio de Janeiro was founded. Work commissioned by the OPART - S.Carlos Theatre to mark the city of Rio de Janeiro’s 450th anniversary and first performed by the Orquestra Sinfónica Brasileira conducted by Tito Muñoz – Cidade das Artes and Theatro Municipal 10th and 11th of June 2015 – Rio de Janeiro.

The Spanish composer guitarist teacher and priest Gaspar Sanz (1640-1710) was one of the leading proponents of the Baroque Guitar. He is best known for his three pedagogical works for the instrument that are still used today by scholars and academics. The collection of four Danzas Cervantinas was written in 1674 in homage to the Spanish writer Miguel de Cervantes (1547-1616) who is famed across the world as the writer of Don Quixote . They have been edited and arranged for the modern instrument by Regino Sainz de la Maza (1896-1981) a virtuosic guitarist and composer who toured all across the world. The Spanish composer guitarist teacher and priest Gaspar Sanz (1640-1710) was one of the leading proponents of the Baroque Guitar. He is best known for his three pedagogical works for the instrument that are still used today by scholars and academics. The collection of four Danzas Cervantinas was written in 1674 in homage to the Spanish writer Miguel de Cervantes (1547-1616) who is famed across the world as the writer of Don Quixote . They have been edited and arranged for the modern instrument by Regino Sainz de la Maza (1896-1981) a virtuosic guitarist and composer who toured all across the world.

Tarik O'Regan's As One for SATB. Commissioned by the American Guild of Organists for the Biennial National Convention in Kansas City 2018. Duration: 3.5 minutes