This songbook contains 100 Latin hits in Spanish and Portuguese all arranged for Piano with lyrics.

Karneval dich preisen wir-Instrumentation: Fl. (2. auch Picc. / 2 / 2 (B A) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. / Schlw. (Trgl. Tamb. gr. Tr. m. Bck. kl. Tr. Glsp.) • Streicher • Bühnenmusik: 2 Trp. (F) und Kindertrompeten Instrumentation: Fl. (2. auch Picc. / 2 / 2 (B A) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. / Schlw. (Trgl. Tamb. gr. Tr. m. Bck. kl. Tr. Glsp.) • Streicher • Bühnenmusik: 2 Trp. (F) und Kindertrompeten

SATB (Choral Score). Holloway R

Instrumentation: Fl. Picc. / 2 / 2 (C-Es C-B) / 2 • 4 (1. 2. in C-Es-B-G 3. 4. in C) / 4 (1. in F-Es-D 2. in C-F-Es 3. 4. in C) / 1 / 1 • Pk. / Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher Instrumentation: Fl. Picc. / 2 / 2 (C-Es C-B) / 2 • 4 (1. 2. in C-Es-B-G 3. 4. in C) / 4 (1. in F-Es-D 2. in C-F-Es 3. 4. in C) / 1 / 1 • Pk. / Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher

Coffee Cantata- Cantata No.211: Schweigt stille plaudert nicht (Be quiet chatter not) BWV 211. The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander are among the best-known and most frequently performed of Bach's secular cantatas. Written in or around 1733 the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the soprano aria Ah how sweet the coffee tastes lovelier than a thousand kisses milder than Muscatel. Both cantatas reveal Bach's mastery in their unusual subject-matter formal design andmusical workmanship. Now they appear in separate editions based on the New Bach Edition with straightforward and easy-to-play piano reductions by Andreas Kohs. - Urtext of the New Bach Edition. - Straightforward and easy-to-play piano reduction. - Vocal score (BA10211-90) performance material (BA10211) and study score (TP1211) available for sale

Sparkling and majestic brass playing introduce this wonderful arrangement of the classic carol! Each of the four verses are treated differently creating beautiful textures and a multi-faceted setting of the familiar tune. This fresh new arrangement for developing bands is a great choice for both church and school!

Arrangement and Orchestration by Andrea Cappellari. Full score and 20 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violin) / 4)tr. (Alto Sax.) / 5) C Instr. (Violin Viola) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin / Viola) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Cymbals Bass/ Triangle Snare drum / Four Hands Piano ad libitum. Performance possibile also without Piano.

Part of the method for all Saxophones by Marcel Mule this third volume of Fifty-Three Studies After Bohem Terschak Furstenau features the studies 36 to 53. Written for upper intermediate players this book will help the players to maintain the acquired technique and develop even more their flexibility. This series of three books is a must-have to prepare the upper intermediate players to the change of cycle. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality ofsound and believed it was dependent on the embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Dix-huit Exercices ou études' 'Exercices Journaliers d'après Terschack' or '30 Grands Exercices ou études d'après Soussmann' (in two books) among others.

Break With Hungry Men Thy Bread ( Brich Dem Hungrigen Dein Brot ) BWV 39. Cantata for the First Sunday after Trinity. This cantata for the First Sunday after Trinity first performed in 1726 is one of the most musically attractive compositions composed by Bach during his time as cantor at St. Thomas Church Leipzig. In its alternating scoring for Oboes Recorders and Strings the opulently-structured opening chorus describes the gesture of the breaking of bread. The arias and recitatives for the two soloists alto and tenor show Bach at the peak of his compositional powers. The two-part cantata concludes with a simplechorus. - Urtext edition based on the 'New Bach Edition'. - Richly coloured scoring using Recorders and Oboes. - Vocal score (Ger/Eng) foreword (Ger/Eng). - Study score (TP1039) performance material (BA10039) & vocal score (BA10039-90) available for sale.

for C trumpet and piano

This Mina Anthology is The Platinum Collection featuring a number of the greatest hits of this prolific and iconic Italian songstress. Some of her most famous songs are arranged here in melody melody line format with lyrics and chord boxes.

Sehr leichte Ausgabe

Words from Psalm 96- A New Song was commissioned by Nicholas Russell for the choir of St. Bride's Episcopal Church Glasgow. It was composed in 1997 and first performed in 1998 by the St. Bride's church choir. Arranged for SATB and Organ Accompaniment.

by Antonio Ongarello. Learn & play 12 songs arranged for jazz guitar.

A collection of 26 carefully graded diverse and appealing new compositions and arrangements for treble recorder and piano by Doris da Costa and Sally Adams Comes with a CD which includes both a performance and play-a-long track.

SATB

Georg Philipp Telemann (b. 14th March 1681 in Magdeburg d. 25th June 1767 in Hamburg) wrote the 117th Psalm in 1758; it thus belongs to his last period of which the chief works are the 'Tageszeiten' (1754) the setting of some excerpts from Klopstock

During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation sound and balance.

Frederiksborg Slotsklokker. Instrumentation: Male choir (TTBB) + symphonic brass (4 cor 3 trp 3 trb tuba) timp. BVN141 Frederiksborg Slotsklokker. Instrumentation: Male choir (TTBB) + symphonic brass (4 cor 3 trp 3 trb tuba) timp. BVN141

Cantata for Trinity Sunday- Es ist ein trotzig und verzagt Ding BWV 176 Cantata for Trinity Sunday This cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed by Bach apparently within a few weeks on texts by the contempotary Leipzig poetess Marianne von Ziegler. It is scored for Soprano Alto and Bass soloists mixed choir (SATB) 2 Oboes Oboe da caccia Strings and Basso continuo. - Urtext of the New Bach Edition - Performance material (BA10176) choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale